Evoking the tranquil undulations of the river a symphonic concerto of colors whispering the poetics of the natural world. The geometric shapes, with their curves and angles, juxtapose the organic with the mathematical, creating a visual sonnet that blurs the lines between the ephemeral and the eternal.

Ho Viet Vinh

TP.HCM đang tổ chức cho người dân cả nước góp ý, hiến kế về “Công trình biểu tượng ghi nhận sự chung sức, đồng lòng của người dân vượt qua đại dịch COVID-19” tại TP.HCM ở khu đất số 1 Lý Thái Tổ (phường Vườn Lài).

Theo kiến trúc sư Hồ Viết Vinh,
Đối với đồng bào thành phố đã nằm xuống trong cuộc chiến chống đại dịch cần được tri ân, ghi nhớ một cách trân trọng tại công trình trên bằng cách khắc tên ở công trình. Rất nhiều công trình tưởng niệm trên thế giới đều có khắc tên các nạn nhân như công trình kỷ niệm sự kiện 11-9 ở Mỹ hay trận động đất ở Đường Sơn, Trung Quốc…
Đối với 23.000 đồng bào mất đi cần được nhắc nhớ một cách trang trọng để mọi người còn biết tưởng nhớ đến ai, tri ân ai. Những người đã nằm xuống cho cuộc sống hôm nay thì bất kể họ là ai, không phân biệt, phải được những người hôm nay, thế hệ sau đến công trình tham quan tự lắng đọng, biết ơn mới thể hiện sự nhân văn.

Vui lòng đọc đầy đủ nội dung bài báo tại link này (bấm vào đây).

The exhibition “Dong Chim Day Nuoc”, taking place at Wiking Salon from December 14, 2024 to January 19, 2025, is an event marking the more than three-decade artistic journey of the famous painter Ca Le Thang. With more than 20 emotional works, the exhibition not only reflects childhood memories of the flood season in the West, but also tells the story of inner rebirth through abstract art. Curated by Le Thien Bao, this event promises to bring an in-depth look at the journey of searching for and affirming the unique artistic language of one of the pioneers of Vietnamese fine arts.

At 4:30 p.m. on February 28, the Trịnh Công Sơn Park in Gia Hội Ward, Huế City, will host a significant event—the unveiling of a bronze statue of Trịnh Công Sơn, sculpted by the late artist Trương Đình Quế (1939–2016). This bronze statue, weighing 500 kg, stands 170 cm tall, with a width of 230 cm and a depth of 160 cm. Its design exudes a sense of intimacy and familiarity.

The project is the culmination of years of dedication by Mr. Lê Hùng Mạnh from Gia Hòa Company in Ho Chi Minh City. The journey to place a statue in a public space was far from simple, but his passion for commemorating artists didn’t stop there—he dreams of creating similar tributes for other cultural icons, such as the poet Bùi Giáng.

The choice of Trương Đình Quế as the sculptor was deliberate. He was one of Vietnam’s most renowned visual artists, celebrated with numerous national and international accolades. Born in 1939, the same year as Trịnh Công Sơn, Quế graduated from the Gia Định College of Fine Arts in 1960—the very year Trịnh penned his first song, Ướt Mi. This synchronicity in their lives laid the foundation for a deep friendship rooted in a shared passion for art and music, allowing Quế to capture the essence of his lifelong friend with ease.

The statue took a year to complete at Giang Điền Waterfall in Đồng Nai. Reflecting on the creative process, Mr. Mạnh shared, “Trương Đình Quế and I agreed on how Trịnh should be depicted—as you now see him, leaning forward, as if gazing into a book, or perhaps into his own soul. Naturally, we couldn’t forget the ‘companion’ who stayed with him from ‘the day my mother bore me into this life of burden’ to ‘the noon field, where we met and vanished into the void’—his guitar.”

“The image of Trịnh bowing is intentional,” Mạnh explained, “and it aligns with his own lyrics: Cúi xuống. Cho tình dấy lên. Cho da thịt mềm. Cho cơn mặn nồng ngất lịm. Cúi xuống. Cho đời lãng quên. Cho mây trời chìm. Cho đêm mở hội âm thầm.

When designing the statue’s base, we collaborated with architect Hồ Viết Vinh, who envisioned it as an eye—650 cm long, 350 cm wide, and 55 cm high. This symbolic choice reflects Trịnh’s longing for human compassion: Những con mắt trần gian, Xin nguôi vết nhục nhằn. Những con mắt muộn phiền, Xin cấy lại niềm tin. Even when inspired by Bùi Giáng’s poetry, Trịnh expressed hope and tenderness: Con mắt còn lại nhẹ nhàng từ tâm. Nhìn em ra đi lòng em xa vắng. Con mắt còn lại là đêm tối tăm. Con mắt còn lại là đêm nồng nàn.

This collaboration between sculptor Trương Đình Quế and architect Hồ Viết Vinh embodies the essence of Trịnh Công Sơn’s music—where visual art and sound converge in a harmonious message of love and humanity.

Today, as we gather to unveil this statue on Trịnh Công Sơn’s birthday, it is more than a celebration—it is the realization of a dream. With hearts full of love for his music, Mr. Mạnh and his team gift this statue to the city of Huế as a gesture of gratitude.

“With this sincere endeavor,” Mr Lê Hùng Mạnh remarked, “we are grateful for the support from the Huế City authorities and the province of Thừa Thiên-Huế, who have made this possible. Today, as the statue of Trịnh Công Sơn stands in the park bearing his name, we believe it brings joy to millions across the country who remember him. And surely, our gifted musician and his dear friend, sculptor Trương Đình Quế, would be pleased. For in life, they shared many moments of artistic communion, exchanging ideas and toasting to the beauty of creation.”

See the original article at this link.

Thien An Community Park, Hue symbolizes the exchange process among communities settling in a new land. They bring with them vast knowledge, unique customs, and aspirations to build a life in this new place. The community serves as a space for openness, exchange, learning, and growth. The process of convergence, interaction, and experimentation among these communities has shaped a distinctive character for the culture of the historic ancient capital.

The park recreates the process of community formation through five main spaces:

• Meeting Space
• Exchange Space
• Agglomeration Space
• Experimental Space
• Performance Space

Each space embodies a unique form and function, representing a distinct stage in the process of community and cultural exchange.

The Zen garden embodies the essence of nature, situated within a coniferous forest, where it bathes in the morning sunlight and is immersed in the cool breeze of the nearby beach. Visitors move freely within its open space, unbound by fixed positions or traditional frames of reference.
Movement transcends notions of interior and exterior, high and low. Heaven and earth, plants, flowers, and humans merge into one harmonious whole, where every step resonates with the breath of the pure land.

Vinhho Biography
Ho Viet Vinh is a Vietnamese architect who graduated with a Bachelor of Architecture degree in 1995 from the University of Architecture Ho Chi Minh City, Vietnam, where he received an award for creative design in his final year. He is a Registered Architect in Vietnam, a Registered Urban Planner in Ho Chi Minh City, and a member of the Association of Architects and Urban Planners of Vietnam.
Vinh’s career began in 1995 with participation in several design competitions in Ho Chi Minh City. That same year, he became a lecturer in the Urban Planning Department at the University of Architecture.
In 1998, he won second prize in the international competition organized by the Summer Workshop of Cergy-Pontoise, France, with the theme “Ho Chi Minh City and the Saigon River.”
In 2005, he was awarded a special prize in another international competition by the Summer Workshop of Cergy-Pontoise, France, for his project “Can Gio Emotional City.”
In 2010, he participated in the U.S. International Visitor Leadership Program (IVLP) focusing on Sustainable Urban Planning.
In 2015, Vinh was selected by the Lebadang Creative Foundation to design the Lebadang Memory Space Museum in Hue. During this time, he also became the Director of the Fund.