Established by the Hui-Bon-Hoa Company (owned by a Chinese-Vietnamese businessman known as Uncle Hoa), the hotel is located at the corner of Catinat Street (now Dong Khoi Street) and Quai de Belgique Street (now Ton Duc Thang Street). Designed in the popular baroque architectural style of the time, the hotel became one of Saigon’s most elegant and impressive buildings upon its completion in 1925.
The Majestic initially had three stories and 44 bedrooms, as per the original design by a French architect. In 1948, the Indochina Tourism and Exhibition Department, led by the Frenchman Franchini Mathieu, purchased the ground and first floors of the hotel and leased 44 rooms for 30 years.
The hotel was officially rated as a five-star establishment in 2007. In July 2011, construction began on two new towers along Nguyen Hue Street, adding 353 rooms to the hotel.
However, over time, the usage of the space and the integration of modern equipment have diminished the building’s original value. The goal of the redesign and renovation is to restore its luxury and evoke the essence of the famous Indochinese architectural style, reminiscent of old Saigon.

Next project | Maison des Marais

Maison de Marais
Supported by AI

Maison des Marais embodies the ethereal dance between the tangible and the intangible. The structure, elevated on stilts, mirrors itself in the serene waters, creating a dialogue with the reflections that blur the boundary between reality and illusion. The thatched roof and wooden textures harmonize with the surrounding marshland, evoking a sense of timelessness and serenity. This architectural poetry captures the essence of nature’s abstraction, where each element, seen and unseen, contributes to a symphony of spatial resonance, reflecting the invisible threads that weave through the fabric of existence.

Maison de Marais
Supported by AI

Next project | Manifesto 2026

Tuyên ngôn năm 2026 – “HVV Architect & Partners tin rằng kiến trúc không bắt đầu từ hình khối, mà bắt đầu từ bầu không khí.”

Một không gian chỉ thực sự có giá trị khi nó chạm đến ký ức, văn hoá và chiều sâu nội tâm của con người.”
Chúng tôi theo đuổi một con đường rõ ràng: chạm đến tính bản địa và cá nhân hoá cho từng chi tiết thiết kế để tạo nên sự hoà quyện giữa truyền thống và đương đại.

1. Kiến trúc là sự lắng nghe vùng đất

Mỗi công trình khởi đi từ địa tầng ký ức: khí hậu, ánh sáng, vật liệu, tập quán, nghề thủ công, nhịp sống.
Chúng tôi không sao chép truyền thống. Chúng tôi giải mã tinh thần của nó. Bản địa không phải là hình thức lặp lại, mà là sự tiếp nối của năng lượng nơi chốn trong một hình thái mới.

2. Cá nhân hoá là đạo đức thiết kế

Mỗi khách hàng là một thế giới riêng. Chúng tôi không tạo ra “mẫu nhà đẹp” lặp lại, mà kiến tạo những không gian phản chiếu cá tính, lối sống và khát vọng sống. Cá nhân hoá không dừng ở mặt bằng hay công năng, mà đi vào chi tiết vật liệu, ánh sáng, tỷ lệ, nhịp điệu không gian. Kiến trúc, vì thế, trở thành một chân dung sống.

3. Truyền thống và đương đại không đối lập

Chúng tôi không nhìn truyền thống như quá khứ, cũng không xem đương đại là sự đoạn tuyệt với quá khứ. Truyền thống là chiều sâu. Đương đại là nhịp thở. Khi hai dòng chảy ấy gặp nhau,một bầu không khí mới được sinh ra vừa quen thuộc, vừa khai mở.

4. Kiến trúc – Hội hoạ – Điêu khắc – Thi ca

HVV Architect & Partners vận hành trên bốn không gian:

  • Không gian ở: Kiến trúc
  • Không gian nhìn: Hội hoạ
  • Không gian chạm: Điêu khắc
  • Không gian trong tâm thức: Thi ca

Chúng tôi tin rằng một công trình chỉ hoàn chỉnh khi nó đồng thời chạm vào thân thể và tâm hồn.

5. Bản chất trước hiệu ứng

Chúng tôi không chạy theo hình ảnh gây ấn tượng tức thời. Chúng tôi đi tìm bản chất. Cái cơ bản nếu được thực hiện đến tận cùng sẽ tạo nên sự bền vững và sang trọng thực sự. Sự giản lược, khi đúng chỗ, chính là biểu hiện cao nhất của tinh tế.

6. Kiến trúc như một hành vi hiện sinh

Mỗi công trình là một tuyên ngôn sống. Mỗi dự án là một cuộc đối thoại giữa con người và thời đại.
Trong một thế giới ồn ào và đồng dạng, chúng tôi chọn con đường lặng lẽ nhưng sâu sắc: Kiến tạo những không gian có linh hồn.

HVV Architect & Partners theo đuổi tinh thần Kiến trúc thi ca (Poetry of Architecture): Chạm đến bản địa; Tôn vinh cá tính; Kiến tạo bầu không khí sống.

Next project | xin

Xin
Xin cho mây xám cuối trời,
Cỏ hoang yên giấc đồng phơi nắng vàng,
Xin cho gió chở lời mang,
Đồng dao vang tiếng ngỡ ngàng đường quê,
Xin cho trăng ngủ bờ đê,
Gối tay tỉnh giấc chưa về đã hay!

Request
Grant the gray clouds at sky’s end,
Let wild grass slumber in sunlit meadows,
Grant the wind to carry whispers,
Children’s rhymes echo with wonder down rustic paths,
Grant the moon to rest on riverbanks,
Cradled in arms, awakening to dreams not yet returned.

Ho Viet Vinh 251104

Field
Acrylic on canvas, 2025

Next project | Mùa đào

Prunus Cesacoides
Vinhho, Acrylic on canvas, 150x150cm, Maison d’Art reserved, 2026

Mùa đào

Núi hồng thiên thu áo,
Ánh nồng gởi mùa đông,
Sắc không phai vì sắc.

KTS Hồ Viết Vinh 260108.

Next project | RED KINGDOM – Masterplan of Brickyard village at Mang Thit, Mang Thit District, Vinh Long province

“This is a project to preserve and develop the Mang Thit traditional brick and masonry heritage area, combining production space and water landscape. This area is planned into a contemporary product with different functional layers: preserving ceramic tile craft villages, expanding living space along the river and recreating the unique river landscape of the South. The multi-level dike approach helps maintain riverside living space, supports ceramic production and also develops eco-tourism, turning the area into a cultural and experiential destination for visitors.”

HVV Architect & Partners

Client:
Board of Civil and Industrial Construction Project Management – Vinh Long province People’ s Committee
Location:
Mang Thit dictrist, Vinh Long province, Vietnam
Size:
3.060 hectares
Services:
Masterplan
Status:
Approved on 2024
Team:
HVV Architect & Partners –  Urban Planning Institute

Intro
Mang Thit District, Vinh Long Province, is one of the few remaining localities in Vietnam that preserves a unique and extensive architectural complex alongside a traditional craft. This architectural ensemble comprises nearly 1,000 domed kilns, spanning over 3,060 hectares along the banks of the Thay Cai, Hoa My, Cai Nhum canals, forming a southern arc that extends to the Nhon Phu and Hoa Tinh canals within the district. This is truly a valuable treasure, shaped by over a century of cultural and technological exchange between Khmer, Kinh, and Hoa people, resulting in a distinctive architectural heritage and traditional craft. However, this treasure has not been fully recognized or appreciated.
Over the past decade, more than 1,000 kilns have been demolished, and the remaining kilns are deteriorating and face the imminent threat of complete destruction. Given this alarming situation, it is imperative and urgent to conduct research and develop solutions to preserve and promote this architectural complex and traditional craft.

Learning from the Past and Looking to the Future

Over 100 years of formation and development, the structure of the craft village ecological system have established with 6 main space, including: surface water, brickyard system, yards, storage, fruite garden and house, fields.

The system of canals and land has formed a distinctive, easily recognizable landscape. Rivers and canals flowing from Co Chien River along Thay Cai canal, going deep into agricultural areas, have determined the main landscape axes; Residents live along the canals, inside are fruit and vegetable gardens, and deeper are fields and aquaculture areas. The ecosystem associated with the brick kiln area has created a closed process in the production of Mang Thit red ceramic. This is a characteristic and value that needs to be preserved and promoted.

Adaptive conservation in continued development

Adaptive conservation in continued development – preserving the existence of production space heritage, symbiotic ecological space, and Southern garden development cultural heritage; These valuable materials and spiritual values ​​have been perfected during the development process, providing a contemporary breath and improving the quality of each space, gradually improving the quality of life of local people, so that their politics will gradually transform, reviving the soul of the place.
The heritage of Mang Thit – known as The Red Kingdom will be an interesting destination in Mekong Delta and should not be missed in your lifetime.

Zonning plan

The area is divided into 9 main zones according to 3 layers.

No.1. Mixed-Use Development (Services – Tourism – Rural Residential): Approximately 347.91 hectares, with primary functions including residential development, mixed-use development (tourism services – rural residential), mixed-use development (services – urban residential), public services, public utility green spaces, specialized green spaces, other technical infrastructure, transportation, agricultural areas, and other functions.

No.2. Mixed-Use Development (Services – Urban Residential) along Co Chien River: Approximately 250.05 hectares, with primary functions including residential development, mixed-use development (services – urban residential), public services, public utility green spaces, specialized green spaces, heritage and religious sites, other technical infrastructure, transportation, agricultural areas, and other functions.

No.3.  My An – Hoa My Residential Area: Approximately 415.50 hectares, with primary functions including residential development, mixed-use development (services – urban residential), public services, public utility green spaces, specialized green spaces, heritage and religious sites, other technical infrastructure, transportation, agricultural areas, and other functions.

No.4. Cai Nhum Eco-Residential Area: Approximately 150.31 hectares, with primary functions including residential development, public services, public utility green spaces, other technical infrastructure, transportation, agricultural areas, and other functions.

No.5. My Phuoc Eco-Resort: Approximately 106.43 hectares, with primary functions including residential development, public services, public utility green spaces, tourism development, other technical infrastructure, transportation, agricultural areas, and other functions.

No.6.  My Phuoc Eco-Residential Area: Approximately 253.76 hectares, with primary functions including residential development, public services, public utility green spaces, specialized green spaces, heritage and religious sites, offices, other technical infrastructure, transportation, agricultural areas, and other functions.

No.7. Nhon Phu Eco-Residential Area: Approximately 309.78 hectares, with primary functions including residential development, public services, public utility green spaces, heritage and religious sites, offices, other technical infrastructure, transportation, agricultural areas, and other functions.

No.8. Hoa Tinh Eco-Resort: Approximately 198.23 hectares, with primary functions including residential development, mixed-use development (services – urban residential), public services, public utility green spaces, heritage and religious sites, offices, transportation, agricultural areas, and other functions.

No.9. High-Tech Agriculture Area: Approximately 1,028.03 hectares, with primary functions including residential development, public utility green spaces, tourism development, other technical infrastructure, transportation, agricultural areas, and other functions.

Master plan

The plan identifies 3 main development axes including:

  • Mang Thit brick and ceramic kiln space at the center combined with service corridor along Co Chien river, agricultural experience corridor – traditional garden village along Cai Nhum river, high-end resort tourism corridor in the South;
  • Mixed service axis – contemporary residential area in the Southern region of the West;
  • The Eastern resort tourism axis will create motivation for development of the entire region.

The resort spaces around heritage area (My Phuoc eco resort, My Phuoc Eco-Residential area, Nhon Phu Eco-Residential Area, Hoa Tinh Eco-Resort) offer a variety of ecological, cultural and agricultural production experiences, taking the ceramic brick kiln area as inspiration for creativity.

Oriented masterplan development diagram to 2045

With 5 gateways – 5 landscape architectural spaces typical of the Southern rivers and the ceramic brick kiln area, it will be an unforgettable, impressive identification point when visitors approach the ceramic brick kiln area by both Water transport and road transport.

The landscape of the welcome gate, orchard and ceramic tiles combined with the riverside landscape follows a multi-level soft embankment model, providing many different experience spaces for visitors to explore the traditional Tile and Ceramic Craft Village along the Co Chien River.
The new residential community landscape is associated with the internal canal system. The riverside spaces are shaped by multi-level soft embankments creating different functions and landscape nuances according to the flooding season.
Landscape on both sides of Thay Cai canal, the core conservation area of ​​the ceramic craft village with a system of multi-storey soft embankments and alternating hard stepped embankments combined with a boat wharf and ceramic tile service space organized along the river. Support the transition process, while developing ecotourism, turning this area into a cultural and experiential destination for tourists.

Conclusion

This is a project to preserve and develop the Mang Thit traditional brick and masonry heritage area, combining production space and water landscape. This area is planned into a contemporary product with different functional layers: preserving ceramic tile craft villages, expanding living space along the river and recreating the unique river landscape of the South. The multi-level dike and heritage landscape approach helps maintain riverside living space, supports ceramic production and also develops eco-tourism, turning the area into a cultural and experiential destination for visitors.

Next project | Zen Garden

Listenning to the rain patio

The Zen garden embodies the essence of nature, situated within a coniferous forest, where it bathes in the morning sunlight and is immersed in the cool breeze of the nearby beach. Visitors move freely within its open space, unbound by fixed positions or traditional frames of reference.
Movement transcends notions of interior and exterior, high and low. Heaven and earth, plants, flowers, and humans merge into one harmonious whole, where every step resonates with the breath of the pure land.

Shadow of Light
Breath of Stone
Reincarnation

Next project | Ru

Ru
Ru đời mấy giấc chiêm bao,
Xôn xao như gió ngã nhào bờ mê,
Ru quê cho tỏ đường về,
Tỉ tê câu chuyện bờ đê mái đình,
Ru mình chỉ mấy lời kinh,
Tâm minh hồn triết thanh hình sắc tao.

Lullaby
Lull life’s dreams in fleeting flight,
Stirred like winds tumbling on enchanted dikes,
Lull the homeland, reveal the path home,
Whisper tales by riverbanks and village halls,
Lull the self with sacred dharmas,
Enlightened soul, wisdom’s grace in form and rhyme.

Ho Viet Vinh 250412

Tác phẩm của ĐKG. Bùi Hải Sơn

Next project | FRAGILE

Fragile

“The quiet beauty and subtle melancholy, reflecting the fragility of life and the passage of time, enhancing the sense of fragility and evoking a sense of wonder and contemplation.”

Ho Viet Vinh
Fragile, Acrylic on canvas, 130x97cm, Maison d’Art 2024

Maison d'Art

The fragility of life and the passage of time

The quiet beauty and subtle melancholy

Next project | Ruộng thức

Bước đi trên thửa ruộng, một bên đang chín vàng và một bên tuổi mười sáu, lòng như bước vào một ngã rẽ thời gian. Vựa lúa đồng bằng không ngủ để mang thóc gạo đến các hải cảng, để chuyển đến nơi cần đến. Vậy mà nó không một khoảng lặng nghỉ ngơi giữa các mùa vụ để hồi sinh. Ngày xưa, người dân cho đất nghỉ sau các mùa vụ canh tác; thế mà giờ đây nó phải đầu tắt mặt tối, phải gồng gánh sức nặng của mưu sinh. Một khi không được nghỉ ngơi vào mùa nước tràn đồng thì đất sẽ suy kiệt do không ngậm được phù sa, cái thưở mùa nước nổi cả đồng bằng như vào một ngày hội lớn: sự tất bật tạm lắng lại để tiếng cười và tiếng thở của đất được rền vang và hồi phục. Giờ đây, đến mùa nước nổi, cánh đồng vẫn vậy, nước không tràn qua đê bao bảo vệ mùa vụ. Dòng phù sa được ví như dòng sữa mẹ nuôi dưỡng vùng Châu thổ thì giờ đây đã cuộn cuộn chảy ra biển tạo thành các cù lao, ụ nổi ngăn đường ra biển lớn.

Ruộng thức là trăn trở và tâm sự của một vùng châu thổ trù phú đất ngậm phù sa một thời.

KTS. Hồ Viết Vinh
Photo by Vinhho @thalatravinh 2024

Next project | Self-portrait

Self portrait
Vinhho
Acrylic on canvas
80x120cm
Maison d’Art
2025