Inspired by Professor Thai Kim Lan’s collection of over 7,000 ceramic artifacts recovered from the Perfume River, the idea was conceived to restore and elevate these artifacts to reflect their true value. All ceramic products originate from the earth and are matured through fire. The intense heat of fire hardens the earth, enabling it to endure the test of time.
To symbolize this tempering quality, dark red painted steel will be used. The interplay of contrasting elements—hot and cold, hard and soft—will be applied in the design language to accentuate the significance of time and place.

Vertical Green Highrise
The high-class Condotel hotel complex seamlessly integrates with the scenic landscape of Cap Saint-Jacques beach, connecting the coast with surrounding urban public activities to create an alluring destination for tourists and residents alike.

This open space, offering a variety of services, will serve as a vibrant public hub where shopping, entertainment, relaxation, and leisure activities take place around. The complex, consisting of two towers—one 40 stories tall and the other 10 stories with service podiums—spans a total usable area of 130,000 square meters, adding energy and dynamism to Cap Saint-Jacques beach city.

The active spaces, featuring panoramic sea views, foster a harmonious connection between the buildings and the stunning surrounding landscape. All functional areas are designed to be open, filled with natural light, greenery, and a sense of unity with the blue sky and deep ocean. A system of plazas, flower gardens, cascading waterfalls, and vertical green walls enhances the project’s appeal, creating a unique and inviting environment.

TP.HCM đang tổ chức cho người dân cả nước góp ý, hiến kế về “Công trình biểu tượng ghi nhận sự chung sức, đồng lòng của người dân vượt qua đại dịch COVID-19” tại TP.HCM ở khu đất số 1 Lý Thái Tổ (phường Vườn Lài).

Theo kiến trúc sư Hồ Viết Vinh,
Đối với đồng bào thành phố đã nằm xuống trong cuộc chiến chống đại dịch cần được tri ân, ghi nhớ một cách trân trọng tại công trình trên bằng cách khắc tên ở công trình. Rất nhiều công trình tưởng niệm trên thế giới đều có khắc tên các nạn nhân như công trình kỷ niệm sự kiện 11-9 ở Mỹ hay trận động đất ở Đường Sơn, Trung Quốc…
Đối với 23.000 đồng bào mất đi cần được nhắc nhớ một cách trang trọng để mọi người còn biết tưởng nhớ đến ai, tri ân ai. Những người đã nằm xuống cho cuộc sống hôm nay thì bất kể họ là ai, không phân biệt, phải được những người hôm nay, thế hệ sau đến công trình tham quan tự lắng đọng, biết ơn mới thể hiện sự nhân văn.

Vui lòng đọc đầy đủ nội dung bài báo tại link này (bấm vào đây).

In the bustling urban rhythm of Phan Xich Long’s vibrant food street, Vinhho Art Studio, the sanctuary of self training – painter Ho Viet Vinh, nestles quietly in a small alley typical of Saigon. The surrounding air hums with the everyday sounds of urban life and the rich aromas of street food delicacies.

Inside the compact studio where the artist crafts his paintings, everything appears orderly. The space is adorned with a variety of experimental works, each reflecting his diverse artistic journey. At the center of the room stands an old, slightly tilted wooden easel, holding an unfinished painting. The bold and uninhibited strokes on the canvas mirror the essence of the artist himself.

For those fortunate enough to explore the evolution of Vinhho’s artistry from his earliest days, each painting tells a distinct story, conveying profound messages about life, humanity, and especially nature. Through his brushstrokes, Ho Viet Vinh channels the most authentic emotions, inviting viewers to share in his perspective.

While the city outside thrums with its noisy, dynamic energy, this small studio offers a serene haven – a private world where Ho Viet Vinh and his collaborators dedicate themselves to crafting works of art that contribute to celebrating the breathtaking beauty and wonder of Vietnam.

“The beauty of the four seasons helped him heal his mind and heart from the wounds of war. The peaceful and wholesome atmosphere of the campus helped him have many deep insights, flowers, and fruits of the practice. Perhaps that is why Thay always remind us that nature can help us heal ourselves.”

Zen master Thich Nhat Hanh – [At home in the World]

Location:
Tan Binh commune, Nhu Xuan District, Thanh Hoa Province, Vietnam
Size:
1,53 hectares
Services:
Master plan, Architecture and Interior design
Status:
Approved Master plan at scale 1/500, 2024
Under construction.
Team:
HVV Architect & Partners

Intro

As our society advances and technology continues to evolve, our quality of life has seen remarkable improvements. Yet, the desire for relaxation, tranquility, and a deeper connection with oneself has become a fundamental part of our daily existence. This need is increasingly pressing, given the rising prevalence of mental health challenges like stress and anxiety.
The relentless pace of modern life, combined with the pressures of work, often leads to heightened stress, anxiety, and various mental health concerns. Taking a moment to pause and breathe can offer us a valuable chance to reconnect with nature and reflect on ourselves. Nature holds a profound healing power: when our minds are no longer disrupted by the constant noise of traffic, when our emotions are no longer constrained by concrete jungles, and when we can breathe clean, unpolluted air, we experience true inner peace. Immersed in nature, we rediscover the serenity that lies within our souls.
Thus, creating a meditation retreat that harmonizes with nature is essential. This sanctuary will offer a tranquil haven where individuals can find solace, cultivate mindfulness, practice meditation, heal their souls, and share positive values with the world.

Site location

Tue Giac Zen Monastery is located northwest of Song Muc Lake – in Ben En National Park, Tan Binh Commune, Nhu Xuan District, Thanh Hoa Province; The distance from this area to Tho Xuan airport is about 143374ft along National route 15.

The planned research area features a convergence of hillside topographical elements, with valleys and lakes nestled below. It is a location that boasts pristine natural landscapes. Furthermore, the terrain’s structure and geomorphology provide many sites with expansive, diverse, and breathtaking views.

Design principles

Master plan

To create a space for returning, studying, and practicing the teachings of Buddhism, cultivating virtue, and enhancing moral awareness. A place that offers a harmonious environment with nature, where individuals can engage in meditation, seek enlightenment, and liberate themselves from the afflictions and suffering of life.

The architectural layout harmonizes seamlessly with the natural terrain, incorporating a variety of structures within distinct spaces to create visual appeal. The pagoda, meditation hall, main hall, guest house, and dining hall are arranged in a descending terraced formation. The design employs overlapping and rhythmic elements, offering dynamic perspectives from different viewpoints and highlighting the surrounding natural beauty of the mountains, lakes, and cliffs. The architecture, landscape, and on-site activities are interwoven in a cohesive and fluid manner.

“If you don’t know how to relax in the pure land,
A life will pass without ever touching happiness.”

Thay Thich Nhat Hanh

The Zen garden embodies the breath of nature, nestled in a coniferous forest that greets the morning sun and immerses itself in the cool embrace of the beach. Here, people move freely in an open space, unbound by positions or frames of reference.
Movement transcends traditional notions of inside and outside, high and low, creating a seamless unity between heaven and earth, plants, flowers, and people. Each step taken resonates with the essence of the pure land, harmonizing all into a single breath of serenity.

Type
Architecture design, Interior design
Year
2019
Location
Ho Tram, Vietnam
Team
Ho Viet Vinh, Tran Thanh Hai, Tran Thi Thu Ha
Collaborator
Quang Nhat Furniture, RitaVo Company, KOHLER

IMMENSE

Its simplicity and complexity, serves as a portal to the immeasurable – seducing the viewer into the depths of the infinitesimal and the expanse of the limitless. Such a piece transcends its medium, embodying the essence of “Immense” through the poetic interplay of light and shadow, color and form.

Ho Viet Vinh

Garden of Eden

The Garden of Eden is an embodiment of the invisible woven into the fabric of existence. Its design reflects a poetic dialogue where nature’s abstraction meets architectural form. The undulating lines and textured surfaces echo the silent whispers of the earth, creating a harmonious interplay between light and shadow. This spatial composition blurs the boundaries of the tangible, inviting contemplation of the unseen. Through the use of natural materials and organic forms, the garden becomes a sanctuary of tranquility, mirroring the serene and introspective essence of the divine landscape.