Trong ánh sáng mờ ảo của buổi chiều tà, màu xanh của cổ rêu trở nên lung linh hơn, như những viên ngọc bích nhỏ bé, lấp lánh giữa không gian yên tĩnh. Những đường vân của rêu, như những nét vẽ tinh tế của một họa sĩ tài hoa: tạo nên một bức tranh thiên nhiên sống động, đầy cảm hứng.
Mỗi không gian cổ rêu là một câu chuyện, một mảnh ghép của quá khứ, gợi nhớ về những ngày tháng vàng son của triều đại xưa. Đôi khi, một cơn gió nhẹ thổi qua, làm rêu lay động, như những dòng chữ cổ xưa đang thì thầm kể lại những bí mật của thời gian.
Cổ rêu tại Cố đô Huế không chỉ là một phần của cảnh quan, mà còn là biểu tượng của sự trường tồn, của vẻ đẹp giản dị nhưng sâu lắng, khiến lòng người không khỏi bồi hồi, xao xuyến mỗi khi bước ngang qua nó.

Kiến trúc sư Hồ Viết Vinh, Huế. 2025

The Vietnam Traditional Architecture and Art Gallery features buildings representing the three regions of Vietnam: Hanoi, Hue, and Saigon. Selected works showcase the quintessential artistic values of Dai Viet culture (Northern region), Champa culture (Central region), and Oc Eo culture (Southern region).
Architectural types include communal houses, temples, pagodas, palaces, tomb houses, and traditional homes, crafted from materials such as wood, stone, and terracotta. In addition to architectural works, the gallery space also exhibits wood carvings, stone sculptures, and intricate decorative details.

Type
Art gallery
Year
2015
Location
University of Architecture of Ho Chi Minh City
Team
Ho Viet Vinh
Mai Que Vu

The concept of the project is a hybrid space without fixed determinations or boundaries. We envision a space that seamlessly integrates botany, meditation, and art—a sanctuary where individuals can care for themselves slowly and mindfully, embracing relaxation.

Drawing inspiration from nostalgia and natural materials, the space is crafted by artisans and adorned with artworks that celebrate beauty in imperfection, echoing real environments. The façade is constructed from breezeway blocks, allowing sunlight and natural ventilation to flow through, eliminating the need for artificial air conditioning systems.

A spiral staircase wraps around the courtyard, featuring a rendered banister and concrete treads, leading to an open art workshop and meditation space designed to inspire tranquility and creativity.

The overarching goal is to foster a minimalist lifestyle that honors the slow passage of time. Lava stones, with their textured surfaces, reflect dynamic shades as sunlight moves throughout the day, creating an ever-changing interplay of forms and light.

Type
Residential
Year
2020
Location
Ho Tram, Ba Ria Vung Tau
Team
Ho Viet Vinh, Tran Thanh Hai, Le Van Thoi, Ngo Dang Linh
Contractor
Cuong Quang Construction
Interior Designer
Ho Viet Vinh
Structural Engineer
Nam Vie
Photo
Ho Viet Vinh

Architecture of each nation evolves and develops along a historical trajectory. Particularly, royal architecture establishes solid foundations refined over time, becoming the formal language through which art thrives. Each dynasty selects its own stylistic language as a benchmark for evaluation and a marker of its era.
The selective inheritance across dynasties shapes the orthodox architectural tradition. This tradition adheres to strict principles of form-making, setting standards that serve as measures of artistic creativity. However, the end of each dynasty invariably signifies adaptations to external influences. Ultimately, the flow of architecture is once again reshaped and renewed, continuing its progression.

Emperor Khai Dinh utilized to infuse a sense of national identity into the architectural and artistic works of the royal court. These projects, executed during the late Nguyen dynasty, reflect a deliberate effort to adapt proactively to the changing circumstances.

Nearly a century later, the art of ceramic mosaic from the Khai Dinh era continues to flourish in temples, pagodas, shrines, and tombs.

To read the full research article below.

Vinhho Biography
Ho Viet Vinh is a Vietnamese architect who graduated with a Bachelor of Architecture degree in 1995 from the University of Architecture Ho Chi Minh City, Vietnam, where he received an award for creative design in his final year. He is a Registered Architect in Vietnam, a Registered Urban Planner in Ho Chi Minh City, and a member of the Association of Architects and Urban Planners of Vietnam.
Vinh’s career began in 1995 with participation in several design competitions in Ho Chi Minh City. That same year, he became a lecturer in the Urban Planning Department at the University of Architecture.
In 1998, he won second prize in the international competition organized by the Summer Workshop of Cergy-Pontoise, France, with the theme “Ho Chi Minh City and the Saigon River.”
In 2005, he was awarded a special prize in another international competition by the Summer Workshop of Cergy-Pontoise, France, for his project “Can Gio Emotional City.”
In 2010, he participated in the U.S. International Visitor Leadership Program (IVLP) focusing on Sustainable Urban Planning.
In 2015, Vinh was selected by the Lebadang Creative Foundation to design the Lebadang Memory Space Museum in Hue. During this time, he also became the Director of the Fund.

“Whispers of ephemeral beauty, a tranquil moment captured in the chaos of existence. Shades of yellow and brown morph together, cradling hints of white and red, embodying the fleeting glimmer of life. Amidst this tumultuous beauty, the painting proposes a reflection on the essence of “sparkle” – not as mere glitz, but as a profound glitter of existence, intricate dance of light and shadow, beauty and decay.”

Ho Viet Vinh

Returning to the forest is like being immersed in pure silence. Each breeze caressing the skin penetrates deep into each cell to wake up the body after a long deep sleep. The breath slowly fills all the skin, making the whole body immersed in the sweetness of heaven and earth. Returning to that place is the way returning your true home.