Melaleuca forest
The sky turned gray-gray, the melaleuca forest changed color under the lopsided sunlight penetrating through the canopy of leaves, the ground tilted and swayed with the withering colors of countless flowers and leaves. The sparkling black velvet water reflects the identity of the forest of the elders: the splendid harmony of the late afternoon.

Description
Exucuted in April 2020
Styles
Lyrical Abstract
Technique
Acrylic on Canvas
Dimension
100W x 100H x 5D cm

The authenticity of this work has been confirmed by the HVV Architect &Partners. A certificate of authenticity maybe delivered by the Company upon request to the buyer.

Vinhho Biography
Ho Viet Vinh is a Vietnamese architect who graduated with a Bachelor of Architecture degree in 1995 from the University of Architecture Ho Chi Minh City, Vietnam, where he received an award for creative design in his final year. He is a Registered Architect in Vietnam, a Registered Urban Planner in Ho Chi Minh City, and a member of the Association of Architects and Urban Planners of Vietnam.
Vinh’s career began in 1995 with participation in several design competitions in Ho Chi Minh City. That same year, he became a lecturer in the Urban Planning Department at the University of Architecture.
In 1998, he won second prize in the international competition organized by the Summer Workshop of Cergy-Pontoise, France, with the theme “Ho Chi Minh City and the Saigon River.”
In 2005, he was awarded a special prize in another international competition by the Summer Workshop of Cergy-Pontoise, France, for his project “Can Gio Emotional City.”
In 2010, he participated in the U.S. International Visitor Leadership Program (IVLP) focusing on Sustainable Urban Planning.
In 2015, Vinh was selected by the Lebadang Creative Foundation to design the Lebadang Memory Space Museum in Hue. During this time, he also became the Director of the Fund.

Một lối mòn hun hút dấu mình trong màu xanh thẳm cuối cùng của cánh rừng Tràm.
Chẳng ai có thể biết cuối con đường sẽ dẫn đến đâu,
ấy thế mà vẫn mang trong sự bí ẩn và quyến rũ đến kỳ lạ.
Mong manh luôn là lằn ranh giữa thăng hoa và lụi tàn:
ở đó vẻ đẹp xuất hiện.

A trail, vanishing into the deepest green at the far end of the Melaleuca forest.
None can tell for certain where it might lead, and yet it holds within itself a most singular charm and mystery.
How delicate is the line between flourishing and decay:
it is there that beauty reveals itself.

Thien An Community Park, Hue symbolizes the exchange process among communities settling in a new land. They bring with them vast knowledge, unique customs, and aspirations to build a life in this new place. The community serves as a space for openness, exchange, learning, and growth. The process of convergence, interaction, and experimentation among these communities has shaped a distinctive character for the culture of the historic ancient capital.

The park recreates the process of community formation through five main spaces:

• Meeting Space
• Exchange Space
• Agglomeration Space
• Experimental Space
• Performance Space

Each space embodies a unique form and function, representing a distinct stage in the process of community and cultural exchange.

Cổ rêu phủ kín một đền đài, như một tấm thảm thời gian lặng lẽ trải dài trên bức tường cổ kính của Cố đô Huế. Những lớp rêu mỏng manh, nhưng kiên cường, bám chặt trên bề mặt xù xì của chất liệu: tựa như những ký ức xa xưa vẫn còn lưu lại, không thể phai nhòa theo năm tháng.

Trong ánh sáng mờ ảo của buổi chiều tà, màu xanh của cổ rêu trở nên lung linh hơn, như những viên ngọc bích nhỏ bé, lấp lánh giữa không gian yên tĩnh. Những đường vân của rêu, như những nét vẽ tinh tế của một họa sĩ tài hoa: tạo nên một bức tranh thiên nhiên sống động, đầy cảm hứng.
Mỗi không gian cổ rêu là một câu chuyện, một mảnh ghép của quá khứ, gợi nhớ về những ngày tháng vàng son của triều đại xưa. Đôi khi, một cơn gió nhẹ thổi qua, làm rêu lay động, như những dòng chữ cổ xưa đang thì thầm kể lại những bí mật của thời gian.
Cổ rêu tại Cố đô Huế không chỉ là một phần của cảnh quan, mà còn là biểu tượng của sự trường tồn, của vẻ đẹp giản dị nhưng sâu lắng, khiến lòng người không khỏi bồi hồi, xao xuyến mỗi khi bước ngang qua nó.

Kiến trúc sư Hồ Viết Vinh, Huế. 2025

Êm đềm tựa giọt sương tinh khiết gieo mầm an lành.
Can trường cắm cội rễ sâu bền trước bão lũ.
Hoa trôi nở hương thơm giữa dòng nổi sóng, bờ cỏ lặng lẽ tựa mặt hồ thu.
Hương Giang trở thành ngọn đuốc chánh niệm – vừa tỏa sáng tự thân, vừa soi đường dẫn lối.

Garden of Eden

The Garden of Eden is an embodiment of the invisible woven into the fabric of existence. Its design reflects a poetic dialogue where nature’s abstraction meets architectural form. The undulating lines and textured surfaces echo the silent whispers of the earth, creating a harmonious interplay between light and shadow. This spatial composition blurs the boundaries of the tangible, inviting contemplation of the unseen. Through the use of natural materials and organic forms, the garden becomes a sanctuary of tranquility, mirroring the serene and introspective essence of the divine landscape.

For generations, the wood carving craftsmanship of Hue carpenters has been etched into history. Intricate embossed patterns on armrests, beams, arches, and panels reveal the profound artistry embedded within each wood grain.
The touch of the craftsman is incredibly refined. As the chisel glides along the wood grain to remove the excess, the shapes of phoenixes, flowers, and leaves emerge, filling the void with intricate beauty. The wooden panels are not merely decorative; the dual framing system creates overlapping layers, adding spatial depth and transforming physical boundaries into the perception of infinity.
These exquisite carvings have elevated Hue’s palaces, temples, pavilions, mausoleums, and traditional homes beyond mere material structures to the realm of emotional art. This mastery has earned them recognition as a UNESCO World Heritage.
The pride lies in the soul delicately carved by talented artisans from across the nation, each seeking to present their finest beauty to the Buddhas, Kings, and Ancestors.

Type
Garden house
Year
2012
Location
Thu Duc city
Team
Ho Viet Vinh
Duong Dinh Vinh

“This is a project to preserve and develop the Mang Thit traditional brick and masonry heritage area, combining production space and water landscape. This area is planned into a contemporary product with different functional layers: preserving ceramic tile craft villages, expanding living space along the river and recreating the unique river landscape of the South. The multi-level dike approach helps maintain riverside living space, supports ceramic production and also develops eco-tourism, turning the area into a cultural and experiential destination for visitors.”

HVV Architect & Partners

Client:
Board of Civil and Industrial Construction Project Management – Vinh Long province People’ s Committee
Location:
Mang Thit dictrist, Vinh Long province, Vietnam
Size:
3.060 hectares
Services:
Masterplan
Status:
Approved on 2024
Team:
HVV Architect & Partners –  Urban Planning Institute

Intro
Mang Thit District, Vinh Long Province, is one of the few remaining localities in Vietnam that preserves a unique and extensive architectural complex alongside a traditional craft. This architectural ensemble comprises nearly 1,000 domed kilns, spanning over 3,060 hectares along the banks of the Thay Cai, Hoa My, Cai Nhum canals, forming a southern arc that extends to the Nhon Phu and Hoa Tinh canals within the district. This is truly a valuable treasure, shaped by over a century of cultural and technological exchange between Khmer, Kinh, and Hoa people, resulting in a distinctive architectural heritage and traditional craft. However, this treasure has not been fully recognized or appreciated.
Over the past decade, more than 1,000 kilns have been demolished, and the remaining kilns are deteriorating and face the imminent threat of complete destruction. Given this alarming situation, it is imperative and urgent to conduct research and develop solutions to preserve and promote this architectural complex and traditional craft.

Learning from the Past and Looking to the Future

Over 100 years of formation and development, the structure of the craft village ecological system have established with 6 main space, including: surface water, brickyard system, yards, storage, fruite garden and house, fields.

The system of canals and land has formed a distinctive, easily recognizable landscape. Rivers and canals flowing from Co Chien River along Thay Cai canal, going deep into agricultural areas, have determined the main landscape axes; Residents live along the canals, inside are fruit and vegetable gardens, and deeper are fields and aquaculture areas. The ecosystem associated with the brick kiln area has created a closed process in the production of Mang Thit red ceramic. This is a characteristic and value that needs to be preserved and promoted.

Adaptive conservation in continued development

Adaptive conservation in continued development – preserving the existence of production space heritage, symbiotic ecological space, and Southern garden development cultural heritage; These valuable materials and spiritual values ​​have been perfected during the development process, providing a contemporary breath and improving the quality of each space, gradually improving the quality of life of local people, so that their politics will gradually transform, reviving the soul of the place.
The heritage of Mang Thit – known as The Red Kingdom will be an interesting destination in Mekong Delta and should not be missed in your lifetime.

Zonning plan

No.1. Mixed-Use Development (Services – Tourism – Rural Residential): Approximately 347.91 hectares, with primary functions including residential development, mixed-use development (tourism services – rural residential), mixed-use development (services – urban residential), public services, public utility green spaces, specialized green spaces, other technical infrastructure, transportation, agricultural areas, and other functions.

No.2. Mixed-Use Development (Services – Urban Residential) along Co Chien River: Approximately 250.05 hectares, with primary functions including residential development, mixed-use development (services – urban residential), public services, public utility green spaces, specialized green spaces, heritage and religious sites, other technical infrastructure, transportation, agricultural areas, and other functions.

No.3.  My An – Hoa My Residential Area: Approximately 415.50 hectares, with primary functions including residential development, mixed-use development (services – urban residential), public services, public utility green spaces, specialized green spaces, heritage and religious sites, other technical infrastructure, transportation, agricultural areas, and other functions.

No.4. Cai Nhum Eco-Residential Area: Approximately 150.31 hectares, with primary functions including residential development, public services, public utility green spaces, other technical infrastructure, transportation, agricultural areas, and other functions.

No.5. My Phuoc Eco-Resort: Approximately 106.43 hectares, with primary functions including residential development, public services, public utility green spaces, tourism development, other technical infrastructure, transportation, agricultural areas, and other functions.

No.6.  My Phuoc Eco-Residential Area: Approximately 253.76 hectares, with primary functions including residential development, public services, public utility green spaces, specialized green spaces, heritage and religious sites, offices, other technical infrastructure, transportation, agricultural areas, and other functions.

No.7. Nhon Phu Eco-Residential Area: Approximately 309.78 hectares, with primary functions including residential development, public services, public utility green spaces, heritage and religious sites, offices, other technical infrastructure, transportation, agricultural areas, and other functions.

No.8. Hoa Tinh Eco-Resort: Approximately 198.23 hectares, with primary functions including residential development, mixed-use development (services – urban residential), public services, public utility green spaces, heritage and religious sites, offices, transportation, agricultural areas, and other functions.

No.9. High-Tech Agriculture Area: Approximately 1,028.03 hectares, with primary functions including residential development, public utility green spaces, tourism development, other technical infrastructure, transportation, agricultural areas, and other functions.

Master plan

The plan identifies 3 main development axes including:

• Mang Thit brick and ceramic kiln space at the center combined with service corridor along Co Chien river, agricultural experience corridor – traditional garden village along Cai Nhum river, high-end resort tourism corridor in the South;
• Mixed service axis – contemporary residential area in the Southern region of the West;
• The Eastern resort tourism axis will create motivation for development of the entire region.

The resort spaces around heritage area (My Phuoc eco resort, My Phuoc Eco-Residential area, Nhon Phu Eco-Residential Area, Hoa Tinh Eco-Resort) offer a variety of ecological, cultural and agricultural production experiences, taking the ceramic brick kiln area as inspiration for creativity.

With 5 gateways – 5 landscape architectural spaces typical of the Southern rivers and the ceramic brick kiln area, it will be an unforgettable, impressive identification point when visitors approach the ceramic brick kiln area by both Water transport and road transport.

Conclusion

This is a project to preserve and develop the Mang Thit traditional brick and masonry heritage area, combining production space and water landscape. This area is planned into a contemporary product with different functional layers: preserving ceramic tile craft villages, expanding living space along the river and recreating the unique river landscape of the South. The multi-level dike and heritage landscape approach helps maintain riverside living space, supports ceramic production and also develops eco-tourism, turning the area into a cultural and experiential destination for visitors.

Kiến trúc sư Hồ Viết Vinh (Đêm giao thừa đón Xuân Ất Tỵ 2025 tại Cố đô Huế)
Trong bối cảnh hiện nay khi thế giới đang đối mặt với những thách thức lớn về môi trường, biến đổi khí hậu và sự phát triển bền vững, giá trị phổ quát của kiến trúc chính là nâng cao phẩm giá của con người trong mối tương quan với thiên nhiên. Phẩm giá này được tạo dựng dựa trên các nền tảng sau:

1. Kiến trúc là cầu nối giữa con người và thiên nhiên: Kiến trúc không chỉ là việc tạo ra những công trình để che chở con người mà còn là cách để con người kết nối với thiên nhiên một cách hài hòa. Thiết kế kiến trúc tốt phải tôn trọng và phản ánh mối quan hệ tự nhiên giữa con người và môi trường, thay vì tách biệt hoặc đối đầu với thiên nhiên.
2. Nâng cao phẩm giá con người: Kiến trúc có khả năng nâng cao chất lượng cuộc sống và phẩm giá con người thông qua việc tạo ra những không gian đẹp, tiện nghi và ý nghĩa. Một công trình kiến trúc tốt không chỉ đáp ứng nhu cầu vật chất mà còn nuôi dưỡng tinh thần, cảm xúc và nhận thức của con người.
3. Thiên nhiên là nguồn cảm hứng vô tận: Thiên nhiên không chỉ là yếu tố cần được bảo vệ mà còn là nguồn cảm hứng vô tận cho kiến trúc. Các nguyên tắc tự nhiên như sự cân bằng, đa dạng và thích ứng có thể được áp dụng vào thiết kế. Kiến trúc tương lai cần học hỏi từ thiên nhiên để tạo ra các giải pháp bền vững và hiệu quả.
4. Kiến trúc bền vững là trách nhiệm đạo đức: Trong bối cảnh biến đổi khí hậu và suy thoái môi trường, kiến trúc có trách nhiệm đạo đức trong việc bảo vệ thiên nhiên và giảm thiểu tác động tiêu cực. Kiến trúc bền vững không chỉ là xu hướng mà còn là sự cần thiết để đảm bảo tương lai cho các thế hệ sau.
5. Kiến trúc tương lai chính là tạo dựng sự hài hòa giữa con người, thiên nhiên và công nghệ: Kiến trúc tương lai cần kết hợp hài hòa giữa nhu cầu của con người, sự tôn trọng thiên nhiên và ứng dụng công nghệ tiên tiến. Công nghệ không nên là yếu tố thống trị mà là công cụ để hỗ trợ con người sống hòa hợp với thiên nhiên.

Kiến trúc tương lai cần đặt con người và thiên nhiên vào trung tâm, từ đó tạo ra những không gian không chỉ đẹp và tiện nghi mà còn bền vững, nhân văn và giàu ý nghĩa. Đây không chỉ là mục tiêu của kiến trúc mà còn là trách nhiệm của toàn xã hội trong việc xây dựng một tương lai tốt đẹp hơn.

Mine Art Gallery
Cam Pha coal mine was established by the French in 1886 under the name Société Française des Charbonnages du Tonkin during the reign of King Tu Duc. The mine’s stratigraphic structure descends into deep underground terraces, with coal seams gradually revealed in the light that pierces through the valley.
The jet-black hue of coal, intermingled with the reddish-brown of the earth and the arid dust suspended in the air, creates an abstract palette imbued with depth and intensity.
The project draws inspiration from the overlapping layers of coal seams, reimagined in reverse to symbolize the void left behind. Construction materials, sourced from coal itself, form layered bricks that replicate the natural striations of the seams. Space, materiality, and landscape converge to evoke the emotional and physical experiences of the miners.

Type
Gallery
Year
2016
Location
Cam Pha city
Team
Ho Viet Vinh
Mai Que Vu