Có nơi nào trong ta chưa hề có mưa! Mưa là một cái cớ để yêu nhau, để nhìn về những hoài niệm và cảm xúc. Talkshow Sắc mưa là giọt cảm xúc rơi vào chính bản thân, để gột rửa, để dẫn lối ta chầm chậm cảm nhận cuộc sống. Thông qua chia sẻ của các diễn giả với góc nhìn kiến trúc, văn thơ, nhạc và họa. Để nhìn ngắm một “chiếc tôi” đáng yêu thông qua tọa đàm này, ta cho mình một trải nghiệm mới, một cảm nhận tâm tính của mưa, và đôi khi là của chính mình…

Ngày 11/5/2024 vừa qua, chuỗi toạ đàm Color & More được thực hiện bởi nhóm Color & More, ấn phẩm KT&ĐS và công ty Paint & More đã mở đầu với chủ đề “Sắc mưa” diễn ra tại OneCoat Studio 458A Điện Biên Phủ, phường 17, quận Bình Thạnh, TP.HCM. Các diễn giả tham gia gồm PGS. TS. KTS. Nguyên Hạnh Nguyên, Bác sĩ CKII Đặng Bảo Ngọc, KTS Hồ Viết Vinh và họa sĩ Việt Anh.

Mời xem Talkshow Sắc mưa qua các nội dung bên dưới:

The Dragon d’Annam is a place where the mountains and the sea come together, standing between the South and the North, the land is high, the mountains and rivers are surrounding. In waterways, there are Thuan An and Tu Hien the mouth of the sea bay,  which are deep and dangerous; by road, Hoanh Son and Hai Van gates are blocked; The great river opens  the front, the high mountain protects  the back, the adoration dragon and guard tiger, the place is solid, it is arranged by heaven and earth, it is truly the king’s capital.

Source: According to the national history of the Nguyen Dynasty

Description
Exucuted in April 2020
Style
Lyrical Abstract
Technique
Acrylic on Canvas
Dimension
97W x 130H x 4D cm

The authenticity of this work has been confirmed by the HVV Architect & Partners. A certificate of authenticity maybe delivered by the Company upon request to the buyer.

Vinhho Biography
Ho Viet Vinh is a Vietnamese architect who graduated with a Bachelor of Architecture degree in 1995 from the University of Architecture Ho Chi Minh City, Vietnam, where he received an award for creative design in his final year. He is a Registered Architect in Vietnam, a Registered Urban Planner in Ho Chi Minh City, and a member of the Association of Architects and Urban Planners of Vietnam.
Vinh’s career began in 1995 with participation in several design competitions in Ho Chi Minh City. That same year, he became a lecturer in the Urban Planning Department at the University of Architecture.
In 1998, he won second prize in the international competition organized by the Summer Workshop of Cergy-Pontoise, France, with the theme “Ho Chi Minh City and the Saigon River.”
In 2005, he was awarded a special prize in another international competition by the Summer Workshop of Cergy-Pontoise, France, for his project “Can Gio Emotional City.”
In 2010, he participated in the U.S. International Visitor Leadership Program (IVLP) focusing on Sustainable Urban Planning.
In 2015, Vinh was selected by the Lebadang Creative Foundation to design the Lebadang Memory Space Museum in Hue. During this time, he also became the Director of the Fund.

Lake Community Park is situated at the heart of the Huong Thuy new urban area, approximately 13.5 km southeast of Hue city center. The Park is conveniently located near Phu Bai Airport and the North-South railway line, just 3.5 km from Huong Thuy station, offering easy access for tourists traveling to and from the area.

Lake Community Park is built upon five core values:

1. Green Lung: The park features over 23% water surface area and over 16% natural coverage.
2. Central Location: Strategically positioned to connect neighboring areas and Hue city center.
3. Transport Hubs (TOD): Integrated with national highways, railways, and aviation systems.
4. Balanced Spaces: Harmonizing ecological, agricultural, and eco-residential areas.
5. Enhanced Land Use Value: Diversifying functions based on ecological footprints to maximize value.

Project:
U Minh Thuong National Forest Ecological Experience Area
Location:
U Minh Thuong district, Kien Giang province
Area:
19,819 hectares
Services:
Urban planning, Architecture, Interior
Status:
Approved the detailed planning project at scale 1/500, 2019
Approved the project investment for the construction, 2020
Under construction
Team:
HVV architect and partners – CREA

Characteristics
This is the former Provincial Party Committee Headquarter during the anti-American war, aimed at educating younger generations about revolutionary traditions and honoring the ecological and aesthetic values of U Minh Thuong National Forest in Kien Giang Province.

Design Principles

1. Respect the existing landscape characteristics while creating diverse spatial arrangements to accommodate the various functions of the overall project.
2. Inherit the cultural heritage values of Southern Vietnam through the development of a resort area that harmonizes local cultural elements with the natural landscape.
3. Ensure vibrancy throughout the overall spatial design, maintaining solemnity in the central area while providing privacy and seclusion for functional areas such as eco-experience resorts, recreational areas, and spaces for outdoor activities reflecting Southern Vietnamese lifestyles.
4. Protect the environmental landscape by preserving the existing ecological scenery, employing on-site earthworks, and utilizing local materials.

Forest rain.

Streams of water weave across the sky like a loom, tracing delicate horizontal lines. Thick fog veils the forest in the dark of night.
Vertical and horizontal water jets carve an intricate painting into the air.

Ho Viet Vinh 2020

Description
Exucuted in April 2020
Style
Lyrical Abstract
Technique
Acrylic on Canvas
Dimension
97W x 130H x 4D cm


The authenticity of this work has been confirmed by HVV Architect &Partners. A certificate of authenticity maybe delivered by the Company upon request to the buyer.

Vinhho Biography
Ho Viet Vinh is a Vietnamese architect who graduated with a Bachelor of Architecture degree in 1995 from the University of Architecture Ho Chi Minh City, Vietnam, where he received an award for creative design in his final year. He is a Registered Architect in Vietnam, a Registered Urban Planner in Ho Chi Minh City, and a member of the Association of Architects and Urban Planners of Vietnam.
Vinh’s career began in 1995 with participation in several design competitions in Ho Chi Minh City. That same year, he became a lecturer in the Urban Planning Department at the University of Architecture.
In 1998, he won second prize in the international competition organized by the Summer Workshop of Cergy-Pontoise, France, with the theme “Ho Chi Minh City and the Saigon River.”
In 2005, he was awarded a special prize in another international competition by the Summer Workshop of Cergy-Pontoise, France, for his project “Can Gio Emotional City.”
In 2010, he participated in the U.S. International Visitor Leadership Program (IVLP) focusing on Sustainable Urban Planning.
In 2015, Vinh was selected by the Lebadang Creative Foundation to design the Lebadang Memory Space Museum in Hue. During this time, he also became the Director of the Fund.

Capturing The Movements Of The Heart: The ‘In Motion’ Exhibition By Ho Viet Vinh

Architect Hồ Viết Vinh presents a new and relatable artistic experience to the youth of Saigon, blending abstraction with familiarity.

Once upon a time, three monks observed a flag waving in the breeze and engaged in a debate. The first monk remarked, “The flag is moving.” The second countered, “The flag itself cannot move; the wind is moving.” The third monk posited, “Both the wind and the flag move in harmony.” A fourth monk, passing by, declared, “Neither the wind nor the flag truly moves; it’s our perceptions that shift.”
As I explored Hồ Viết Vinh’s “In Motion” exhibition, I felt a mix of emotions and thoughts. Each artwork was filled with different colors and hinted at movement, even though they were still pictures.
Every painting by Hồ Viết Vinh is a visual delight. While his intent might have been to capture the essence of motion in nature, he achieved something profound: a reflection on the inner movements of our souls.

Walking Amidst the Colors

I visited the exhibition on a Sunday afternoon in the vibrant and spacious Audi Charging Lounge. The first thing that struck me was the ingenious arrangement of paintings interspersed within the existing layout of the Audi Charging Lounge – primarily a venue to display and charge vehicles.

In front of the art display area stood an Audi car, embodying the spirit that Architect Hồ Viết Vinh captured in his paintings: the relentless transition of all things. This particular notion resonates with the theme of “art in motion” – the fusion of art and movement, the convergence of paintings and cars, as the artist shared during his talk at the exhibit.
Eighteen paintings were showcased in the space. Some were mounted on walls, while others seemed to “fall” from the ceiling, unexpectedly appearing before the viewers, illustrating the serene shifts of nature.
Among these “falling” artworks, clusters of three or four paintings merged. The movement of these pieces wasn’t merely vertical from the ceiling downwards but also spanned horizontally, unfolding right before the viewers. Additionally, these “falling” artworks leaned against one another, forming pairs that seemed to hover in the air.

Beyond these elements, there appeared to be no specific intent in the sequential arrangement of the paintings, whether front to back or outer to inner. True to what Architect Hồ Viết Vinh mentioned in his interview with Vietcetera: “Relax, let your guard down, and take your time with details that captivate you. If none do, it’s alright to move on.”

Experiencing Art Beyond Just Sight

The first time I saw these paintings, it was a delightful and captivating confusion, and I think many young people who aren’t familiar with art felt the same way.
Almost all the artworks did not depict any tangible objects. Viewers might struggle to grasp solid subjects or sharp features if they cling to traditional aesthetic experiences such as realism or the expectation that every object must be explicitly depicted.
To truly appreciate Hồ Viết Vinh’s art, one needs to feel it in ways beyond just sight. In front of certain paintings, after meticulously following every brush stroke, I had to close my eyes to visualize and organize my perceptions. The essence of understanding his art lies in engaging multiple senses and individual experiences.
What really caught my eye in his artwork was how he played with colors. Some colors smoothly flowed into each other, while others looked intentionally uneven, giving the impression of swirling winds and twisting waves.

The painting that struck me the most, “Untitled 18,” seemed to involve not just paint but also wood – or what seemed like wood. I say this because the canvas isn’t truly flat: upon close observation, you can discern the coarse wooden texture emerging from it. To me, this painting exploits light and material to play with the viewer’s perception.
From a distance, it feels as if you’re looking down a long corridor illuminated by a sidelight, with the soft yellow glow of a house at the end. However, as you draw nearer and notice the rough surface, the perception of depth fades, and the corridor seems to vanish, leaving behind intertwined hazy squares.

The Untitled: Letting the Work Speak for Itself

On the day of my visit to the exhibition, architect Hồ Viết Vinh had a sharing session with the media and attendees. He talked about his artistic endeavors, the confluence of architecture and fine arts, the motivations behind the exhibition, and his insights into his creations.
The highlight of this sharing was his revelations about drawing inspiration from nature and the artistic ethos he adopted. Hồ Viết Vinh expressed a deep resonance with the artworks of Caspar David Friedrich, the emblematic painter from the Romantic era.
Vinh’s pieces echo the evocative style and liberality of nature portrayed in Caspar David Friedrich’s paintings. He saw harmony in Friedrich’s illustrations, emphasizing humanity’s humble stance against the overwhelming majesty of nature.
This sentiment is palpable in Vinh’s “Untitled 5” – a portrayal of the ocean that captures human awe and humility before nature’s magnificence, reminiscent of Friedrich’s “Wanderer above the Sea of Fog.”

He also shared the reason why all the paintings are untitled. He didn’t want them to be confined to a predetermined meaning, aiming instead for viewers to find both familiarity and uniqueness in their interpretations. I find this approach intriguing.
Indeed, it’s always insightful to admire a painting and then hear the artist’s thoughts on it, understanding the emotions and intentions behind the colors and strokes. Yet, I often found that my interpretations didn’t fully align with his explanations.
While observing his work and listening to his insights, I began to grasp his artistic intentions. But still, I found myself resonating with emotions that he might not have anticipated.
This disparity might be the essence of art: it’s not about uniformity but about individual interpretations, as long as there’s mutual respect. This seemed to be the core of the discussion: listening, understanding, and appreciating the diversity of perspectives on art, life, and nature.

From 1^st to 10^th September 2023, the ‘In Motion’ art exhibition was held at Audi Charging Lounge, 6B Tôn Đức Thắng. Jointly organized by Lotus Gallery and Audi Vietnam, it was supported by Vietcetera, Saigon Cider, and Cara Lighting, drawing over 2,000 attendees.
The artworks remain displayed at Lotus Gallery (1^st floor, Cspace Center, 12-13 N1 street, District 7, Ho Chi Minh City) until 24^th September 2023, as part of ‘Olfactory Odyssey – Beyond Perfume,’ blending visual arts with fragrance artistry.

The original article is of Vietcetera via the link.

Maison des Marais embodies the ethereal dance between the tangible and the intangible. The structure, elevated on stilts, mirrors itself in the serene waters, creating a dialogue with the reflections that blur the boundary between reality and illusion. The thatched roof and wooden textures harmonize with the surrounding marshland, evoking a sense of timelessness and serenity. This architectural poetry captures the essence of nature’s abstraction, where each element, seen and unseen, contributes to a symphony of spatial resonance, reflecting the invisible threads that weave through the fabric of existence.

IMMENSE

Its simplicity and complexity, serves as a portal to the immeasurable – seducing the viewer into the depths of the infinitesimal and the expanse of the limitless. Such a piece transcends its medium, embodying the essence of “Immense” through the poetic interplay of light and shadow, color and form.

Ho Viet Vinh

Garden of Eden

The Garden of Eden is an embodiment of the invisible woven into the fabric of existence. Its design reflects a poetic dialogue where nature’s abstraction meets architectural form. The undulating lines and textured surfaces echo the silent whispers of the earth, creating a harmonious interplay between light and shadow. This spatial composition blurs the boundaries of the tangible, inviting contemplation of the unseen. Through the use of natural materials and organic forms, the garden becomes a sanctuary of tranquility, mirroring the serene and introspective essence of the divine landscape.