“Whispers of ephemeral beauty, a tranquil moment captured in the chaos of existence. Shades of yellow and brown morph together, cradling hints of white and red, embodying the fleeting glimmer of life. Amidst this tumultuous beauty, the painting proposes a reflection on the essence of “sparkle” – not as mere glitz, but as a profound glitter of existence, intricate dance of light and shadow, beauty and decay.”

Ho Viet Vinh
Sparkle
Acrylic on canvas, 130x97cm, Maison d’Art 2024

Next project | MELALEUCA Forest

Một lối mòn hun hút dấu mình trong màu xanh thẳm cuối cùng của cánh rừng Tràm.
Chẳng ai có thể biết cuối con đường sẽ dẫn đến đâu,
ấy thế mà vẫn mang trong sự bí ẩn và quyến rũ đến kỳ lạ.
Mong manh luôn là lằn ranh giữa thăng hoa và lụi tàn:
ở đó vẻ đẹp xuất hiện.

Melaleuca Forest
Vinhho, 120x80cm, Acrylic on canvas, Maison d’Art@2025

A trail, vanishing into the deepest green at the far end of the Melaleuca forest.
None can tell for certain where it might lead, and yet it holds within itself a most singular charm and mystery.
How delicate is the line between flourishing and decay:
it is there that beauty reveals itself.

Photo by Vinhho, Maison de Corail, 2025

Next project | CỔ RÊU

Cổ rêu, a photo by Vinhho 2025

Cổ rêu phủ kín một đền đài, như một tấm thảm thời gian lặng lẽ trải dài trên bức tường cổ kính của Cố đô Huế. Những lớp rêu mỏng manh, nhưng kiên cường, bám chặt trên bề mặt xù xì của chất liệu: tựa như những ký ức xa xưa vẫn còn lưu lại, không thể phai nhòa theo năm tháng.

Trong ánh sáng mờ ảo của buổi chiều tà, màu xanh của cổ rêu trở nên lung linh hơn, như những viên ngọc bích nhỏ bé, lấp lánh giữa không gian yên tĩnh. Những đường vân của rêu, như những nét vẽ tinh tế của một họa sĩ tài hoa: tạo nên một bức tranh thiên nhiên sống động, đầy cảm hứng.
Mỗi không gian cổ rêu là một câu chuyện, một mảnh ghép của quá khứ, gợi nhớ về những ngày tháng vàng son của triều đại xưa. Đôi khi, một cơn gió nhẹ thổi qua, làm rêu lay động, như những dòng chữ cổ xưa đang thì thầm kể lại những bí mật của thời gian.
Cổ rêu tại Cố đô Huế không chỉ là một phần của cảnh quan, mà còn là biểu tượng của sự trường tồn, của vẻ đẹp giản dị nhưng sâu lắng, khiến lòng người không khỏi bồi hồi, xao xuyến mỗi khi bước ngang qua nó.

Kiến trúc sư Hồ Viết Vinh, Huế. 2025

Next project | RED KINGDOM – Masterplan of Brickyard village at Mang Thit, Mang Thit District, Vinh Long province

“This is a project to preserve and develop the Mang Thit traditional brick and masonry heritage area, combining production space and water landscape. This area is planned into a contemporary product with different functional layers: preserving ceramic tile craft villages, expanding living space along the river and recreating the unique river landscape of the South. The multi-level dike approach helps maintain riverside living space, supports ceramic production and also develops eco-tourism, turning the area into a cultural and experiential destination for visitors.”

HVV Architect & Partners

Client:
Board of Civil and Industrial Construction Project Management – Vinh Long province People’ s Committee
Location:
Mang Thit dictrist, Vinh Long province, Vietnam
Size:
3.060 hectares
Services:
Masterplan
Status:
Approved on 2024
Team:
HVV Architect & Partners –  Urban Planning Institute

Intro
Mang Thit District, Vinh Long Province, is one of the few remaining localities in Vietnam that preserves a unique and extensive architectural complex alongside a traditional craft. This architectural ensemble comprises nearly 1,000 domed kilns, spanning over 3,060 hectares along the banks of the Thay Cai, Hoa My, Cai Nhum canals, forming a southern arc that extends to the Nhon Phu and Hoa Tinh canals within the district. This is truly a valuable treasure, shaped by over a century of cultural and technological exchange between Khmer, Kinh, and Hoa people, resulting in a distinctive architectural heritage and traditional craft. However, this treasure has not been fully recognized or appreciated.
Over the past decade, more than 1,000 kilns have been demolished, and the remaining kilns are deteriorating and face the imminent threat of complete destruction. Given this alarming situation, it is imperative and urgent to conduct research and develop solutions to preserve and promote this architectural complex and traditional craft.

Learning from the Past and Looking to the Future

Over 100 years of formation and development, the structure of the craft village ecological system have established with 6 main space, including: surface water, brickyard system, yards, storage, fruite garden and house, fields.

The system of canals and land has formed a distinctive, easily recognizable landscape. Rivers and canals flowing from Co Chien River along Thay Cai canal, going deep into agricultural areas, have determined the main landscape axes; Residents live along the canals, inside are fruit and vegetable gardens, and deeper are fields and aquaculture areas. The ecosystem associated with the brick kiln area has created a closed process in the production of Mang Thit red ceramic. This is a characteristic and value that needs to be preserved and promoted.

Adaptive conservation in continued development

Adaptive conservation in continued development – preserving the existence of production space heritage, symbiotic ecological space, and Southern garden development cultural heritage; These valuable materials and spiritual values ​​have been perfected during the development process, providing a contemporary breath and improving the quality of each space, gradually improving the quality of life of local people, so that their politics will gradually transform, reviving the soul of the place.
The heritage of Mang Thit – known as The Red Kingdom will be an interesting destination in Mekong Delta and should not be missed in your lifetime.

Zonning plan

The area is divided into 9 main zones according to 3 layers.

No.1. Mixed-Use Development (Services – Tourism – Rural Residential): Approximately 347.91 hectares, with primary functions including residential development, mixed-use development (tourism services – rural residential), mixed-use development (services – urban residential), public services, public utility green spaces, specialized green spaces, other technical infrastructure, transportation, agricultural areas, and other functions.

No.2. Mixed-Use Development (Services – Urban Residential) along Co Chien River: Approximately 250.05 hectares, with primary functions including residential development, mixed-use development (services – urban residential), public services, public utility green spaces, specialized green spaces, heritage and religious sites, other technical infrastructure, transportation, agricultural areas, and other functions.

No.3.  My An – Hoa My Residential Area: Approximately 415.50 hectares, with primary functions including residential development, mixed-use development (services – urban residential), public services, public utility green spaces, specialized green spaces, heritage and religious sites, other technical infrastructure, transportation, agricultural areas, and other functions.

No.4. Cai Nhum Eco-Residential Area: Approximately 150.31 hectares, with primary functions including residential development, public services, public utility green spaces, other technical infrastructure, transportation, agricultural areas, and other functions.

No.5. My Phuoc Eco-Resort: Approximately 106.43 hectares, with primary functions including residential development, public services, public utility green spaces, tourism development, other technical infrastructure, transportation, agricultural areas, and other functions.

No.6.  My Phuoc Eco-Residential Area: Approximately 253.76 hectares, with primary functions including residential development, public services, public utility green spaces, specialized green spaces, heritage and religious sites, offices, other technical infrastructure, transportation, agricultural areas, and other functions.

No.7. Nhon Phu Eco-Residential Area: Approximately 309.78 hectares, with primary functions including residential development, public services, public utility green spaces, heritage and religious sites, offices, other technical infrastructure, transportation, agricultural areas, and other functions.

No.8. Hoa Tinh Eco-Resort: Approximately 198.23 hectares, with primary functions including residential development, mixed-use development (services – urban residential), public services, public utility green spaces, heritage and religious sites, offices, transportation, agricultural areas, and other functions.

No.9. High-Tech Agriculture Area: Approximately 1,028.03 hectares, with primary functions including residential development, public utility green spaces, tourism development, other technical infrastructure, transportation, agricultural areas, and other functions.

Master plan

The plan identifies 3 main development axes including:

  • Mang Thit brick and ceramic kiln space at the center combined with service corridor along Co Chien river, agricultural experience corridor – traditional garden village along Cai Nhum river, high-end resort tourism corridor in the South;
  • Mixed service axis – contemporary residential area in the Southern region of the West;
  • The Eastern resort tourism axis will create motivation for development of the entire region.

The resort spaces around heritage area (My Phuoc eco resort, My Phuoc Eco-Residential area, Nhon Phu Eco-Residential Area, Hoa Tinh Eco-Resort) offer a variety of ecological, cultural and agricultural production experiences, taking the ceramic brick kiln area as inspiration for creativity.

Oriented masterplan development diagram to 2045

With 5 gateways – 5 landscape architectural spaces typical of the Southern rivers and the ceramic brick kiln area, it will be an unforgettable, impressive identification point when visitors approach the ceramic brick kiln area by both Water transport and road transport.

The landscape of the welcome gate, orchard and ceramic tiles combined with the riverside landscape follows a multi-level soft embankment model, providing many different experience spaces for visitors to explore the traditional Tile and Ceramic Craft Village along the Co Chien River.
The new residential community landscape is associated with the internal canal system. The riverside spaces are shaped by multi-level soft embankments creating different functions and landscape nuances according to the flooding season.
Landscape on both sides of Thay Cai canal, the core conservation area of ​​the ceramic craft village with a system of multi-storey soft embankments and alternating hard stepped embankments combined with a boat wharf and ceramic tile service space organized along the river. Support the transition process, while developing ecotourism, turning this area into a cultural and experiential destination for tourists.

Conclusion

This is a project to preserve and develop the Mang Thit traditional brick and masonry heritage area, combining production space and water landscape. This area is planned into a contemporary product with different functional layers: preserving ceramic tile craft villages, expanding living space along the river and recreating the unique river landscape of the South. The multi-level dike and heritage landscape approach helps maintain riverside living space, supports ceramic production and also develops eco-tourism, turning the area into a cultural and experiential destination for visitors.

Next project | IMMENSE

IMMENSE

Its simplicity and complexity, serves as a portal to the immeasurable – seducing the viewer into the depths of the infinitesimal and the expanse of the limitless. Such a piece transcends its medium, embodying the essence of “Immense” through the poetic interplay of light and shadow, color and form.

Ho Viet Vinh

Next project | Container Resort

Project
Container Resort
Location
Cu Lao Pho, Bien Hoa City, Dong Nai Province, Vietnam
Area
1.500 m²
Services
Masterplan, Architecture and Interior design
Status
Under construction
Team
HVV Architect & Partners

Intro
Standing in the garden feels like stepping into a separate realm, where time seems to pause, leaving only gentle sounds and serene imagery. Beneath the shade of an ancient Bodhi tree, the Buddha statue exudes a quiet majesty, offering a soft reminder to let go of burdens and listen to the tranquil rhythm within the depths of the soul.
This is not just a place of retreat but a sanctuary for rediscovering peace amidst life’s constant flow. Here, lush greenery embraces every contour of modern architecture, together composing a perfect harmony that guides individuals back to their true selves.

Buddha Hill
Master Bedroom

Next project | s t i l l n e s s

“If you don’t know how to relax in the pure land,
A life will pass without ever touching happiness.”

Thay Thich Nhat Hanh

The Zen garden embodies the breath of nature, nestled in a coniferous forest that greets the morning sun and immerses itself in the cool embrace of the beach. Here, people move freely in an open space, unbound by positions or frames of reference.
Movement transcends traditional notions of inside and outside, high and low, creating a seamless unity between heaven and earth, plants, flowers, and people. Each step taken resonates with the essence of the pure land, harmonizing all into a single breath of serenity.

Type
Architecture design, Interior design
Year
2019
Location
Ho Tram, Vietnam
Team
Ho Viet Vinh, Tran Thanh Hai, Tran Thi Thu Ha
Collaborator
Quang Nhat Furniture, RitaVo Company, KOHLER

Next project | SONNET

Evoking the tranquil undulations of the river a symphonic concerto of colors whispering the poetics of the natural world. The geometric shapes, with their curves and angles, juxtapose the organic with the mathematical, creating a visual sonnet that blurs the lines between the ephemeral and the eternal.

Ho Viet Vinh
Sonnet
Acrylic on canvas, 130 x 97cm, Maison d’Art, 2024

Next project | Shadowy

Shadowy
Vinhho, Acrylic on canvas, 130x97cm, Maison de Corail, 2024

“The interplay of dark and light hues conjures a spectral dance of shadows, evoking the elusive nature of the intangible, whispers of the hidden dimensions that lie beneath the surface, suggesting an eternal struggle between presence and absence.”

Ho Viet Vinh

Next project | Vinhho Art Studio

In the bustling urban rhythm of Phan Xich Long’s vibrant food street, Vinhho Art Studio, the sanctuary of self training – painter Ho Viet Vinh, nestles quietly in a small alley typical of Saigon. The surrounding air hums with the everyday sounds of urban life and the rich aromas of street food delicacies.

Inside the compact studio where the artist crafts his paintings, everything appears orderly. The space is adorned with a variety of experimental works, each reflecting his diverse artistic journey. At the center of the room stands an old, slightly tilted wooden easel, holding an unfinished painting. The bold and uninhibited strokes on the canvas mirror the essence of the artist himself.

For those fortunate enough to explore the evolution of Vinhho’s artistry from his earliest days, each painting tells a distinct story, conveying profound messages about life, humanity, and especially nature. Through his brushstrokes, Ho Viet Vinh channels the most authentic emotions, inviting viewers to share in his perspective.

While the city outside thrums with its noisy, dynamic energy, this small studio offers a serene haven – a private world where Ho Viet Vinh and his collaborators dedicate themselves to crafting works of art that contribute to celebrating the breathtaking beauty and wonder of Vietnam.

Each painting tells a distinct story, conveying profound messages about life, humanity, and especially nature @ Vinhho Art Studio 2024

Next project | The PIG House

Concept design

Ancient Greek legend has it that the pig was the favorite animal of Demeter – goddess of crops and farming on earth. This was the holiest god for the Greeks. Since ancient times, people have used pigs to sacrifice this goddess. The magical transformation that turns humans into pigs appears in many myths, such as in Homer’s epic Odysseus. In this story, the crew of the hero ship was turned into pigs by the goddess Circe. Pig is one of the 12 animals that represent the 12-year cycle of Dizhi of China, Vietnam, Japan, Korea, North Korea and many other countries in Asia. It is associated with the Zodiac Pig. Those who believe in Chinese astrology have always attached pig characteristics to people born in the year of the Pig. Those born in this year are often considered lucky and have a prosperous and leisurely life. PIG House is life within and beyond the form of this animist.

PIG House Model