The concept of the project is a hybrid space without fixed determinations or boundaries. We envision a space that seamlessly integrates botany, meditation, and art—a sanctuary where individuals can care for themselves slowly and mindfully, embracing relaxation.
Drawing inspiration from nostalgia and natural materials, the space is crafted by artisans and adorned with artworks that celebrate beauty in imperfection, echoing real environments. The façade is constructed from breezeway blocks, allowing sunlight and natural ventilation to flow through, eliminating the need for artificial air conditioning systems.
A spiral staircase wraps around the courtyard, featuring a rendered banister and concrete treads, leading to an open art workshop and meditation space designed to inspire tranquility and creativity.
Coral house. Source: DALO LAB
“Ẩn tàng chốn lạ mà quen
Lá chen mây trắng hoa chèn sắc hương
Ngõ vương ánh nắng qua đường
Yêu thương đọng lại khu vườn ngày xưa.”
“Strange but familiar hidden place
Leaves insert flowers into white clouds
Light alley across the street
Love leaves the old garden. ”
Architect. Ho Viet Vinh
The overarching goal is to foster a minimalist lifestyle that honors the slow passage of time. Lava stones, with their textured surfaces, reflect dynamic shades as sunlight moves throughout the day, creating an ever-changing interplay of forms and light.
Type
Residential
Year
2020
Location
Ho Tram, Ba Ria Vung Tau
Team
Ho Viet Vinh, Tran Thanh Hai, Le Van Thoi, Ngo Dang Linh
Contractor
Cuong Quang Construction
Interior Designer
Ho Viet Vinh
Structural Engineer
Nam Vie
Photo
Ho Viet Vinh
Next project | Zen Garden
The Zen garden embodies the essence of nature, situated within a coniferous forest, where it bathes in the morning sunlight and is immersed in the cool breeze of the nearby beach. Visitors move freely within its open space, unbound by fixed positions or traditional frames of reference.
Movement transcends notions of interior and exterior, high and low. Heaven and earth, plants, flowers, and humans merge into one harmonious whole, where every step resonates with the breath of the pure land.
Next project | Phu Doan Plaza
Phu Doan Plaza, located at the Thua Thien Hue Provincial People’s Committee (also known as City Hall), is a vibrant and modern interpretation of Hue’s identity as an ancient capital. Today, the plaza serves as an inclusive outdoor hub of Hue’s cultural and social life, but this was not always the case.
Before its renovation, the plaza was an uninviting and inaccessible space, characterized by uneven terraces, hidden passageways, and neglected trees. The transformation elevated the park—both literally and symbolically—to match its prominent location at the foot of Hue City Hall.
The plaza now offers universal accessibility by leveling the entire site to meet the street, encouraging activity throughout the day. It features a spacious lawn, an interactive fountain, a café, and ample seating amid green groves of native plants such as Bombax ceiba (cây gạo), Borassus flabellifer (cây thốt nốt), Laurus nobilis (cây nguyệt quế), Cinnamomum camphora (cây long não). Built atop Hue City Center’s multi-modal transit hub, it acts as a gateway connecting all neighborhoods.
Covering 8,190 square meters, the plaza provides a welcoming, all-season destination for relaxation and public recreation.
Type
Landscape design
Year
2020
Location
Hue city, Vietnam
Team
Ho Viet Vinh
Ngo Hai Tan
Duong Thi Thanh Thanh
Nguyen Dinh Nhat Thu
Next project | SONNET
Evoking the tranquil undulations of the river a symphonic concerto of colors whispering the poetics of the natural world. The geometric shapes, with their curves and angles, juxtapose the organic with the mathematical, creating a visual sonnet that blurs the lines between the ephemeral and the eternal.
Ho Viet Vinh
Acrylic on canvas, 130 x 97cm, Maison d’Art, 2024
Next project | Vertical Green Highrise
Vertical Green Highrise
The high-class Condotel hotel complex seamlessly integrates with the scenic landscape of Cap Saint-Jacques beach, connecting the coast with surrounding urban public activities to create an alluring destination for tourists and residents alike.
This open space, offering a variety of services, will serve as a vibrant public hub where shopping, entertainment, relaxation, and leisure activities take place around. The complex, consisting of two towers—one 40 stories tall and the other 10 stories with service podiums—spans a total usable area of 130,000 square meters, adding energy and dynamism to Cap Saint-Jacques beach city.
The active spaces, featuring panoramic sea views, foster a harmonious connection between the buildings and the stunning surrounding landscape. All functional areas are designed to be open, filled with natural light, greenery, and a sense of unity with the blue sky and deep ocean. A system of plazas, flower gardens, cascading waterfalls, and vertical green walls enhances the project’s appeal, creating a unique and inviting environment.
Type
Highrise tower
Year
2016
Location
Cap Saint jaques
Team
Ho Viet Vinh
Pham Tu
Next project | Melaleuca Forest
Melaleuca forest
The sky turned gray-gray, the melaleuca forest changed color under the lopsided sunlight penetrating through the canopy of leaves, the ground tilted and swayed with the withering colors of countless flowers and leaves. The sparkling black velvet water reflects the identity of the forest of the elders: the splendid harmony of the late afternoon.
Description
Exucuted in April 2020
Styles
Lyrical Abstract
Technique
Acrylic on Canvas
Dimension
100W x 100H x 5D cm
The authenticity of this work has been confirmed by the HVV Architect &Partners. A certificate of authenticity maybe delivered by the Company upon request to the buyer.
Vinhho Biography
Ho Viet Vinh is a Vietnamese architect who graduated with a Bachelor of Architecture degree in 1995 from the University of Architecture Ho Chi Minh City, Vietnam, where he received an award for creative design in his final year. He is a Registered Architect in Vietnam, a Registered Urban Planner in Ho Chi Minh City, and a member of the Association of Architects and Urban Planners of Vietnam.
Vinh’s career began in 1995 with participation in several design competitions in Ho Chi Minh City. That same year, he became a lecturer in the Urban Planning Department at the University of Architecture.
In 1998, he won second prize in the international competition organized by the Summer Workshop of Cergy-Pontoise, France, with the theme “Ho Chi Minh City and the Saigon River.”
In 2005, he was awarded a special prize in another international competition by the Summer Workshop of Cergy-Pontoise, France, for his project “Can Gio Emotional City.”
In 2010, he participated in the U.S. International Visitor Leadership Program (IVLP) focusing on Sustainable Urban Planning.
In 2015, Vinh was selected by the Lebadang Creative Foundation to design the Lebadang Memory Space Museum in Hue. During this time, he also became the Director of the Fund.
Next project | IMMENSE
IMMENSE
Its simplicity and complexity, serves as a portal to the immeasurable – seducing the viewer into the depths of the infinitesimal and the expanse of the limitless. Such a piece transcends its medium, embodying the essence of “Immense” through the poetic interplay of light and shadow, color and form.
Ho Viet Vinh
Acrylic on canvas, Maison d’Art, 2024
Acrylic on canvas, Maison d’Art, 2024
Acrylic on canvas, Maison d’Art, 2024
Next project | AURA
Inviting a contemplation of the divine within the mundane, a glimpse into the aura of life itself, forever capturing the transient light and darkness that dance within the soul’s depths.
Ho Viet Vinh
Acrylic on canvas, 130x97cm, Maison de Corail.2024
Next project | Spiritual Sustainability as the Core Essence
Spiritual Sustainability as the Core Essence
For Architect Hồ Viết Vinh, a sustainable structure must encompass multiple dimensions: structural sustainability, environmental sustainability, aesthetic sustainability, and cultural sustainability. Yet, there is one essential, foundational element that underpins them all: spiritual sustainability. One of his upcoming and most cherished projects currently in development is the Trịnh Công Sơn Park in the ancient capital of Huế.
Guided by a philosophy of holistic sustainability, Hồ Viết Vinh has crafted unique architectural works such as Lebadang Memory Space and more recently, the Coral House in Hồ Tràm.
Could you share more about the milestones that have shaped your 25-year career?
I can summarize my more than 25 years of navigating this profession—full of challenges—into four stages: searching, understanding, contemplation, and practice.
The first stage took me around five years. I was seeking a way to survive in this field, with much effort but little clarity beyond earning a living.
The second stage arrived when I realized that architecture demands not only physical effort but also profound intellectual engagement.
The third stage was contemplation—reflecting on the distinct values that drive creativity. This was perhaps the most challenging period. It required me to relinquish things I had painstakingly gathered over time, clearing my mind to make space for the new.
Finally, the fourth stage is practice—not merely following thought processes, but letting intuition and wisdom guide my actions.
Your design philosophy seems inspired by Buddhist thought, correct?
Yes, indeed! The teacher who profoundly influenced my design philosophy is Thích Nhất Hạnh from Làng Mai (Plum Village), with his wisdom of interbeing (tương tức). According to Thích Nhất Hạnh, interbeing means: “If we understand that humans and nature are inseparable, we will know how to treat nature as we would treat ourselves—with care, gentleness, and love, free from violence. If we don’t want to harm ourselves, we should not harm nature, for harming nature is ultimately harming ourselves, and vice versa.”
How do you incorporate the concept of emptiness in your architectural works?
In essence, space is defined by emptiness. Without emptiness, there is no space. We must distinguish between the concepts of empty/full and open/closed. The former refers to spatial density, while the latter concerns the degree of openness to the external environment.
Emptiness is where dialogues unfold—between humans and nature, between individuals, and between oneself and the spiritual realm. It is a void that leads to infinite transformation and change.
What is your perspective on sustainable architecture? What, in your view, is the primary factor that defines sustainability?
When discussing sustainability, we must ask: sustainable in what sense? Is it structural, environmental, aesthetic, or cultural sustainability? Today, most conversations focus on environmental sustainability, as we face the brink of ecological destruction.
In my perspective, a truly sustainable structure must integrate all four aspects, with an additional core foundation: spiritual sustainability. This form of sustainability is rooted in an intuitive understanding of the fundamental truth of life on Earth—harmony, where all beings support one another to coexist.
“Architecture is a part of nature, and thus, it must harmonize with its surroundings. Light, wind, rain, storms, and even insects are all guests of the space.”
Is there a project that best embodies your design philosophy?
That would be the Lebadang Memory Space in Huế. This space is a harmonious blend of three elements: nature, form, and poetry. Nature includes the creations of the Earth—trees, flowers, rivers, skies, stones, humans, and animals. Form is defined by lines, shapes, colors, and materials that shape the space. Poetry is the soul that breathes life into it, creating a space that resonates with both the physical and the spiritual.
The thread that connects natural elements with the crafted form is poetry—a melody that flows from the primordial, carrying with it layers of cultural sediment, merging with the rhythm of life to shape the memory of time.
An Architect who has influenced you?
That would be Peter Zumthor, the renowned Swiss architect known for his famous quote:
“To design buildings that captivate the senses, architects must transcend the limits of form and structure.”
What experience do you consider most important for an architect like yourself?
Architecture came to me as destiny. Therefore, every experience carries its own value—there is no good or bad experience.
However, one pivotal experience stands out as a turning point in my creative journey. In 2005, I had the opportunity to participate in the 8th International Creative Competition organized by Les Ateliers Internationaux de Maitrise d’Oeuvre Urbaine Cergy Pontoise in France.
The competition brought together nearly 40 architects, urban planners, economists, managers, and environmental specialists from 17 countries. The theme was Ecological Tourism Urbanism in Cần Giờ (Can Gio entre ville ecologique et destination touristique).
Our project, titled “The City of Distinct Emotions” made a powerful impression on the jury and won the Special Award.
What is your perspective on materials in architecture? Are you experimenting with any specific materials?
Materials play a vital role in evoking aesthetic emotions within architectural spaces, alongside form and design language. Under the influence of light, these three elements harmonize to create the texture of space.
In my architectural designs, I place particular emphasis on exploring and incorporating local materials. These materials infuse spaces with the spirit of the place, giving them a unique identity and soul.
Could you share more about an upcoming project you are excited about?
A project I hold dear and that is currently being developed in Huế is the Trịnh Công Sơn Park.
Located at the confluence of three rivers, it rests against the Gia Hội Ancient Quarter, gazes upon the Hương River, and looks towards Ngự Bình Mountain as its front shield, with the Kim Phụng Range stretching across the landscape. This harmonious geographical setting provides the perfect foundation for the park in the heart of the ancient capital.
The park spans approximately 6.2 hectares and stretches nearly 1 kilometer along the lower reaches of Hương River, surrounded by water landscapes. Its structure is divided into two main sections: (1) The Space of “The Great Circle of Unity“ (20,000 m²); (2) The Musical Garden Space (42,000 m²).
The Great Circle of Unity is designed around the symbol of the Vietnamese Embrace, forming a double-layered circle representing the Fields of Vietnam. This concept draws inspiration from Trịnh Công Sơn’s musical longing for peace.
At its heart stands the statue of Trịnh Công Sơn, with a poised and serene posture, emerging from the landscape like a mountain standing tall. He becomes a symbol of the nation’s desire for unity, love for humanity, and a reflection on the human condition.
Every step into this space echoes with the uplifting and refreshing melodies of his music. It invites us to connect, hand in hand, forming a unified entity called Vietnam.
The Musical Garden Space, on the other hand, captures the lingering melodies of nature. Here, one can sense the gentle whispers of grass, flowers, birds, and the vibrant life that surrounds us—a symphony of nature’s tender serenade.
Next project | Hue ancient capital looks to the future
How to build Hue ancient capital city? The question has been raised since the day the Nguyen Dynasty relic in Hue was recognized as a world heritage site by Unesco, especially since the day Hue was decided by the Nation as a typical Festival City, many seminars also mentioned, but until now, no idea has been recognized. It is known that Architect Ho Viet Vinh is a Hue hometown, is teaching at the University of Architecture in Ho Chi Minh City, has done a Master’s thesis about Hue, has many construction works for Vietnam in the 21st century. He has the opportunity to study many ancient capital cities, many ancient cities of the continents of Europe, Asia, America, Australia, Africa, TTH newspaper asked him these questions.
1. TTH newspaper. New spring is coming, TTH newspaper is very happy to meet you. Knowing you are a Hue’s hometown, having studied planning and architecture of the Nguyen Dynasty, could you please tell me what you are thinking about Hue City today?
Arch.Ho Viet Vinh: Hue-The Heritage City is in the process of expanding its boundaries and transforming urban spatial structure. From a strictly ordered city on a large area stretching from the Royal Capital to the villages, gradually transitioning to an irregular and chaotic urban structure. Therefore, the disturbances in urban spatial organization are causing concerns for residents, tourists and even urban experts. An issue placed on the conference table that still has no satisfactory solution is whether this is a normal change of a Heritage City on the path of integration and development or a deviation in orientation. this particular urban development. For a valid argument, we need to go back nearly 700 years to see the treasure of Hue urban heritage values accumulated through historical periods to orient the way for the future. Hue Heritage Urban has been formed through the following stages:
• The period before 1558: the first inhabitants came to Thuan Chau land
• The period from 1558-1775: the migrations to find the land of Phu Xuan capital
• The period from 1802-1885: the plan to build the Capital has the largest scale and the most complete function in urban history.
• The period from 1885-1945: the southern expansion of the Perfume River formed a two-structure urban model: the Vietnamese quarter and the Western quarter.
• The period from 1945-1986: nature-war-planning economy (subsidy period) changed urban spatial structure towards filling urban voids.
• The period from 1986-1993: the formation of subdivisions and the isolation of the heritage in the spatial distance.
• 1993-present period: historical transformation plan to turn medium-scale urban-heritage into large-scale urban area (Thua Thien Hue City under the sixth central government of Vietnam).
Indeed, over a journey of nearly 7 centuries, Hue with its architectural appearance and heritage formed and developed over a long period of time with many historical changes has created a Hue city full of unique characteristics. distinctiveness in the cultural space of Ngu mountain-Perfume river. Hue urban structure identifies the Perfume River as the main layout axis that creates the shape of the Citadel and nurtures the human spirit of Hue. Yet the urban expansion of the late 20th and early 21st centuries has turned its back on the river, creating a pervasive urban structure, stretching and filling in precious gaps in the existing urban structure. 2. You have surveyed and studied many ancient cities, many ancient capital cities, what do you think is different from Hue compared to those ancient cities?
Arch.Ho Viet Vinh: I also had the opportunity to survey and research some heritage cities such as Kyoto-Japan, Siem Reap-Cambodia, Bali-Indonesia, Luang Phrabang-Lao, CapeTown-South Africa, Lyon-France, Casablanca-Morocco must recognize that each city has its own appearance, in harmony with the natural setting. The difference between Hue and these cities is the behavior between people and nature and between people and people. In such a way, the people of Hue have created a slow and relaxed way of life to achieve the wonderful harmony between Man and Nature.
3. What can we learn experiences from these ancient cities?
Arch.Ho Viet Vinh: These heritage cities preserve the form and spirit of the place of history at the time it was born, any interference in the development process is carefully considered not to do damage to the monument whether it is open space or landscaped terrain. The first and most valuable lesson for Hue is that the developed urban structure must accept the Perfume River as the layout axis and respect the central role of the Hue Citadel in the development in harmony with nature. The second lesson is that the concept of heritage adaptation needs to be placed in the context of the new urban environment that is a continuation between the past and the future. New construction within the influence of the heritage must inherit and highlight this continuity based on the spirit of place. Each work, cluster of works must be created based on the unique spirit of the Heritage City. Building a place must match the times, away from the habit of copying and imposing architectural models without selection.
4. How was the construction in that old city?
Arch.Ho Viet Vinh: I would like to mention the conservation and development plans of some heritage cities that Hue can refer to and study.
• The heritage city of Lyon (France): located on an oasis at the confluence of the Le Rhône and Saône rivers, the world heritage space is located on a part of this oasis and another part owned by the Saône river in the area. central position of the urban spatial structure. The traffic axes of the northern belt (péripherique du nord) and the southern belt (péripherique du sud) are located at two ends to avoid affecting this area. The enhancement of connectivity through continuous traffic axes between the historic center and the new urban area. The development model that combines the old and new structures on both sides of this river also ensures the parallel development and conservation goals of this contrasting heritage city.
• The heritage city of Venice (Italy): was selected to develop in a way that completely preserves the spatial structure based on the unique water transportation system in the world. New and old spaces are connected on the same system of canals, creating a common rhythm of spatial continuity as well as increasing the overall harmony. The modern transport system is located far away and ensures that it does not affect the completeness of the urban structure. The model that strictly preserves the compositional character has created a magical heritage city full of romance.
• Kyoto Heritage City (Japan): Kyoto Heritage City is developed sequentially and interlaced between old and new on the existing urban structure, ensuring a balance between construction and urban gaps. The city still preserves Temples-Pagodas-Temples located in the intact mountainous landscape to the east and west of the citadel built in the past, attaching the shape of religious works to the spiritual landscape of the mountains and forests. . Heritage buildings such as the Kyoto Imperial Palace, the old town, pagodas and temples are preserved intact the authenticity of history and spirit of the place. The modern urban area is harmoniously interwoven into the existing urban structure, creating a bustling atmosphere without creating pressure on the historical space.
• Amterdam Heritage City (Netherlands): The heritage city of Amterdam-Netherlands maintains a new system of co-structured canals that create a transitional space between the old urban part and the new urban part to enhance diversity. morphological form of urban space structure and ensure uniformity. 5. What factors help these ancient cities to retain their traditional characteristics while still integrating into modern times and successfully developing their economy in a sustainable way
Arch.Ho Viet Vinh: As I mentioned above, these heritage cities always respect the historical value created by previous generations, even though there are differences in views and attitudes towards the historical role. its history. After all, Heritage is the crystallization of the values and efforts of the community on the ideological foundation of the ruling class, so preserving the heritage is like preserving the nation’s treasure for future generations. thinking and shaping the way for the future. Therefore, there is no antagonism between Conservation and development, conservation is the foundation of development and vice versa, development creates conditions for better conservation. The city is a living entity that moves and develops over time, the architectural heritage that is a component of it also moves and develops. Although the heritage itself does not change, the changing environment leads to a different perception of the heritage and becomes more and more attractive and valuable. Therefore, to manage the Heritage City, it also needs good, enthusiastic and brave people to make appropriate development policies and exploit the treasure value to serve humanity in the spirit of UNESCO, because The reason is that the Heritage is “unique”, there must be a “unique” Person to govern.
6. In order to get rid of the current stagnant situation, what should Hue ancient capital city do to look forward to the future where it can stand side by side with ancient cities in the region and in the world?
Arch.Ho Viet Vinh: In my opinion, it’s time to carry out a plan to rebuild the Heritage City based on the new idea of a Hue City – 21st Century (referred to as Hue 21) developed in parallel with the Citadel. The heritage street in the continuity relationship receives the Perfume River as the main layout axis. This idea will help the Heritage City to escape from the “oil slick” development model of most urban areas in Vietnam, the consequences of which are the encroachment and distortion of historical spaces. In my Master’s thesis on Hue in 2001, I also outlined the shape of the spatial structure of Hue City in the 21st century with a linear urban model (about 8km in length and 2km in average width) located in the center of the city. symmetrically with the Citadel through the lower part of the Perfume River with an area of about 1600 ha. The driving force of urban development extends 8km towards Thuan An estuary, this is an ecological avenue with modern landscapes combined with a network of rivers and canals spreading to the lower Huong River to create a new balance. between modern architectural works surrounded by village ecological environment. The waterways perpendicular to this boulevard were dug up to raise the foundation for construction areas according to traditional feng shui principles.
The urban structure is built according to the 21st century ecological urban model, suitable for new lifestyles and modes of living in order to complete the function of the Heritage City in the future. The concept of Landscape Urban (Paysage urbaine) of heritage city goes hand in hand with the concept of Village Urban (Village urbaine) of the 21st century – An era aimed at protecting the environment and improving the quality of life, perhaps the right choice for the future Hue (see outline diagram).
7. In your opinion, what has kept Hue City from developing? How to overcome that?
Arch.Ho Viet Vinh: Hue urban architectural heritage is the diversity of spatial forms formed through historical periods, including: the system of Palace and Palace of the Nguyen Chua, Thanh Ha commercial port area, and neighborhoods. Bao Vinh town, Imperial City area, Nguyen King’s Tomb area, east commercial area of the Citadel, Kim Long-Vi Da garden house, Western quarter, multi-functional commercial street formed on the background of the locality. Spatial morphology of the Nui Ngu-Perfume River region. However, due to many reasons, the urban heritage fund is being degraded due to the invasion of time and the lack of human intervention. Even the efforts to restore and recreate the heritage in the region are expensive but do not bring vitality to the monument, in addition, the new construction without a strategic vision is turning Hue into a “popular city”. . According to a survey of tourists who come to Hue for the first time, they do not want to return because the attractiveness of the Heritage City is dwindling. Therefore, Hue Heritage City is currently losing its attractiveness in the competition between domestic and international heritage cities, statistics show this correlation:
• Kyoto-Japan Heritage City has a natural area of 827 square kilometers, a population of 1,473,746 people, and an annual number of tourists 30 million, of which about 1.2 million are international visitors.
• The Bali-Indonesia heritage city has a natural area of 5,780 km2, a population of 4,225,384 people, the number of international tourists 3.5 million.
• The heritage city of Siem Reap-Cambodia has a natural area of 10,299 km2, a population of 896,309 people, and the number of international visitors 1.6 million.
• The Hue-Vietnam Heritage City has a natural area of 5,062 km2, a population of 1,115,523, the number of visitors 2.4 million, of which about 0.9 million are international visitors.
The most common point is that the main economic activities of these Heritage Cities are tourism and activities related to exploiting tourism services to serve and satisfy visitors. In the competition for attractive destinations, the Cities will attract tourists and ensure an annual growth of over 10%. Many conferences and seminars have mentioned the weakness of Hue tourism industry and pointed out many reasons leading to this situation, but two important factors can be clearly seen: in planning The economic development strategy of Thua Thien Province has not yet considered tourism as a spearhead economic sector and has not had suitable measures to enhance the attractiveness of tourism products to serve the needs of domestic and foreign tourists. countries in competition with destinations in the region and the world. Although Hue is a national festival city, cultural activities are held every 2 years in the form of theatrical organization which is difficult to attract people and tourists. In addition, people still stay out of these festival activities because the organization is still heavily directed by the government and lacks the encouragement of participation from the local community – an important factor. keep the soul of cultural festivals in Heritage Cities.
8. In your opinion, to attract Hue people and Hue lovers outside Hue, what should Hue City do?
Arch.Ho Viet Vinh: The 21st century is the era of a knowledge-based economy in which the role of good and dedicated professionals is respected and created favorable conditions for dedication. Hue is the land of talented people, so many outstanding Vietnamese people have lived, studied, worked and fell in love with Hue. Having the opportunity to live and work in this Nervous land must be the dream of young intellectuals to fulfill their future ambitions. The important issue that Hue leaders must do is to seek advice and truly respect and trust to entrust important tasks to the next generation, rather than looking for people with many qualifications. In order to help Hue in the construction of the ancient capital city, one must have vision (knowledge of the ancient city), heart (love Hue), and even money. In order to attract that partner, in Hue, it is necessary to have an equal leadership team, have specific regulations, have appropriate policies, and have strong charismatic people (Hue people in Hue do not lack these people). ) Help.
9. Thank you Mr.Ho Viet Vinh
Next project | Maison de L’eau
Nestled gracefully above tranquil waters, Maison de l’Eau embodies the harmonious blend of modern architecture and nature. Its unique curved design, crafted from warm wood, invites sunlight to dance through expansive windows, offering breathtaking views of the surrounding forest. This serene retreat not only provides a peaceful sanctuary but also celebrates sustainable living, encouraging a deep connection with the environment. Maison de l’Eau stands as a testament to the beauty of simplicity, where every curve and corner reflects the gentle flow of nature, creating a perfect balance between comfort and elegance.
