Established by the Hui-Bon-Hoa Company (owned by a Chinese-Vietnamese businessman known as Uncle Hoa), the hotel is located at the corner of Catinat Street (now Dong Khoi Street) and Quai de Belgique Street (now Ton Duc Thang Street). Designed in the popular baroque architectural style of the time, the hotel became one of Saigon’s most elegant and impressive buildings upon its completion in 1925.
The Majestic initially had three stories and 44 bedrooms, as per the original design by a French architect. In 1948, the Indochina Tourism and Exhibition Department, led by the Frenchman Franchini Mathieu, purchased the ground and first floors of the hotel and leased 44 rooms for 30 years.
The hotel was officially rated as a five-star establishment in 2007. In July 2011, construction began on two new towers along Nguyen Hue Street, adding 353 rooms to the hotel.
However, over time, the usage of the space and the integration of modern equipment have diminished the building’s original value. The goal of the redesign and renovation is to restore its luxury and evoke the essence of the famous Indochinese architectural style, reminiscent of old Saigon.

Evoking the tranquil undulations of the river a symphonic concerto of colors whispering the poetics of the natural world. The geometric shapes, with their curves and angles, juxtapose the organic with the mathematical, creating a visual sonnet that blurs the lines between the ephemeral and the eternal.

Ho Viet Vinh

Melaleuca forest
The sky turned gray-gray, the melaleuca forest changed color under the lopsided sunlight penetrating through the canopy of leaves, the ground tilted and swayed with the withering colors of countless flowers and leaves. The sparkling black velvet water reflects the identity of the forest of the elders: the splendid harmony of the late afternoon.

Description
Exucuted in April 2020
Styles
Lyrical Abstract
Technique
Acrylic on Canvas
Dimension
100W x 100H x 5D cm

The authenticity of this work has been confirmed by the HVV Architect &Partners. A certificate of authenticity maybe delivered by the Company upon request to the buyer.

Vinhho Biography
Ho Viet Vinh is a Vietnamese architect who graduated with a Bachelor of Architecture degree in 1995 from the University of Architecture Ho Chi Minh City, Vietnam, where he received an award for creative design in his final year. He is a Registered Architect in Vietnam, a Registered Urban Planner in Ho Chi Minh City, and a member of the Association of Architects and Urban Planners of Vietnam.
Vinh’s career began in 1995 with participation in several design competitions in Ho Chi Minh City. That same year, he became a lecturer in the Urban Planning Department at the University of Architecture.
In 1998, he won second prize in the international competition organized by the Summer Workshop of Cergy-Pontoise, France, with the theme “Ho Chi Minh City and the Saigon River.”
In 2005, he was awarded a special prize in another international competition by the Summer Workshop of Cergy-Pontoise, France, for his project “Can Gio Emotional City.”
In 2010, he participated in the U.S. International Visitor Leadership Program (IVLP) focusing on Sustainable Urban Planning.
In 2015, Vinh was selected by the Lebadang Creative Foundation to design the Lebadang Memory Space Museum in Hue. During this time, he also became the Director of the Fund.

The Zen garden embodies the essence of nature, situated within a coniferous forest, where it bathes in the morning sunlight and is immersed in the cool breeze of the nearby beach. Visitors move freely within its open space, unbound by fixed positions or traditional frames of reference.
Movement transcends notions of interior and exterior, high and low. Heaven and earth, plants, flowers, and humans merge into one harmonious whole, where every step resonates with the breath of the pure land.

Garden of Eden

The Garden of Eden is an embodiment of the invisible woven into the fabric of existence. Its design reflects a poetic dialogue where nature’s abstraction meets architectural form. The undulating lines and textured surfaces echo the silent whispers of the earth, creating a harmonious interplay between light and shadow. This spatial composition blurs the boundaries of the tangible, inviting contemplation of the unseen. Through the use of natural materials and organic forms, the garden becomes a sanctuary of tranquility, mirroring the serene and introspective essence of the divine landscape.

Maison de la Lune embodies a poetic interplay between architecture and nature, where the invisible space reflects upon the surface of existence. The fluid curves of the structure mirror the organic forms of the surrounding environment, creating a harmonious dialogue between the built and the natural. The expansive glass panels invite the outside in, blurring the boundaries between interior and exterior. Light and shadow dance across the surfaces, evoking a sense of tranquility and introspection. This architectural masterpiece is a serene sanctuary, a place where the essence of nature is captured and reflected, offering a contemplative retreat from the chaos of the world.