Mine Art Gallery
Cam Pha coal mine was established by the French in 1886 under the name Société Française des Charbonnages du Tonkin during the reign of King Tu Duc. The mine’s stratigraphic structure descends into deep underground terraces, with coal seams gradually revealed in the light that pierces through the valley.
The jet-black hue of coal, intermingled with the reddish-brown of the earth and the arid dust suspended in the air, creates an abstract palette imbued with depth and intensity.
The project draws inspiration from the overlapping layers of coal seams, reimagined in reverse to symbolize the void left behind. Construction materials, sourced from coal itself, form layered bricks that replicate the natural striations of the seams. Space, materiality, and landscape converge to evoke the emotional and physical experiences of the miners.

Type
Gallery
Year
2016
Location
Cam Pha city
Team
Ho Viet Vinh
Mai Que Vu

Next project | Clay Pottery Gallery

Inspired by Professor Thai Kim Lan’s collection of over 7,000 ceramic artifacts recovered from the Perfume River, the idea was conceived to restore and elevate these artifacts to reflect their true value. All ceramic products originate from the earth and are matured through fire. The intense heat of fire hardens the earth, enabling it to endure the test of time.
To symbolize this tempering quality, dark red painted steel will be used. The interplay of contrasting elements—hot and cold, hard and soft—will be applied in the design language to accentuate the significance of time and place.

Type
Art gallery
Year
2019
Project
Thai Kim Lan Garden house
Team
HVV Artchitect & Partners, Ho Viet Vinh, Tran Thu Ha

Next project | Artist Ca Le Thang and the exhibition “Dong Chim Day Nuoc”

Artist Ca Le Thang

The exhibition “Dong Chim Day Nuoc”, taking place at Wiking Salon from December 14, 2024 to January 19, 2025, is an event marking the more than three-decade artistic journey of the famous painter Ca Le Thang. With more than 20 emotional works, the exhibition not only reflects childhood memories of the flood season in the West, but also tells the story of inner rebirth through abstract art. Curated by Le Thien Bao, this event promises to bring an in-depth look at the journey of searching for and affirming the unique artistic language of one of the pioneers of Vietnamese fine arts.

Artist Ca Le Thang’s studio
Beneath Deep Rivers, Field Submerged #3
2024, oil, acrylic and mixed media on canvas, 170 x 100 cm
Architect Ho Viet Vinh met Artist Kao Dung at the event.

“With childhood memories of the flood season in the Mekong Delta, Ca Le Thang breathed life into his paintings with intense, expressive brushstrokes. He created a natural abstraction, both dreamlike and realistic: where memories and emotions intersect.”

Architect Ho Viet Vinh

Next project | Marina Saigon Villa

Aerial view

The marina lifestyle has its own allure, and life at Marina Saigon Villa elevates it to a unique experience, allowing you to savor life your way. Even if you’ve never owned a yacht before, you’ll seamlessly join the circle of enthusiasts reminiscent of 19th-century European aristocrats.
From the marina, where every villa boasts its own sparkling turquoise sails, you can personally navigate your yacht to capture moments of emotional conquest and freedom.
Each time you step aboard, you’ll realize that time ceases to be an obstacle. Whether heading to the trading center or the stock exchange in the heart of Saigon Trade Center, the journey is effortless.
In just a few minutes, you’ll arrive at your favorite golf course. Within 30 minutes, you can sail across the Saigon River to breathe the fresh air of Can Gio, a UNESCO Biosphere Reserve, or head upstream to explore the historic Cu Chi tunnels—or venture anywhere your heart desires.
Experience the unparalleled beauty of the vast riverscape and open skies, where every journey is an adventure waiting to unfold.

Master Plan

Type
Residential
Year
2015
Area
20 hectares
Location
District 2, Ho Chi Minh City
Team
Ho Viet Vinh
Tran Thanh Hai
Nguyen Dinh Nhat Thu
Truong Anh Thu

Next project | Thien An Community Park

Thien An Community Park, Hue symbolizes the exchange process among communities settling in a new land. They bring with them vast knowledge, unique customs, and aspirations to build a life in this new place. The community serves as a space for openness, exchange, learning, and growth. The process of convergence, interaction, and experimentation among these communities has shaped a distinctive character for the culture of the historic ancient capital.

COMMUNITY PARK represents the exchange process between communities coming to a new land to settle down and live. They bring a lot of knowledge, customs and ambitions to create a life in the new land. Community is the space for them to open up, exchange, learn and grow. The process of agglomeration, interference and experimentation between communities has molded a new character for the culture of the historic ancient capital.

The park recreates the process of community formation through five main spaces:

  • Meeting Space
  • Exchange Space
  • Agglomeration Space
  • Experimental Space
  • Performance Space

Each space embodies a unique form and function, representing a distinct stage in the process of community and cultural exchange.

Next project | Wooden Carving House

For generations, the wood carving craftsmanship of Hue carpenters has been etched into history. Intricate embossed patterns on armrests, beams, arches, and panels reveal the profound artistry embedded within each wood grain.
The touch of the craftsman is incredibly refined. As the chisel glides along the wood grain to remove the excess, the shapes of phoenixes, flowers, and leaves emerge, filling the void with intricate beauty. The wooden panels are not merely decorative; the dual framing system creates overlapping layers, adding spatial depth and transforming physical boundaries into the perception of infinity.
These exquisite carvings have elevated Hue’s palaces, temples, pavilions, mausoleums, and traditional homes beyond mere material structures to the realm of emotional art. This mastery has earned them recognition as a UNESCO World Heritage.
The pride lies in the soul delicately carved by talented artisans from across the nation, each seeking to present their finest beauty to the Buddhas, Kings, and Ancestors.

Type
Garden house
Year
2012
Location
Thu Duc city
Team
Ho Viet Vinh
Duong Dinh Vinh

Next project | RED KINGDOM – Masterplan of Brickyard village at Mang Thit, Mang Thit District, Vinh Long province

“This is a project to preserve and develop the Mang Thit traditional brick and masonry heritage area, combining production space and water landscape. This area is planned into a contemporary product with different functional layers: preserving ceramic tile craft villages, expanding living space along the river and recreating the unique river landscape of the South. The multi-level dike approach helps maintain riverside living space, supports ceramic production and also develops eco-tourism, turning the area into a cultural and experiential destination for visitors.”

HVV Architect & Partners

Client:
Board of Civil and Industrial Construction Project Management – Vinh Long province People’ s Committee
Location:
Mang Thit dictrist, Vinh Long province, Vietnam
Size:
3.060 hectares
Services:
Masterplan
Status:
Approved on 2024
Team:
HVV Architect & Partners –  Urban Planning Institute

Intro
Mang Thit District, Vinh Long Province, is one of the few remaining localities in Vietnam that preserves a unique and extensive architectural complex alongside a traditional craft. This architectural ensemble comprises nearly 1,000 domed kilns, spanning over 3,060 hectares along the banks of the Thay Cai, Hoa My, Cai Nhum canals, forming a southern arc that extends to the Nhon Phu and Hoa Tinh canals within the district. This is truly a valuable treasure, shaped by over a century of cultural and technological exchange between Khmer, Kinh, and Hoa people, resulting in a distinctive architectural heritage and traditional craft. However, this treasure has not been fully recognized or appreciated.
Over the past decade, more than 1,000 kilns have been demolished, and the remaining kilns are deteriorating and face the imminent threat of complete destruction. Given this alarming situation, it is imperative and urgent to conduct research and develop solutions to preserve and promote this architectural complex and traditional craft.

Learning from the Past and Looking to the Future

Over 100 years of formation and development, the structure of the craft village ecological system have established with 6 main space, including: surface water, brickyard system, yards, storage, fruite garden and house, fields.

The system of canals and land has formed a distinctive, easily recognizable landscape. Rivers and canals flowing from Co Chien River along Thay Cai canal, going deep into agricultural areas, have determined the main landscape axes; Residents live along the canals, inside are fruit and vegetable gardens, and deeper are fields and aquaculture areas. The ecosystem associated with the brick kiln area has created a closed process in the production of Mang Thit red ceramic. This is a characteristic and value that needs to be preserved and promoted.

Adaptive conservation in continued development

Adaptive conservation in continued development – preserving the existence of production space heritage, symbiotic ecological space, and Southern garden development cultural heritage; These valuable materials and spiritual values ​​have been perfected during the development process, providing a contemporary breath and improving the quality of each space, gradually improving the quality of life of local people, so that their politics will gradually transform, reviving the soul of the place.
The heritage of Mang Thit – known as The Red Kingdom will be an interesting destination in Mekong Delta and should not be missed in your lifetime.

Zonning plan

The area is divided into 9 main zones according to 3 layers.

No.1. Mixed-Use Development (Services – Tourism – Rural Residential): Approximately 347.91 hectares, with primary functions including residential development, mixed-use development (tourism services – rural residential), mixed-use development (services – urban residential), public services, public utility green spaces, specialized green spaces, other technical infrastructure, transportation, agricultural areas, and other functions.

No.2. Mixed-Use Development (Services – Urban Residential) along Co Chien River: Approximately 250.05 hectares, with primary functions including residential development, mixed-use development (services – urban residential), public services, public utility green spaces, specialized green spaces, heritage and religious sites, other technical infrastructure, transportation, agricultural areas, and other functions.

No.3.  My An – Hoa My Residential Area: Approximately 415.50 hectares, with primary functions including residential development, mixed-use development (services – urban residential), public services, public utility green spaces, specialized green spaces, heritage and religious sites, other technical infrastructure, transportation, agricultural areas, and other functions.

No.4. Cai Nhum Eco-Residential Area: Approximately 150.31 hectares, with primary functions including residential development, public services, public utility green spaces, other technical infrastructure, transportation, agricultural areas, and other functions.

No.5. My Phuoc Eco-Resort: Approximately 106.43 hectares, with primary functions including residential development, public services, public utility green spaces, tourism development, other technical infrastructure, transportation, agricultural areas, and other functions.

No.6.  My Phuoc Eco-Residential Area: Approximately 253.76 hectares, with primary functions including residential development, public services, public utility green spaces, specialized green spaces, heritage and religious sites, offices, other technical infrastructure, transportation, agricultural areas, and other functions.

No.7. Nhon Phu Eco-Residential Area: Approximately 309.78 hectares, with primary functions including residential development, public services, public utility green spaces, heritage and religious sites, offices, other technical infrastructure, transportation, agricultural areas, and other functions.

No.8. Hoa Tinh Eco-Resort: Approximately 198.23 hectares, with primary functions including residential development, mixed-use development (services – urban residential), public services, public utility green spaces, heritage and religious sites, offices, transportation, agricultural areas, and other functions.

No.9. High-Tech Agriculture Area: Approximately 1,028.03 hectares, with primary functions including residential development, public utility green spaces, tourism development, other technical infrastructure, transportation, agricultural areas, and other functions.

Master plan

The plan identifies 3 main development axes including:

  • Mang Thit brick and ceramic kiln space at the center combined with service corridor along Co Chien river, agricultural experience corridor – traditional garden village along Cai Nhum river, high-end resort tourism corridor in the South;
  • Mixed service axis – contemporary residential area in the Southern region of the West;
  • The Eastern resort tourism axis will create motivation for development of the entire region.

The resort spaces around heritage area (My Phuoc eco resort, My Phuoc Eco-Residential area, Nhon Phu Eco-Residential Area, Hoa Tinh Eco-Resort) offer a variety of ecological, cultural and agricultural production experiences, taking the ceramic brick kiln area as inspiration for creativity.

Oriented masterplan development diagram to 2045

With 5 gateways – 5 landscape architectural spaces typical of the Southern rivers and the ceramic brick kiln area, it will be an unforgettable, impressive identification point when visitors approach the ceramic brick kiln area by both Water transport and road transport.

The landscape of the welcome gate, orchard and ceramic tiles combined with the riverside landscape follows a multi-level soft embankment model, providing many different experience spaces for visitors to explore the traditional Tile and Ceramic Craft Village along the Co Chien River.
The new residential community landscape is associated with the internal canal system. The riverside spaces are shaped by multi-level soft embankments creating different functions and landscape nuances according to the flooding season.
Landscape on both sides of Thay Cai canal, the core conservation area of ​​the ceramic craft village with a system of multi-storey soft embankments and alternating hard stepped embankments combined with a boat wharf and ceramic tile service space organized along the river. Support the transition process, while developing ecotourism, turning this area into a cultural and experiential destination for tourists.

Conclusion

This is a project to preserve and develop the Mang Thit traditional brick and masonry heritage area, combining production space and water landscape. This area is planned into a contemporary product with different functional layers: preserving ceramic tile craft villages, expanding living space along the river and recreating the unique river landscape of the South. The multi-level dike and heritage landscape approach helps maintain riverside living space, supports ceramic production and also develops eco-tourism, turning the area into a cultural and experiential destination for visitors.

Next project | Zen Garden

Listenning to the rain patio

The Zen garden embodies the essence of nature, situated within a coniferous forest, where it bathes in the morning sunlight and is immersed in the cool breeze of the nearby beach. Visitors move freely within its open space, unbound by fixed positions or traditional frames of reference.
Movement transcends notions of interior and exterior, high and low. Heaven and earth, plants, flowers, and humans merge into one harmonious whole, where every step resonates with the breath of the pure land.

Shadow of Light
Breath of Stone
Reincarnation

Next project | Vietnam’s new biophilic architecture is going wild

Picture architecture in Vietnam and you might imagine ancient temples buried down countryside lanes or faded colonial buildings lining the city streets. But spurred by unprecedented economic growth, this Southeast Asian country of almost 100 million is revamping its traditional image – and architecture is part of the overhaul. After decades spent trying to keep Vietnam’s unrelenting jungles out of the cities, visionary architects now harness the wilderness to enhance their urban creations. And the countryside is no longer designated for relics of the past – but also innovations for the future. From contemporary art hubs hiding in the hills to city tower blocks blooming with foliage, here is the architecture that is making its mark on Vietnam.

Lebadang Memory Space, by Architect Ho Viet Vinh

Nestled in the countryside together with Hue’s centuries-old royal tombs, Lebadang Memory Space is a lively architectural update to the city’s monarchical heritage. This contemporary art museum is dedicated to late local artist Le Ba Dang, who sketched the drawing that the blueprints are based on. Local architect Ho Viet Vinh designed the structure, completed in April 2019, with a central skylight that allows beams of light to track through the exhibition hall throughout the day.

Image credit: Oki Hiroyuki

Sky House by MIA Design Studio

Vegetation bulges from the balconies and rooftops of Sky House, a home in Ho Chi Minh City completed in December 2019. The plot was spacious enough to accommodate a large townhouse, but instead of creating unrequired rooms, MIA Design Studio designated half the house to light, wind, water and trees. The result is a generous sky well that feeds light to the habitable rooms and chambers with no practical purpose but to house plants, trees, and indoor ponds.

Chicland, by Vo Trong Nghia

Award-winning architect Vo Trong Nghia is celebrated for his use of natural materials and foliage, such as bamboo and tropical plants. The 21-floor Chicland Hotel, completed in June 2019 in the modern seaside city of Danang, features both. The on-site café has earthy bamboo interiors while the balconies overflow with greenery. Similarly biophilic, Vo Trong Nghia’s Silver Cloud, slated for completion later this year, is a leafy long-stay hotel that blends with the lakes and mountains of Cuc Phuong National Park, 100km south of Hanoi.

Image credit: Nguyen Tien Thanh

Brick Cave, by Doan Thanh Ha

In Vietnam, bricks have been used for at least a millennium. Doan Thanh Ha, who recently won the Turgut Cansever International Award, constructed the Brick Cave in the suburbs of Hanoi with an additional exterior wall to form a narrow atrium around the house. This perforated exterior casing with large windows invites natural light into the family home while keeping it cool during Hanoi’s scorching summers. The rooftop features a vegetable garden.

Central Park, by LAVA and ASPECT Studio

LAVA and ASPECT Studio won the commission to revamp Ho Chi Minh City’s September 23 Park, one of the city centre’s largest green spaces. As well as outdoor art galleries, performance pavilions and sport zones, LAVA and ASPECT Studio are deploying smart city artificial trees. Water purification trees collect and recycle rainwater, ventilation trees provide fresh air and solar trees generate power. Construction is scheduled to begin later in 2020.

VAC Library, by Farming Architects

While large-scale ventures are making a bold impact, smaller innovations are surfacing more quietly. In Hanoi, VAC Library by Farming Architects (Pictured above) is both climbing frame and reading room set within a three-dimensional grid fashioned from wooden beams. Other small projects of great promise include the Chieng Yen Community House in Son La Province by 1+1>2 Architects, which has a semi-cylindrical thatch roof supported by a bamboo frame. In Danang, architecture studio Tropical Space used brick to construct Cuckoo House, a family home perched above a café.

Image credit: Buro OS

Empire City, by Ole Scheeren

As Vietnam’s commercial capital, Ho Chi Minh City is entertaining many of the country’s most ambitious projects. With Empire City, Ole Scheeren explores how ‘nature can become an iconic element of architecture’ with a complex of three towers overlooking the Saigon River. At the building’s base, layered platforms evoke the swirling rice terraces of northern Vietnam. Over halfway up Empire Tower 88, the tallest of the three skyscrapers at 333 metres, sits the Sky Forest with verdant water gardens that echo the country’s jungles. Construction is expected to start in early 2021.

See the original article at the link.

Next project | RED Temple

Ngôi đền không được xây bằng đá, mà bằng cảm nhận. Mỗi người bước vào ngôi đền mang theo một ý niệm vô hình.
Những vòm cửa là đường cong của hoài niệm, trụ cột là nỗi sợ được đúc kết, mái vòm là khoảng trống giữa hai dòng suy tư. Nhà kiến tạo gợi mở những bức tường đã sẵn có từ lâu trong tiềm thức.
Màu đỏ không phải là sắc tố, mà là nhiệt độ của một trường nhìn thẳm sâu.
Sự linh thiêng thực sự không nằm ở cái được thấy, mà ở cái phản chiếu phía sau đôi mắt: nơi ký ức và ước vọng vẽ nên sự vĩnh hằng của ngôi đền.

Red Temple
Vinhho
Acrylic on canvas
80x120c
Maison d’Art
2025

“The sacred wonder of space is an architecture built behind the eyes.”

Next project | Forest Station

Returning to the forest is like being immersed in pure silence. Each breeze caressing the skin penetrates deep into each cell to wake up the body after a long deep sleep. The breath slowly fills all the skin, making the whole body immersed in the sweetness of heaven and earth. Returning to that place is the way returning your true home.

Returning to the forest is like being immersed in pure silence. Each breeze caressing the skin penetrates deep into each cell to wake up the body after a long deep sleep. The breath slowly fills all the skin, making the whole body immersed in the sweetness of heaven and earth. Returning to that place is the way returning your true home.