“Kiến trúc sư cần phát triển khả năng suy nghĩ sáng tạo, đột phá các giới hạn thông thường mà AI có thể khó bắt chước. Các ý tưởng độc đáo, cảm xúc sâu sắc và nghệ thuật trừu tượng luôn khó được mô phỏng bởi AI, vì chúng phụ thuộc nhiều vào trải nghiệm sống và hiểu biết văn hóa của con người.” – KTS Hồ Viết Vinh

Architecture of each nation evolves and develops along a historical trajectory. Particularly, royal architecture establishes solid foundations refined over time, becoming the formal language through which art thrives. Each dynasty selects its own stylistic language as a benchmark for evaluation and a marker of its era.
The selective inheritance across dynasties shapes the orthodox architectural tradition. This tradition adheres to strict principles of form-making, setting standards that serve as measures of artistic creativity. However, the end of each dynasty invariably signifies adaptations to external influences. Ultimately, the flow of architecture is once again reshaped and renewed, continuing its progression.

Emperor Khai Dinh utilized to infuse a sense of national identity into the architectural and artistic works of the royal court. These projects, executed during the late Nguyen dynasty, reflect a deliberate effort to adapt proactively to the changing circumstances.

Nearly a century later, the art of ceramic mosaic from the Khai Dinh era continues to flourish in temples, pagodas, shrines, and tombs.

To read the full research article below.

Nestled quietly under the canopy of the coconut forest swaying in the gentle breeze, the simple house comes into existence thanks to the reflections of the dawn sunlight. The house has a simple modern look, inheriting the shape of a traditional house with 3 compartments and 2 wings, with a large veranda surrounding it. The veranda is a transitional space and acts as a climate regulator for the whole house. Not only that, but it is also a place where countless activities connect people with the surrounding open space. The rooms all open to the garden and the doorways pull the garden into its deepest recesses. The nuanced transitions of time and space also take place in the cut of this patio.

Mine Art Gallery
Cam Pha coal mine was established by the French in 1886 under the name Société Française des Charbonnages du Tonkin during the reign of King Tu Duc. The mine’s stratigraphic structure descends into deep underground terraces, with coal seams gradually revealed in the light that pierces through the valley.
The jet-black hue of coal, intermingled with the reddish-brown of the earth and the arid dust suspended in the air, creates an abstract palette imbued with depth and intensity.
The project draws inspiration from the overlapping layers of coal seams, reimagined in reverse to symbolize the void left behind. Construction materials, sourced from coal itself, form layered bricks that replicate the natural striations of the seams. Space, materiality, and landscape converge to evoke the emotional and physical experiences of the miners.

Type
Gallery
Year
2016
Location
Cam Pha city
Team
Ho Viet Vinh
Mai Que Vu

Evoking the tranquil undulations of the river a symphonic concerto of colors whispering the poetics of the natural world. The geometric shapes, with their curves and angles, juxtapose the organic with the mathematical, creating a visual sonnet that blurs the lines between the ephemeral and the eternal.

Ho Viet Vinh

The Zen garden embodies the essence of nature, situated within a coniferous forest, where it bathes in the morning sunlight and is immersed in the cool breeze of the nearby beach. Visitors move freely within its open space, unbound by fixed positions or traditional frames of reference.
Movement transcends notions of interior and exterior, high and low. Heaven and earth, plants, flowers, and humans merge into one harmonious whole, where every step resonates with the breath of the pure land.

For generations, the wood carving craftsmanship of Hue carpenters has been etched into history. Intricate embossed patterns on armrests, beams, arches, and panels reveal the profound artistry embedded within each wood grain.
The touch of the craftsman is incredibly refined. As the chisel glides along the wood grain to remove the excess, the shapes of phoenixes, flowers, and leaves emerge, filling the void with intricate beauty. The wooden panels are not merely decorative; the dual framing system creates overlapping layers, adding spatial depth and transforming physical boundaries into the perception of infinity.
These exquisite carvings have elevated Hue’s palaces, temples, pavilions, mausoleums, and traditional homes beyond mere material structures to the realm of emotional art. This mastery has earned them recognition as a UNESCO World Heritage.
The pride lies in the soul delicately carved by talented artisans from across the nation, each seeking to present their finest beauty to the Buddhas, Kings, and Ancestors.

Type
Garden house
Year
2012
Location
Thu Duc city
Team
Ho Viet Vinh
Duong Dinh Vinh

The goal is to enhance connectivity between Can Gio and neighboring provinces, particularly Vung Tau. As Ho Chi Minh City continues to expand, the demand for infrastructure grows, posing potential risks to Can Gio’s ecological integrity. Special attention is given to strengthening links with the nearby beach resort of Vung Tau, initially through a speedboat network and eventually with the proposed construction of an undersea tunnel.
While the jury found the tunnel proposal highly debatable, they acknowledged that the previously approved masterplan lacked adequate provisions for improving these connections. Team 4 prioritized these links, making them a central focus of their proposal.

Another key aspect of the development proposed by the team is the diversification of tourism activities. These could range from walking or boating excursions through the mangroves to farm visits, beach activities, and trips to nearby provinces made more accessible through the improved transportation links.
The team also presented a project to reclaim land and create two artificial islands off the coast at the eastern and western ends. These islands are envisioned as hubs for diverse tourism activities, offering unique experiences to visitors.

Achieving these objectives will require significant improvements to infrastructure. A high-speed transportation system must be implemented in a way that respects the environment and minimizes pollution, bringing Can Gio closer to nearby development areas.
Freshwater supply is critical for both residents and tourists. A sustainable water collection and recycling system should be established to optimize this valuable resource while preventing water pollution.
The construction of eco-houses will help balance the infrastructural development, ensuring harmony with the natural surroundings. Additionally, all other modes of transportation within the area will be designed to be environmentally friendly.

The project seeks to enhance the quality of life for the residents of Can Gio. This will be accomplished by preserving and upgrading traditional activities such as farming and those along the beach.
Locals will be encouraged to participate in service, trade, and production activities to meet the demands of tourism while maintaining their cultural heritage. Traditional practices will be promoted, enabling those living in the forest, on the beach, or along the river to share their unique ways of life.
Additionally, numerous public spaces and recreational activities will be developed, fostering leisure and entertainment opportunities for both residents and visitors.

The southern area of Can Gio along the beach will be developed with a focus on preserving the connections between the forest and the sea. Six key axes will serve as the foundation for these links: an agricultural production axis, a commercial axis, a festival axis, a handicraft village axis, a traditional market axis, and a public space axis.
This approach ensures that development respects the natural and cultural heritage of the region while creating vibrant and functional spaces for both residents and visitors.

The ultimate aim of this proposal is to evoke and enrich people’s senses and emotions, creating an “emotional city”. Both visitors and locals will be immersed in a symphony of sensory experiences:
They will listen to the soothing sounds of the forest and the rhythmic waves of the beach. They will marvel at breathtaking views of the sea and lush forests, swim in the waves, and feel the textures of the forest’s natural wonders.
The air will carry the refreshing scent of the sea, mingling with the intricate fragrances of the mangrove. They will savor the local flavors, from seafood harvested from the river and sea to traditional delicacies.
Beyond these sensory delights, their emotions will be further deepened by the rich history, vibrant culture, and timeless traditions of Can Gio, making every moment a journey of discovery and connection.

Team 4

• Ho Viet Vinh – Leader Architect, Urban Planner
• Pham Phu Cuong – Architect
• Nguyen Hong Minh – Architect
• Hoang Anh Tu – Architect, Urban Planner
• Pham Anh Tuan – Architect, Urban Planner
• Nguyen Anh Tuan – Architect, Landscape Architect

Team 4, comprised entirely of Vietnamese professionals and led by Architect Ho Viet Vinh, brought a profound vision for the future of Can Gio. The team outlined a series of key objectives, including the preservation of the mangrove ecosystem—both its core and transitional areas—the optimization and development of local production activities, and the protection of water resources from pollution originating from the Saigon-Dong Nai River and the sea.
For their insightful and forward-thinking approach, Team 4 awarded a special mention from the Workshops of Cergy-Pontoise.

Maison de la Lune embodies a poetic interplay between architecture and nature, where the invisible space reflects upon the surface of existence. The fluid curves of the structure mirror the organic forms of the surrounding environment, creating a harmonious dialogue between the built and the natural. The expansive glass panels invite the outside in, blurring the boundaries between interior and exterior. Light and shadow dance across the surfaces, evoking a sense of tranquility and introspection. This architectural masterpiece is a serene sanctuary, a place where the essence of nature is captured and reflected, offering a contemplative retreat from the chaos of the world.