PHU DOAN PLAZA - Ho Viet Vinh Architect & Partners
Phu Doan Plaza in existing condition

Phu Doan Plaza at Committee Popular of Thua Thien Hue province (also called City Hall) is a lively and contemporary embodiment as a “Hue ancient capital”. Today the Plaza is an inclusive hub of Hue’s life outdoors but for decades this was not the case. Prior to renovation Plaza was an uninviting and inaccessible maze of raised and sunken terraces, hidden passageways, and gloomy malnourished trees. The opportunity for change raised the park, both physically and metaphorically, to the prominence of its location at the foot of Hue City Hall. The Plaza provides universal accessibility by bringing the entire site to street level, and encourages use throughout the day. The entire Plaza, with its generous lawn, interactive fountain, café, and ample seating amidst green groves of native plantings, are all built atop the nexus of Hue City center’s multi-modal transit system and acts as a connective gateway to all neighborhoods. The park functions as a 8.190 sq.m creating a welcome all-season spot for relaxation and public recreation.

Performing art in front of Hue City Hall
Art Light Performing at night
Outdoor Ampitheatre in front of Perfume River

Products

  • Landscape Forms
  • Granite Stone
  • Advanced Soil Technologies

Plant List:

  • Bombax ceiba
  • Asian palmyra palm
  • Laurus nobilis
  • Cinnamomum camphora

PROJECT INFO

Type:Public Realm
Year:2020
Location:Hue City, Thua Thien Province
Team:Ho Viet Vinh Ngo Hai Tan
Duong Thi Thanh Thanh
Nguyen Dinh Nhat Thu

Next project | Vietnam’s new biophilic architecture is going wild

Picture architecture in Vietnam and you might imagine ancient temples buried down countryside lanes or faded colonial buildings lining the city streets. But spurred by unprecedented economic growth, this Southeast Asian country of almost 100 million is revamping its traditional image – and architecture is part of the overhaul. After decades spent trying to keep Vietnam’s unrelenting jungles out of the cities, visionary architects now harness the wilderness to enhance their urban creations. And the countryside is no longer designated for relics of the past – but also innovations for the future. From contemporary art hubs hiding in the hills to city tower blocks blooming with foliage, here is the architecture that is making its mark on Vietnam.

Lebadang Memory Space, by Architect Ho Viet Vinh

Nestled in the countryside together with Hue’s centuries-old royal tombs, Lebadang Memory Space is a lively architectural update to the city’s monarchical heritage. This contemporary art museum is dedicated to late local artist Le Ba Dang, who sketched the drawing that the blueprints are based on. Local architect Ho Viet Vinh designed the structure, completed in April 2019, with a central skylight that allows beams of light to track through the exhibition hall throughout the day.

Image credit: Oki Hiroyuki

Sky House by MIA Design Studio

Vegetation bulges from the balconies and rooftops of Sky House, a home in Ho Chi Minh City completed in December 2019. The plot was spacious enough to accommodate a large townhouse, but instead of creating unrequired rooms, MIA Design Studio designated half the house to light, wind, water and trees. The result is a generous sky well that feeds light to the habitable rooms and chambers with no practical purpose but to house plants, trees, and indoor ponds.

Chicland, by Vo Trong Nghia

Award-winning architect Vo Trong Nghia is celebrated for his use of natural materials and foliage, such as bamboo and tropical plants. The 21-floor Chicland Hotel, completed in June 2019 in the modern seaside city of Danang, features both. The on-site café has earthy bamboo interiors while the balconies overflow with greenery. Similarly biophilic, Vo Trong Nghia’s Silver Cloud, slated for completion later this year, is a leafy long-stay hotel that blends with the lakes and mountains of Cuc Phuong National Park, 100km south of Hanoi.

Image credit: Nguyen Tien Thanh

Brick Cave, by Doan Thanh Ha

In Vietnam, bricks have been used for at least a millennium. Doan Thanh Ha, who recently won the Turgut Cansever International Award, constructed the Brick Cave in the suburbs of Hanoi with an additional exterior wall to form a narrow atrium around the house. This perforated exterior casing with large windows invites natural light into the family home while keeping it cool during Hanoi’s scorching summers. The rooftop features a vegetable garden.

Central Park, by LAVA and ASPECT Studio

LAVA and ASPECT Studio won the commission to revamp Ho Chi Minh City’s September 23 Park, one of the city centre’s largest green spaces. As well as outdoor art galleries, performance pavilions and sport zones, LAVA and ASPECT Studio are deploying smart city artificial trees. Water purification trees collect and recycle rainwater, ventilation trees provide fresh air and solar trees generate power. Construction is scheduled to begin later in 2020.

VAC Library, by Farming Architects

While large-scale ventures are making a bold impact, smaller innovations are surfacing more quietly. In Hanoi, VAC Library by Farming Architects (Pictured above) is both climbing frame and reading room set within a three-dimensional grid fashioned from wooden beams. Other small projects of great promise include the Chieng Yen Community House in Son La Province by 1+1>2 Architects, which has a semi-cylindrical thatch roof supported by a bamboo frame. In Danang, architecture studio Tropical Space used brick to construct Cuckoo House, a family home perched above a café.

Image credit: Buro OS

Empire City, by Ole Scheeren

As Vietnam’s commercial capital, Ho Chi Minh City is entertaining many of the country’s most ambitious projects. With Empire City, Ole Scheeren explores how ‘nature can become an iconic element of architecture’ with a complex of three towers overlooking the Saigon River. At the building’s base, layered platforms evoke the swirling rice terraces of northern Vietnam. Over halfway up Empire Tower 88, the tallest of the three skyscrapers at 333 metres, sits the Sky Forest with verdant water gardens that echo the country’s jungles. Construction is expected to start in early 2021.

See the original article at the link.

Next project | Garden of Eden

Garden of Eden

The Garden of Eden is an embodiment of the invisible woven into the fabric of existence. Its design reflects a poetic dialogue where nature’s abstraction meets architectural form. The undulating lines and textured surfaces echo the silent whispers of the earth, creating a harmonious interplay between light and shadow. This spatial composition blurs the boundaries of the tangible, inviting contemplation of the unseen. Through the use of natural materials and organic forms, the garden becomes a sanctuary of tranquility, mirroring the serene and introspective essence of the divine landscape.

Garden of Eden
HVV Architect & Partners with AI supported

Next project | Angel

The powerful little angels are flying freely in the world of perfection. Each angel represents each characteristic of the ego, breaking free from bondage, being free and enjoying the triumphant moments of the long journey to eliminate the ego.

Description

Exucuted in April 2020.

Styles

Lyrical Abstract

Technique

Acrylic on Canvas

Dimensions

60 Wx 80 H x 2 D cm

The authenticity of this work has been confirmed by the HVV Architect &Partners. A certificate of authenticity maybe delivered by the Company upon request to the buyer.

Vinhho Biography

Ho Viet Vinh, a Vietnamese, graduated with a Bachelor of Architecture degree in 1995 from the University of Architecture of Ho Chi Minh city, Viet Nam; he received the award for the creative design in the Final Year. He is a Registered Architect in Viet Nam and also a Registered Urban Planner in Ho Chi Minh city, as well as a Member of Association of Architects and Urban planners of Viet Nam. Ho Viet Vinh career began in 1995 when he did some competitions in Ho Chi Minh city. He becomes lecturer of Urban planning Department of University of Architecture in 1995. In 1998 He received second prize of international competition held by Summer workshop of Cergy Pontoise-France with subject “Ho Chi Minh city and Saigon river”. In 2005 He awarded special prize of international competition held by Summer workshop of Cergy Pontoise-France with subject “Can Gio Emotional city”. In 2010 he participated the International Visistor Leadership Program of USA in subject Sustainable Urban Planning. In 2015 He is choosen by Lebadang Creative Foundation to design the Lebadang Memory Space Museum in Hue.  It was at this time that He becomes Director of that Fund.

Next project | Building a Smart and Modern City of Light

The program “Unlimited Connections – Building a City of Light” broadcast on HTV9 provides a comprehensive perspective on the role of lighting in shaping modern and sustainable urban areas.

The story of Saigon’s light—an essential element of life and culture—has been shaped by its tropical climate and a distinctive “nightlife” culture since the city’s earliest days. Lighting not only ensures the safety of living and working spaces but also contributes to the aesthetics and prominence of modern urban architecture. However, uncontrolled use of lighting can lead to energy waste and environmental pollution. The program emphasizes the importance of smart lighting that is appropriate, sufficient, and aesthetically pleasing while minimizing light pollution, aiming to enhance overall visual harmony with the surrounding space. Building a city of light that is exemplary, harmonious, and rich in identity is a collective effort—to make the city brighter, more beautiful, and increasingly civilized.

Urban lighting is not merely about beautification; it also fosters a sense of comfort and relaxation, drawing residents into the city’s nighttime activities, thereby making the urban environment more vibrant and dynamic.

Architect Hồ Viết Vinh

We invite you to watch the program to explore the role of lighting in building smart, modern, and sustainable cities.

“Light is the soul of urban architecture, symbolizing the development of Ho Chi Minh City.”

Next project | Hue ancient capital looks to the future

Tam Giang Lagoon panorama-Photo: Vinhho

How to build Hue ancient capital city? The question has been raised since the day the Nguyen Dynasty relic in Hue was recognized as a world heritage site by Unesco, especially since the day Hue was decided by the Nation as a typical Festival City, many seminars also mentioned, but until now, no idea has been recognized. It is known that Architect Ho Viet Vinh is a Hue hometown, is teaching at the University of Architecture in Ho Chi Minh City, has done a Master’s thesis about Hue, has many construction works for Vietnam in the 21st century. He has the opportunity to study many ancient capital cities, many ancient cities of the continents of Europe, Asia, America, Australia, Africa, TTH newspaper asked him these questions.

1. TTH newspaper. New spring is coming, TTH newspaper is very happy to meet you. Knowing you are a Hue’s hometown, having studied planning and architecture of the Nguyen Dynasty, could you please tell me what you are thinking about Hue City today?

Arch.Ho Viet Vinh: Hue-The Heritage City is in the process of expanding its boundaries and transforming urban spatial structure. From a strictly ordered city on a large area stretching from the Royal Capital to the villages, gradually transitioning to an irregular and chaotic urban structure. Therefore, the disturbances in urban spatial organization are causing concerns for residents, tourists and even urban experts. An issue placed on the conference table that still has no satisfactory solution is whether this is a normal change of a Heritage City on the path of integration and development or a deviation in orientation. this particular urban development. For a valid argument, we need to go back nearly 700 years to see the treasure of Hue urban heritage values ​​accumulated through historical periods to orient the way for the future. Hue Heritage Urban has been formed through the following stages:

• The period before 1558: the first inhabitants came to Thuan Chau land

• The period from 1558-1775: the migrations to find the land of Phu Xuan capital

• The period from 1802-1885: the plan to build the Capital has the largest scale and the most complete function in urban history.

• The period from 1885-1945: the southern expansion of the Perfume River formed a two-structure urban model: the Vietnamese quarter and the Western quarter.

• The period from 1945-1986: nature-war-planning economy (subsidy period) changed urban spatial structure towards filling urban voids.

• The period from 1986-1993: the formation of subdivisions and the isolation of the heritage in the spatial distance.

• 1993-present period: historical transformation plan to turn medium-scale urban-heritage into large-scale urban area (Thua Thien Hue City under the sixth central government of Vietnam).

Indeed, over a journey of nearly 7 centuries, Hue with its architectural appearance and heritage formed and developed over a long period of time with many historical changes has created a Hue city full of unique characteristics. distinctiveness in the cultural space of Ngu mountain-Perfume river. Hue urban structure identifies the Perfume River as the main layout axis that creates the shape of the Citadel and nurtures the human spirit of Hue. Yet the urban expansion of the late 20th and early 21st centuries has turned its back on the river, creating a pervasive urban structure, stretching and filling in precious gaps in the existing urban structure. 2. You have surveyed and studied many ancient cities, many ancient capital cities, what do you think is different from Hue compared to those ancient cities?

Arch.Ho Viet Vinh: I also had the opportunity to survey and research some heritage cities such as Kyoto-Japan, Siem Reap-Cambodia, Bali-Indonesia, Luang Phrabang-Lao, CapeTown-South Africa, Lyon-France, Casablanca-Morocco must recognize that each city has its own appearance, in harmony with the natural setting. The difference between Hue and these cities is the behavior between people and nature and between people and people. In such a way, the people of Hue have created a slow and relaxed way of life to achieve the wonderful harmony between Man and Nature.

3. What can we learn experiences from these ancient cities?

Arch.Ho Viet Vinh: These heritage cities preserve the form and spirit of the place of history at the time it was born, any interference in the development process is carefully considered not to do damage to the monument whether it is open space or landscaped terrain. The first and most valuable lesson for Hue is that the developed urban structure must accept the Perfume River as the layout axis and respect the central role of the Hue Citadel in the development in harmony with nature. The second lesson is that the concept of heritage adaptation needs to be placed in the context of the new urban environment that is a continuation between the past and the future. New construction within the influence of the heritage must inherit and highlight this continuity based on the spirit of place. Each work, cluster of works must be created based on the unique spirit of the Heritage City. Building a place must match the times, away from the habit of copying and imposing architectural models without selection.

4. How was the construction in that old city?

Arch.Ho Viet Vinh: I would like to mention the conservation and development plans of some heritage cities that Hue can refer to and study.

• The heritage city of Lyon (France): located on an oasis at the confluence of the Le Rhône and Saône rivers, the world heritage space is located on a part of this oasis and another part owned by the Saône river in the area. central position of the urban spatial structure. The traffic axes of the northern belt (péripherique du nord) and the southern belt (péripherique du sud) are located at two ends to avoid affecting this area. The enhancement of connectivity through continuous traffic axes between the historic center and the new urban area. The development model that combines the old and new structures on both sides of this river also ensures the parallel development and conservation goals of this contrasting heritage city.

• The heritage city of Venice (Italy): was selected to develop in a way that completely preserves the spatial structure based on the unique water transportation system in the world. New and old spaces are connected on the same system of canals, creating a common rhythm of spatial continuity as well as increasing the overall harmony. The modern transport system is located far away and ensures that it does not affect the completeness of the urban structure. The model that strictly preserves the compositional character has created a magical heritage city full of romance.

• Kyoto Heritage City (Japan): Kyoto Heritage City is developed sequentially and interlaced between old and new on the existing urban structure, ensuring a balance between construction and urban gaps. The city still preserves Temples-Pagodas-Temples located in the intact mountainous landscape to the east and west of the citadel built in the past, attaching the shape of religious works to the spiritual landscape of the mountains and forests. . Heritage buildings such as the Kyoto Imperial Palace, the old town, pagodas and temples are preserved intact the authenticity of history and spirit of the place. The modern urban area is harmoniously interwoven into the existing urban structure, creating a bustling atmosphere without creating pressure on the historical space.

• Amterdam Heritage City (Netherlands): The heritage city of Amterdam-Netherlands maintains a new system of co-structured canals that create a transitional space between the old urban part and the new urban part to enhance diversity. morphological form of urban space structure and ensure uniformity. 5. What factors help these ancient cities to retain their traditional characteristics while still integrating into modern times and successfully developing their economy in a sustainable way

Arch.Ho Viet Vinh: As I mentioned above, these heritage cities always respect the historical value created by previous generations, even though there are differences in views and attitudes towards the historical role. its history. After all, Heritage is the crystallization of the values ​​and efforts of the community on the ideological foundation of the ruling class, so preserving the heritage is like preserving the nation’s treasure for future generations. thinking and shaping the way for the future. Therefore, there is no antagonism between Conservation and development, conservation is the foundation of development and vice versa, development creates conditions for better conservation. The city is a living entity that moves and develops over time, the architectural heritage that is a component of it also moves and develops. Although the heritage itself does not change, the changing environment leads to a different perception of the heritage and becomes more and more attractive and valuable. Therefore, to manage the Heritage City, it also needs good, enthusiastic and brave people to make appropriate development policies and exploit the treasure value to serve humanity in the spirit of UNESCO, because The reason is that the Heritage is “unique”, there must be a “unique” Person to govern.

6. In order to get rid of the current stagnant situation, what should Hue ancient capital city do to look forward to the future where it can stand side by side with ancient cities in the region and in the world?

Arch.Ho Viet Vinh: In my opinion, it’s time to carry out a plan to rebuild the Heritage City based on the new idea of ​​a Hue City – 21st Century (referred to as Hue 21) developed in parallel with the Citadel. The heritage street in the continuity relationship receives the Perfume River as the main layout axis. This idea will help the Heritage City to escape from the “oil slick” development model of most urban areas in Vietnam, the consequences of which are the encroachment and distortion of historical spaces. In my Master’s thesis on Hue in 2001, I also outlined the shape of the spatial structure of Hue City in the 21st century with a linear urban model (about 8km in length and 2km in average width) located in the center of the city. symmetrically with the Citadel through the lower part of the Perfume River with an area of ​​about 1600 ha. The driving force of urban development extends 8km towards Thuan An estuary, this is an ecological avenue with modern landscapes combined with a network of rivers and canals spreading to the lower Huong River to create a new balance. between modern architectural works surrounded by village ecological environment. The waterways perpendicular to this boulevard were dug up to raise the foundation for construction areas according to traditional feng shui principles.

The urban structure is built according to the 21st century ecological urban model, suitable for new lifestyles and modes of living in order to complete the function of the Heritage City in the future. The concept of Landscape Urban (Paysage urbaine) of heritage city goes hand in hand with the concept of Village Urban (Village urbaine) of the 21st century – An era aimed at protecting the environment and improving the quality of life, perhaps the right choice for the future Hue (see outline diagram).

Hue Urban morphology

7. In your opinion, what has kept Hue City from developing? How to overcome that?

Arch.Ho Viet Vinh: Hue urban architectural heritage is the diversity of spatial forms formed through historical periods, including: the system of Palace and Palace of the Nguyen Chua, Thanh Ha commercial port area, and neighborhoods. Bao Vinh town, Imperial City area, Nguyen King’s Tomb area, east commercial area of ​​the Citadel, Kim Long-Vi Da garden house, Western quarter, multi-functional commercial street formed on the background of the locality. Spatial morphology of the Nui Ngu-Perfume River region. However, due to many reasons, the urban heritage fund is being degraded due to the invasion of time and the lack of human intervention. Even the efforts to restore and recreate the heritage in the region are expensive but do not bring vitality to the monument, in addition, the new construction without a strategic vision is turning Hue into a “popular city”. . According to a survey of tourists who come to Hue for the first time, they do not want to return because the attractiveness of the Heritage City is dwindling. Therefore, Hue Heritage City is currently losing its attractiveness in the competition between domestic and international heritage cities, statistics show this correlation:

• Kyoto-Japan Heritage City has a natural area of ​​827 square kilometers, a population of 1,473,746 people, and an annual number of tourists 30 million, of which about 1.2 million are international visitors.

• The Bali-Indonesia heritage city has a natural area of ​​5,780 km2, a population of 4,225,384 people, the number of international tourists 3.5 million.

• The heritage city of Siem Reap-Cambodia has a natural area of ​​10,299 km2, a population of 896,309 people, and the number of international visitors 1.6 million.

• The Hue-Vietnam Heritage City has a natural area of ​​5,062 km2, a population of 1,115,523, the number of visitors 2.4 million, of which about 0.9 million are international visitors.

The most common point is that the main economic activities of these Heritage Cities are tourism and activities related to exploiting tourism services to serve and satisfy visitors. In the competition for attractive destinations, the Cities will attract tourists and ensure an annual growth of over 10%. Many conferences and seminars have mentioned the weakness of Hue tourism industry and pointed out many reasons leading to this situation, but two important factors can be clearly seen: in planning The economic development strategy of Thua Thien Province has not yet considered tourism as a spearhead economic sector and has not had suitable measures to enhance the attractiveness of tourism products to serve the needs of domestic and foreign tourists. countries in competition with destinations in the region and the world. Although Hue is a national festival city, cultural activities are held every 2 years in the form of theatrical organization which is difficult to attract people and tourists. In addition, people still stay out of these festival activities because the organization is still heavily directed by the government and lacks the encouragement of participation from the local community – an important factor. keep the soul of cultural festivals in Heritage Cities.

8. In your opinion, to attract Hue people and Hue lovers outside Hue, what should Hue City do?

Arch.Ho Viet Vinh: The 21st century is the era of a knowledge-based economy in which the role of good and dedicated professionals is respected and created favorable conditions for dedication. Hue is the land of talented people, so many outstanding Vietnamese people have lived, studied, worked and fell in love with Hue. Having the opportunity to live and work in this Nervous land must be the dream of young intellectuals to fulfill their future ambitions. The important issue that Hue leaders must do is to seek advice and truly respect and trust to entrust important tasks to the next generation, rather than looking for people with many qualifications. In order to help Hue in the construction of the ancient capital city, one must have vision (knowledge of the ancient city), heart (love Hue), and even money. In order to attract that partner, in Hue, it is necessary to have an equal leadership team, have specific regulations, have appropriate policies, and have strong charismatic people (Hue people in Hue do not lack these people). ) Help.

9. Thank you Mr.Ho Viet Vinh

Architect Ho Viet Vinh

Next project | Naked Garden

A symphony of earth and water that whispers of hidden desires. This enchanting scene blurs the line between reality and illusion, inviting the viewer into a realm of sublime beauty. The interplay of light and shadow evokes a sense of eternal mystery, reflecting the poet’s fascination with the ephemeral and the divine. It is a mesmerizing vision of a garden stripped bare, revealing the seductive essence of nature’s true form.

Naked Garden
HVV Architect & Partners with AI supported

Next project | S T I L L N E S S

HO TRAM
2019

Size
450 Sq.m

Project Team
Ho Viet Vinh, Tran Thanh Hai, Tran Thi Thu Ha

Collaborators Quang Nhat Furniture, RitaVo Company, KOHLER

Next project | Wooden Carving House

For generations, the wood carving skills of Hue carpenters have been recorded in history. Embossed strokes on the arms, upper, piercing, tickle have revealed the subtlety that lies in each wood grain. The touch is really delicate, when the chisel touches the wood grain to remove the excess, the shape of the phoenix flowers and leaves appears in the emptiness of space. The touch of the wooden panel is not simple, the dual frame system creates a “layer overlap”, creating space depth, turning the limit into infinity. Thanks to these decorations, Hue’s palaces, temples, palaces, mausoleums and houses have transcended material limitations to reach the heights of emotional art to become a UNESCO World Heritage. The proud lies in the delicately carved soul of the talented craftsman from all over the country, wanting to offer beauty to the Buddhas, the Kings and the Ancestors.

PROJECT INFO

Type:Garden House  
Year:2012
Location:Thu Duc City
Team:  Ho Viet Vinh
Duong Dinh Vinh

Next project | SPARKLE

“Whispers of ephemeral beauty, a tranquil moment captured in the chaos of existence. Shades of yellow and brown morph together, cradling hints of white and red, embodying the fleeting glimmer of life. Amidst this tumultuous beauty, the painting proposes a reflection on the essence of “sparkle” – not as mere glitz, but as a profound glitter of existence, intricate dance of light and shadow, beauty and decay.”

Ho Viet Vinh

(Sparkle, Acrylic on canvas, 130x97cm, Maison d’Art 2024)

Next project | Cape of Rapids

Waving filled with clouds to let time passing on the cape of rapids. The cape stretched out to wait the sunset, ignoring the shaking of the sandy beach on time of tide.

Ho Viet Vinh

Description:
Exucuted in April 2020.
Style:
Lyrical Abstract
Technique:
Acrylic on Canvas
Dimensions:
100W x 100H x 5D cm

The authenticity of this work has been confirmed by the HVV Architect &Partners. A certificate of authenticity maybe delivered by the Company upon request to the buyer.