Êm đềm tựa giọt sương tinh khiết gieo mầm an lành.
Can trường cắm cội rễ sâu bền trước bão lũ.
Hoa trôi nở hương thơm giữa dòng nổi sóng, bờ cỏ lặng lẽ tựa mặt hồ thu.
Hương Giang trở thành ngọn đuốc chánh niệm – vừa tỏa sáng tự thân, vừa soi đường dẫn lối.

Mine Art Gallery
Cam Pha coal mine was established by the French in 1886 under the name Société Française des Charbonnages du Tonkin during the reign of King Tu Duc. The mine’s stratigraphic structure descends into deep underground terraces, with coal seams gradually revealed in the light that pierces through the valley.
The jet-black hue of coal, intermingled with the reddish-brown of the earth and the arid dust suspended in the air, creates an abstract palette imbued with depth and intensity.
The project draws inspiration from the overlapping layers of coal seams, reimagined in reverse to symbolize the void left behind. Construction materials, sourced from coal itself, form layered bricks that replicate the natural striations of the seams. Space, materiality, and landscape converge to evoke the emotional and physical experiences of the miners.

Type
Gallery
Year
2016
Location
Cam Pha city
Team
Ho Viet Vinh
Mai Que Vu

Vinhho Biography
Ho Viet Vinh is a Vietnamese architect who graduated with a Bachelor of Architecture degree in 1995 from the University of Architecture Ho Chi Minh City, Vietnam, where he received an award for creative design in his final year. He is a Registered Architect in Vietnam, a Registered Urban Planner in Ho Chi Minh City, and a member of the Association of Architects and Urban Planners of Vietnam.
Vinh’s career began in 1995 with participation in several design competitions in Ho Chi Minh City. That same year, he became a lecturer in the Urban Planning Department at the University of Architecture.
In 1998, he won second prize in the international competition organized by the Summer Workshop of Cergy-Pontoise, France, with the theme “Ho Chi Minh City and the Saigon River.”
In 2005, he was awarded a special prize in another international competition by the Summer Workshop of Cergy-Pontoise, France, for his project “Can Gio Emotional City.”
In 2010, he participated in the U.S. International Visitor Leadership Program (IVLP) focusing on Sustainable Urban Planning.
In 2015, Vinh was selected by the Lebadang Creative Foundation to design the Lebadang Memory Space Museum in Hue. During this time, he also became the Director of the Fund.

Phu Doan Plaza, located at the Thua Thien Hue Provincial People’s Committee (also known as City Hall), is a vibrant and modern interpretation of Hue’s identity as an ancient capital. Today, the plaza serves as an inclusive outdoor hub of Hue’s cultural and social life, but this was not always the case.
Before its renovation, the plaza was an uninviting and inaccessible space, characterized by uneven terraces, hidden passageways, and neglected trees. The transformation elevated the park—both literally and symbolically—to match its prominent location at the foot of Hue City Hall.
The plaza now offers universal accessibility by leveling the entire site to meet the street, encouraging activity throughout the day. It features a spacious lawn, an interactive fountain, a café, and ample seating amid green groves of native plants such as Bombax ceiba (cây gạo), Borassus flabellifer (cây thốt nốt), Laurus nobilis (cây nguyệt quế), Cinnamomum camphora (cây long não). Built atop Hue City Center’s multi-modal transit hub, it acts as a gateway connecting all neighborhoods.
Covering 8,190 square meters, the plaza provides a welcoming, all-season destination for relaxation and public recreation.

Type
Landscape design
Year
2020
Location
Hue city, Vietnam
Team
Ho Viet Vinh
Ngo Hai Tan
Duong Thi Thanh Thanh
Nguyen Dinh Nhat Thu

TP.HCM đang tổ chức cho người dân cả nước góp ý, hiến kế về “Công trình biểu tượng ghi nhận sự chung sức, đồng lòng của người dân vượt qua đại dịch COVID-19” tại TP.HCM ở khu đất số 1 Lý Thái Tổ (phường Vườn Lài).

Theo kiến trúc sư Hồ Viết Vinh,
Đối với đồng bào thành phố đã nằm xuống trong cuộc chiến chống đại dịch cần được tri ân, ghi nhớ một cách trân trọng tại công trình trên bằng cách khắc tên ở công trình. Rất nhiều công trình tưởng niệm trên thế giới đều có khắc tên các nạn nhân như công trình kỷ niệm sự kiện 11-9 ở Mỹ hay trận động đất ở Đường Sơn, Trung Quốc…
Đối với 23.000 đồng bào mất đi cần được nhắc nhớ một cách trang trọng để mọi người còn biết tưởng nhớ đến ai, tri ân ai. Những người đã nằm xuống cho cuộc sống hôm nay thì bất kể họ là ai, không phân biệt, phải được những người hôm nay, thế hệ sau đến công trình tham quan tự lắng đọng, biết ơn mới thể hiện sự nhân văn.

Vui lòng đọc đầy đủ nội dung bài báo tại link này (bấm vào đây).