Solid and rough are the emotions of BaoLoc. Spatial topography consists of interlaced hills, layers hidden under layers of cold pine forests. In that autumn silence, the clouds are the witch who transforms to soften the rough, dry and cold.

CLOUD
Following the wind, the stream flows in all directions,
The foggy road is dotted with flying dew drops.
Love is drunk at night in dreams,
Filled with the call of the human realm.

Vinhho.2022

Nestled gracefully above tranquil waters, Maison de l’Eau embodies the harmonious blend of modern architecture and nature. Its unique curved design, crafted from warm wood, invites sunlight to dance through expansive windows, offering breathtaking views of the surrounding forest. This serene retreat not only provides a peaceful sanctuary but also celebrates sustainable living, encouraging a deep connection with the environment. Maison de l’Eau stands as a testament to the beauty of simplicity, where every curve and corner reflects the gentle flow of nature, creating a perfect balance between comfort and elegance.

Vinhho Biography
Ho Viet Vinh is a Vietnamese architect who graduated with a Bachelor of Architecture degree in 1995 from the University of Architecture Ho Chi Minh City, Vietnam, where he received an award for creative design in his final year. He is a Registered Architect in Vietnam, a Registered Urban Planner in Ho Chi Minh City, and a member of the Association of Architects and Urban Planners of Vietnam.
Vinh’s career began in 1995 with participation in several design competitions in Ho Chi Minh City. That same year, he became a lecturer in the Urban Planning Department at the University of Architecture.
In 1998, he won second prize in the international competition organized by the Summer Workshop of Cergy-Pontoise, France, with the theme “Ho Chi Minh City and the Saigon River.”
In 2005, he was awarded a special prize in another international competition by the Summer Workshop of Cergy-Pontoise, France, for his project “Can Gio Emotional City.”
In 2010, he participated in the U.S. International Visitor Leadership Program (IVLP) focusing on Sustainable Urban Planning.
In 2015, Vinh was selected by the Lebadang Creative Foundation to design the Lebadang Memory Space Museum in Hue. During this time, he also became the Director of the Fund.

An elegant white tone as the main theme, featuring multi-layered spaces with depth and subtle connections. The space is shaped with soft curves inspired by abstract nature creating a sense of fluidity and natural flow in the architecture. The decorative surfaces of loose furniture are finished with high-quality Vietnamese lacquer techniques. Natural light blends harmoniously with artificial lighting, interacting with materials like glass, lacquer, premium fabrics, and marble, evoking emotional contrasts between light, material, and space. The overall design exudes a contemporary artistic elegence.

A symphony of earth and water that whispers of hidden desires. This enchanting scene blurs the line between reality and illusion, inviting the viewer into a realm of sublime beauty. The interplay of light and shadow evokes a sense of eternal mystery, reflecting the poet’s fascination with the ephemeral and the divine. It is a mesmerizing vision of a garden stripped bare, revealing the seductive essence of nature’s true form.

Vinhho Biography
Ho Viet Vinh is a Vietnamese architect who graduated with a Bachelor of Architecture degree in 1995 from the University of Architecture Ho Chi Minh City, Vietnam, where he received an award for creative design in his final year. He is a Registered Architect in Vietnam, a Registered Urban Planner in Ho Chi Minh City, and a member of the Association of Architects and Urban Planners of Vietnam.
Vinh’s career began in 1995 with participation in several design competitions in Ho Chi Minh City. That same year, he became a lecturer in the Urban Planning Department at the University of Architecture.
In 1998, he won second prize in the international competition organized by the Summer Workshop of Cergy-Pontoise, France, with the theme “Ho Chi Minh City and the Saigon River.”
In 2005, he was awarded a special prize in another international competition by the Summer Workshop of Cergy-Pontoise, France, for his project “Can Gio Emotional City.”
In 2010, he participated in the U.S. International Visitor Leadership Program (IVLP) focusing on Sustainable Urban Planning.
In 2015, Vinh was selected by the Lebadang Creative Foundation to design the Lebadang Memory Space Museum in Hue. During this time, he also became the Director of the Fund.

Architecture of each nation evolves and develops along a historical trajectory. Particularly, royal architecture establishes solid foundations refined over time, becoming the formal language through which art thrives. Each dynasty selects its own stylistic language as a benchmark for evaluation and a marker of its era.
The selective inheritance across dynasties shapes the orthodox architectural tradition. This tradition adheres to strict principles of form-making, setting standards that serve as measures of artistic creativity. However, the end of each dynasty invariably signifies adaptations to external influences. Ultimately, the flow of architecture is once again reshaped and renewed, continuing its progression.

Emperor Khai Dinh utilized to infuse a sense of national identity into the architectural and artistic works of the royal court. These projects, executed during the late Nguyen dynasty, reflect a deliberate effort to adapt proactively to the changing circumstances.

Nearly a century later, the art of ceramic mosaic from the Khai Dinh era continues to flourish in temples, pagodas, shrines, and tombs.

To read the full research article below.

The “Dance of light” stirring a feeling of motion and vitality. This interplay between brilliance and obscurity crafts an enigmatic allure, coaxing the observer to explore the depths of light.

Ho Viet Vinh

(Vinhho, Acrylic on canvas, 130x97cm, Maison de Corail.2024)