At 4:30 p.m. on February 28, the Trịnh Công Sơn Park in Gia Hội Ward, Huế City, will host a significant event—the unveiling of a bronze statue of Trịnh Công Sơn, sculpted by the late artist Trương Đình Quế (1939–2016). This bronze statue, weighing 500 kg, stands 170 cm tall, with a width of 230 cm and a depth of 160 cm. Its design exudes a sense of intimacy and familiarity.

The project is the culmination of years of dedication by Mr. Lê Hùng Mạnh from Gia Hòa Company in Ho Chi Minh City. The journey to place a statue in a public space was far from simple, but his passion for commemorating artists didn’t stop there—he dreams of creating similar tributes for other cultural icons, such as the poet Bùi Giáng.

The choice of Trương Đình Quế as the sculptor was deliberate. He was one of Vietnam’s most renowned visual artists, celebrated with numerous national and international accolades. Born in 1939, the same year as Trịnh Công Sơn, Quế graduated from the Gia Định College of Fine Arts in 1960—the very year Trịnh penned his first song, Ướt Mi. This synchronicity in their lives laid the foundation for a deep friendship rooted in a shared passion for art and music, allowing Quế to capture the essence of his lifelong friend with ease.

The statue took a year to complete at Giang Điền Waterfall in Đồng Nai. Reflecting on the creative process, Mr. Mạnh shared, “Trương Đình Quế and I agreed on how Trịnh should be depicted—as you now see him, leaning forward, as if gazing into a book, or perhaps into his own soul. Naturally, we couldn’t forget the ‘companion’ who stayed with him from ‘the day my mother bore me into this life of burden’ to ‘the noon field, where we met and vanished into the void’—his guitar.”

“The image of Trịnh bowing is intentional,” Mạnh explained, “and it aligns with his own lyrics: Cúi xuống. Cho tình dấy lên. Cho da thịt mềm. Cho cơn mặn nồng ngất lịm. Cúi xuống. Cho đời lãng quên. Cho mây trời chìm. Cho đêm mở hội âm thầm.

When designing the statue’s base, we collaborated with architect Hồ Viết Vinh, who envisioned it as an eye—650 cm long, 350 cm wide, and 55 cm high. This symbolic choice reflects Trịnh’s longing for human compassion: Những con mắt trần gian, Xin nguôi vết nhục nhằn. Những con mắt muộn phiền, Xin cấy lại niềm tin. Even when inspired by Bùi Giáng’s poetry, Trịnh expressed hope and tenderness: Con mắt còn lại nhẹ nhàng từ tâm. Nhìn em ra đi lòng em xa vắng. Con mắt còn lại là đêm tối tăm. Con mắt còn lại là đêm nồng nàn.

This collaboration between sculptor Trương Đình Quế and architect Hồ Viết Vinh embodies the essence of Trịnh Công Sơn’s music—where visual art and sound converge in a harmonious message of love and humanity.

Today, as we gather to unveil this statue on Trịnh Công Sơn’s birthday, it is more than a celebration—it is the realization of a dream. With hearts full of love for his music, Mr. Mạnh and his team gift this statue to the city of Huế as a gesture of gratitude.

“With this sincere endeavor,” Mr Lê Hùng Mạnh remarked, “we are grateful for the support from the Huế City authorities and the province of Thừa Thiên-Huế, who have made this possible. Today, as the statue of Trịnh Công Sơn stands in the park bearing his name, we believe it brings joy to millions across the country who remember him. And surely, our gifted musician and his dear friend, sculptor Trương Đình Quế, would be pleased. For in life, they shared many moments of artistic communion, exchanging ideas and toasting to the beauty of creation.”

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In the bustling urban rhythm of Phan Xich Long’s vibrant food street, Vinhho Art Studio, the sanctuary of self training – painter Ho Viet Vinh, nestles quietly in a small alley typical of Saigon. The surrounding air hums with the everyday sounds of urban life and the rich aromas of street food delicacies.

Inside the compact studio where the artist crafts his paintings, everything appears orderly. The space is adorned with a variety of experimental works, each reflecting his diverse artistic journey. At the center of the room stands an old, slightly tilted wooden easel, holding an unfinished painting. The bold and uninhibited strokes on the canvas mirror the essence of the artist himself.

For those fortunate enough to explore the evolution of Vinhho’s artistry from his earliest days, each painting tells a distinct story, conveying profound messages about life, humanity, and especially nature. Through his brushstrokes, Ho Viet Vinh channels the most authentic emotions, inviting viewers to share in his perspective.

While the city outside thrums with its noisy, dynamic energy, this small studio offers a serene haven – a private world where Ho Viet Vinh and his collaborators dedicate themselves to crafting works of art that contribute to celebrating the breathtaking beauty and wonder of Vietnam.

A symphony of earth and water that whispers of hidden desires. This enchanting scene blurs the line between reality and illusion, inviting the viewer into a realm of sublime beauty. The interplay of light and shadow evokes a sense of eternal mystery, reflecting the poet’s fascination with the ephemeral and the divine. It is a mesmerizing vision of a garden stripped bare, revealing the seductive essence of nature’s true form.

Hồ Viết Vinh 29.12.2024 (Commemorating the announcement of the resolution establishing Huế as a centrally governed city)

Legend, memory, and romance breathe life into the Ancient Capital of Huế.
Huế stands as one of the rare ancient capitals in urban history, crafted with emotion; it embodies unique human values and serves as a perfect bridge between humanity and the cosmos. As one wanders through its Imperial City, a poetic soul seems to linger, inviting reflection. Time flows slowly here, awakening seeds of love that draw us back to childhood memories. Every street corner, every road, and every structure is steeped in nostalgia and gently dusted by time. Each architectural masterpiece tells its own historical tale, weaving the legend of this Sacred Land. The poetic city of Huế manifests not only in its physical form but also in the mythical tales surrounding its river’s origins. Whether these stories bring joy or sorrow, they remain an integral part of us. The endless inspiration for love that creates this poetic city originates from the Perfume River and Ngự Bình Mountain. Cao Bá Quát once likened the Perfume River to: “A long river standing like a sword in the blue sky.”

Huế: A land of Legends, with its tangible and intangible cultural heritage of the Chăm community. From the Phú Diên Tower and Hòn Chén Temple to the Thành Lồi Citadel, these are remnants of the Champa Kingdom in Huế. The influence of Chăm aesthetics in music, architecture, sculpture, and cuisine is distinctly evident in Huế’s cultural treasures.

Huế: A land of Memory, continuing the legacy of the Tây Sơn and Nguyễn dynasties, both glorious and tragic. With nine Lords and thirteen Nguyễn emperors, it formed the land of Thuận Hoá over 720 years, contributing eight cultural heritages to the world.

Huế: A land of Romantic Wisdom. The great intellectuals of Vietnam in modern history were directly or indirectly influenced by the magnificent and splendid culture of Thuận Hoá-Phú Xuân.

Today, Huế has reclaimed its position as a unique cultural center of Vietnam and Asia, embodying the nation’s spirit of integration to enrich its treasury of wisdom and romance for enduring values. The journey is carried by the love for the homeland and the wisdom of the era, crafting a new visage worthy of history and the times. A message both affirming and reminding us not to forget, as playwright Đào Tấn expressed: “Together we drink the waters of the Perfume River, yet none comprehend its fragrant essence.”

“Cộng ẩm hương giang thuỷ
Vô nhân thức thuỷ hương.”

Playwright đào tấn

Amid the chaos of modern life and urban development, where humans are in constant, fast motion, nature is an important element to remind ourselves of and return to. In this duo exhibition by Patricia vd Moreen and Devon Nguyen, we find ourselves stepping into another world filled with harmony between humanity and nature.
“Biophilia and Naturalis” features the most recent works by two unique artists. Works of oil paintings and ceramics call to mind living entities glowing in the darkened space and reveal the connection between humanity and nature. While Patricia’s works highlight the concept of Naturalism, Devon’s works speak for the concept of Bipholia, which emphasises the harmony between humans and nature.

To read the full article by Saigoneer, please click on this link.

Returning to the forest is like being immersed in pure silence. Each breeze caressing the skin penetrates deep into each cell to wake up the body after a long deep sleep. The breath slowly fills all the skin, making the whole body immersed in the sweetness of heaven and earth. Returning to that place is the way returning your true home.