Architecture of each nation evolves and develops along a historical trajectory. Particularly, royal architecture establishes solid foundations refined over time, becoming the formal language through which art thrives. Each dynasty selects its own stylistic language as a benchmark for evaluation and a marker of its era.
The selective inheritance across dynasties shapes the orthodox architectural tradition. This tradition adheres to strict principles of form-making, setting standards that serve as measures of artistic creativity. However, the end of each dynasty invariably signifies adaptations to external influences. Ultimately, the flow of architecture is once again reshaped and renewed, continuing its progression.
Emperor Khai Dinh utilized to infuse a sense of national identity into the architectural and artistic works of the royal court. These projects, executed during the late Nguyen dynasty, reflect a deliberate effort to adapt proactively to the changing circumstances.
Nearly a century later, the art of ceramic mosaic from the Khai Dinh era continues to flourish in temples, pagodas, shrines, and tombs.
To read the full research article below.
Next project | Maison de Corail
The concept of the project is a hybrid space without fixed determinations or boundaries. We envision a space that seamlessly integrates botany, meditation, and art—a sanctuary where individuals can care for themselves slowly and mindfully, embracing relaxation.
Drawing inspiration from nostalgia and natural materials, the space is crafted by artisans and adorned with artworks that celebrate beauty in imperfection, echoing real environments. The façade is constructed from breezeway blocks, allowing sunlight and natural ventilation to flow through, eliminating the need for artificial air conditioning systems.
A spiral staircase wraps around the courtyard, featuring a rendered banister and concrete treads, leading to an open art workshop and meditation space designed to inspire tranquility and creativity.
Coral house. Source: DALO LAB
“Ẩn tàng chốn lạ mà quen
Lá chen mây trắng hoa chèn sắc hương
Ngõ vương ánh nắng qua đường
Yêu thương đọng lại khu vườn ngày xưa.”
“Strange but familiar hidden place
Leaves insert flowers into white clouds
Light alley across the street
Love leaves the old garden. ”
Architect. Ho Viet Vinh
The overarching goal is to foster a minimalist lifestyle that honors the slow passage of time. Lava stones, with their textured surfaces, reflect dynamic shades as sunlight moves throughout the day, creating an ever-changing interplay of forms and light.
Type
Residential
Year
2020
Location
Ho Tram, Ba Ria Vung Tau
Team
Ho Viet Vinh, Tran Thanh Hai, Le Van Thoi, Ngo Dang Linh
Contractor
Cuong Quang Construction
Interior Designer
Ho Viet Vinh
Structural Engineer
Nam Vie
Photo
Ho Viet Vinh
Next project | Venus
Vinhho, by wood carving, Maison d’Art, 2025
Next project | Lotus
Ngẩng đầu nghe gió hát,
Ho Viet Vinh
Tắm mát mạch nguồn khơi,
Chơi vơi miền êm ả,
Nghiêng ngã một đời không?
Next project | Shadowy
Vinhho, Acrylic on canvas, 130x97cm, Maison de Corail, 2024
“The interplay of dark and light hues conjures a spectral dance of shadows, evoking the elusive nature of the intangible, whispers of the hidden dimensions that lie beneath the surface, suggesting an eternal struggle between presence and absence.”
Ho Viet Vinh
Next project | SPARKLE
“Whispers of ephemeral beauty, a tranquil moment captured in the chaos of existence. Shades of yellow and brown morph together, cradling hints of white and red, embodying the fleeting glimmer of life. Amidst this tumultuous beauty, the painting proposes a reflection on the essence of “sparkle” – not as mere glitz, but as a profound glitter of existence, intricate dance of light and shadow, beauty and decay.”
Ho Viet Vinh
Acrylic on canvas, 130x97cm, Maison d’Art 2024
Next project | Khải huyền
Gió ngây
mây đứng
hoa ngừng hé,
Lặng xé trời không
một tiếng đầy.
Next project | ngẫm
Bóng thâm sâu in hình hài thế kỷ,
Vượt thời gian kể chuyện vẻ huy hoàng,
Soi nắng để hao mòn năm tháng cũ,
Chợt sương tan hoá hiện cõi vô thường.
HoVietVinh 19.02.2025
Next project | DRIFTING
“A delicate symphony of muted hues pirouettes in the ever-changing light. Its dance mirroring the soul’s ebb and flow, serving as a melancholic ode to time’s fleeting passage and life’s ephemeral beauty: a poignant reflection of existential drift.”
Ho Viet Vinh
Acrylic on canvas, 130x97cm, Maison d’Art, 2024
Next project | Dragon d’Annam
The Dragon d’Annam is a place where the mountains and the sea come together, standing between the South and the North, the land is high, the mountains and rivers are surrounding. In waterways, there are Thuan An and Tu Hien the mouth of the sea bay, which are deep and dangerous; by road, Hoanh Son and Hai Van gates are blocked; The great river opens the front, the high mountain protects the back, the adoration dragon and guard tiger, the place is solid, it is arranged by heaven and earth, it is truly the king’s capital.
Source: According to the national history of the Nguyen Dynasty
Description
Exucuted in April 2020
Style
Lyrical Abstract
Technique
Acrylic on Canvas
Dimension
97W x 130H x 4D cm
The authenticity of this work has been confirmed by the HVV Architect & Partners. A certificate of authenticity maybe delivered by the Company upon request to the buyer.
Vinhho Biography
Ho Viet Vinh is a Vietnamese architect who graduated with a Bachelor of Architecture degree in 1995 from the University of Architecture Ho Chi Minh City, Vietnam, where he received an award for creative design in his final year. He is a Registered Architect in Vietnam, a Registered Urban Planner in Ho Chi Minh City, and a member of the Association of Architects and Urban Planners of Vietnam.
Vinh’s career began in 1995 with participation in several design competitions in Ho Chi Minh City. That same year, he became a lecturer in the Urban Planning Department at the University of Architecture.
In 1998, he won second prize in the international competition organized by the Summer Workshop of Cergy-Pontoise, France, with the theme “Ho Chi Minh City and the Saigon River.”
In 2005, he was awarded a special prize in another international competition by the Summer Workshop of Cergy-Pontoise, France, for his project “Can Gio Emotional City.”
In 2010, he participated in the U.S. International Visitor Leadership Program (IVLP) focusing on Sustainable Urban Planning.
In 2015, Vinh was selected by the Lebadang Creative Foundation to design the Lebadang Memory Space Museum in Hue. During this time, he also became the Director of the Fund.
Next project | Ngựa hoang
Vinhho, Wooden carving, Maison d’Art, 2026
Ngựa hoang
Vết thù gởi lại nhân gian,
Hoá làn mây nước lướt bay khắp trời,
Một đời ngược gió tàn hơi,
Hồn phơi phách lạc tạc lời thuỷ chung.
KTS. Hồ Viết Vinh 260110