Garden of Eden

The Garden of Eden is an embodiment of the invisible woven into the fabric of existence. Its design reflects a poetic dialogue where nature’s abstraction meets architectural form. The undulating lines and textured surfaces echo the silent whispers of the earth, creating a harmonious interplay between light and shadow. This spatial composition blurs the boundaries of the tangible, inviting contemplation of the unseen. Through the use of natural materials and organic forms, the garden becomes a sanctuary of tranquility, mirroring the serene and introspective essence of the divine landscape.

Cơ duyên cho Tôi gặp và hóng chuyện với danh hoạ Hồ Hữu Thủ: là một trong những tên tuổi hàng đầu của nền mỹ thuật Việt Nam.
Thế giới nghệ thuật của ông là sự kết hợp độc đáo giữa các hình tượng quen thuộc: thiếu nữ – hoa sen – mảnh trăng. Những hình ảnh này không đơn thuần là miêu tả hiện thực, mà đã được chọn lọc và biến thành những biểu tượng mang vẻ đẹp tinh khiết, hồn nhiên trong một không gian vừa thực vừa siêu thực.

Ghé thăm triển lãm “Hội hoạ trừu tượng Cha và Con” tại TAA Gallery, Tôi như được gặp lại phong thái nho nhã pha lẫn minh triết nơi Ông.

HVV Recruitment:
In 2025, HVV is looking to recruit talented individuals for the following positions:

• 2 Urban Planners;
• 2 Landscape Architects;
• 2 Architects specialized in Architecture and Interior Design.

Requirements:

• Bachelor’s degree in a relevant field for each position;
• 2–3 years of work experience;
• Proficiency in commonly used design software, such as ACAD, SU, Lumion, Rhino, 3Dmax,…;
• Skilled in one or more of the following areas: 3D and 2D concept visualization, design implementation, design management;
• A professional attitude, eagerness to learn, creativity, and integrity.

Join us in creating inspiring living spaces that reflect cultural identity!
At HVV, we are not just looking for talented architects but also seeking to collaborate with creative minds who are passionate about innovation and aspire to achieve timeless values. Let your talent bring meaningful projects to life and leave a lasting mark with us.
Contact:
HVV Architect and partners
Architect Ho Viet Vinh
Phone: +84 908 376 727
Email: [email protected]
Join us now to turn unique ideas into reality!

The landscape architecture of the museum, spanning 16,000 square meters, is itself a full-scale “Lebadang Space” artwork. Paintings, sculptures, installations, and “Space” artworks by the world-renowned artist Lebadang are periodically rotated, with exhibition content and display methods meeting international standards.
The museum brings to life artist Lebadang’s dream of “an immense artwork, a cosmic landscape, a life in harmony with nature, and an eternal vision.” Its location in Hue, Vietnam’s ancient capital, embodies his aspiration for Hue to become the center of Vietnamese contemporary art and culture in the 21st century.

Le Ba Dang Memory Space reimagines the image of Co Loa as a unique creation of the Vietnamese spirit. Emotions are etched into the landscape like a giant painting. The winding pathways lead us into a vivid tapestry of reality, where people and nature merge as one. The soul finds peace, and emotions flow freely.
Brilliant flowers bloom, birds chirp joyously, the breeze carries drifting clouds, and every element resonates with authentic sounds, drawing our minds back to the dreams of childhood.

Type
Museum
Year
2019
Location
Huong Thuy, Hue
Team
Ho Viet Vinh, Tran Thanh Hai, Le Van Thoi, Ngo Dang Linh
Civil Engineer
Nam Viet
Contractor
Rickenbach Development and Construction
Interior Designer
Eric Mignagd
Lighting Designer
Elek Co, Ltd
Photographer
Dalo lab
Structural Engineer
Nam Viet

Press
ART REPUBLIK 1, Elitism for all, Spring-Summer 2020

Youtube
LeBaDang Memory Space – Contemporary Art in Hue – An article by Dalo Studio on Youtube via the link.

An Article by Architect Ho Viet Vinh
(Mang Thit 16/11/2024)

Mang Thit – where brick kilns tell stories, where rivers light up Vietnam’s heritage.

A Journey of Riverside Culture and Traditional Craft
Mang Thit – more than just a name, it is the pulse of a riverside culture unique to the Mekong Delta. Inspired by the legendary Thay Cai Canal, where the nearly century-old brick and ceramic craft village flourished, the stage for the 2024 Mang Thit Brick and Ceramic Festival promises to be a creative symbol, not only preserving but also spreading the values of tradition.

1. A Floating Stage on the River – A Symbol of Harmony Between Culture and Nature
Imagine a stage designed as a living painting on water, where wooden boats adorned with shimmering lights drift gently, carrying the echoes of time and life. The main stage is not merely a place for performances but a “creative island” floating on the canal, pulsating as the heart of nature.
On the stage, the iconic imagery of traditional brick kilns will be reimagined through a blend of lighting and materials, creating a space that feels both familiar and magical. The arches of red bricks – a signature of Mang Thit – will be crafted as gateways to a journey of cultural discovery while producing dazzling reflections on the water’s surface.

2. Dynamic Living Scenes – When Riverside Life Becomes Art
Beyond being a static stage, the festival elevates its appeal with vibrant, living scenes performed directly on the river. Boats loaded with red-fired bricks, artistic ceramics, and baskets of orchard fruits will become part of the performance – telling the story of diligent, skillful locals.
The audience will not just watch but feel immersed in the flow of life during the craft village’s heyday. Cultural performances such as traditional opera, southern folk music, or ceramic dance displays will unfold on vividly decorated boats, gracefully moving across the water.

3. Lighting – A Language of Timeless Emotion
Lighting is the soul of the festival. The entire event space will be enveloped in modern artistic lighting, seamlessly blending with natural light reflections on the water. Multicolored laser effects will not only create a mystical atmosphere but also convey the theme of harmony between tradition and modernity.
Light beams will sketch the iconic brick kilns glowing against the night sky, while floating lanterns released on the river will symbolize hope, gratitude, and pride for Mang Thit’s traditional brick and ceramic craft.

4. Explosive Media Impact – Bringing Mang Thit to the World
This festival is not just a local event but an opportunity to showcase Mang Thit on a larger scale. Every corner of the stage, every captured moment from the festival will be a unique work of art – ready to “go viral” on social media. Images of sparkling lights, vibrant boats, and lively performances will make anyone yearn to visit Mang Thit.

5. Conclusion – A Journey of Heritage in a New Era
The 2024 Mang Thit Brick and Ceramic Festival is not just a cultural celebration but a powerful message about the resilience of heritage and the aspiration to rise in a modern age. Come to Mang Thit to experience the beauty of its rivers, its craft villages, and its genuine people. This is not just an opportunity to explore but also a chance for everyone to rediscover a part of their roots in every brick, every smile, and every melody echoing from the rivers.

Let’s join hands to promote Mang Thit – the cultural gem of the Mekong Delta – to proudly thrive on the cultural map of Vietnam and the world!

At 4:30 p.m. on February 28, the Trịnh Công Sơn Park in Gia Hội Ward, Huế City, will host a significant event—the unveiling of a bronze statue of Trịnh Công Sơn, sculpted by the late artist Trương Đình Quế (1939–2016). This bronze statue, weighing 500 kg, stands 170 cm tall, with a width of 230 cm and a depth of 160 cm. Its design exudes a sense of intimacy and familiarity.

The project is the culmination of years of dedication by Mr. Lê Hùng Mạnh from Gia Hòa Company in Ho Chi Minh City. The journey to place a statue in a public space was far from simple, but his passion for commemorating artists didn’t stop there—he dreams of creating similar tributes for other cultural icons, such as the poet Bùi Giáng.

The choice of Trương Đình Quế as the sculptor was deliberate. He was one of Vietnam’s most renowned visual artists, celebrated with numerous national and international accolades. Born in 1939, the same year as Trịnh Công Sơn, Quế graduated from the Gia Định College of Fine Arts in 1960—the very year Trịnh penned his first song, Ướt Mi. This synchronicity in their lives laid the foundation for a deep friendship rooted in a shared passion for art and music, allowing Quế to capture the essence of his lifelong friend with ease.

The statue took a year to complete at Giang Điền Waterfall in Đồng Nai. Reflecting on the creative process, Mr. Mạnh shared, “Trương Đình Quế and I agreed on how Trịnh should be depicted—as you now see him, leaning forward, as if gazing into a book, or perhaps into his own soul. Naturally, we couldn’t forget the ‘companion’ who stayed with him from ‘the day my mother bore me into this life of burden’ to ‘the noon field, where we met and vanished into the void’—his guitar.”

“The image of Trịnh bowing is intentional,” Mạnh explained, “and it aligns with his own lyrics: Cúi xuống. Cho tình dấy lên. Cho da thịt mềm. Cho cơn mặn nồng ngất lịm. Cúi xuống. Cho đời lãng quên. Cho mây trời chìm. Cho đêm mở hội âm thầm.

When designing the statue’s base, we collaborated with architect Hồ Viết Vinh, who envisioned it as an eye—650 cm long, 350 cm wide, and 55 cm high. This symbolic choice reflects Trịnh’s longing for human compassion: Những con mắt trần gian, Xin nguôi vết nhục nhằn. Những con mắt muộn phiền, Xin cấy lại niềm tin. Even when inspired by Bùi Giáng’s poetry, Trịnh expressed hope and tenderness: Con mắt còn lại nhẹ nhàng từ tâm. Nhìn em ra đi lòng em xa vắng. Con mắt còn lại là đêm tối tăm. Con mắt còn lại là đêm nồng nàn.

This collaboration between sculptor Trương Đình Quế and architect Hồ Viết Vinh embodies the essence of Trịnh Công Sơn’s music—where visual art and sound converge in a harmonious message of love and humanity.

Today, as we gather to unveil this statue on Trịnh Công Sơn’s birthday, it is more than a celebration—it is the realization of a dream. With hearts full of love for his music, Mr. Mạnh and his team gift this statue to the city of Huế as a gesture of gratitude.

“With this sincere endeavor,” Mr Lê Hùng Mạnh remarked, “we are grateful for the support from the Huế City authorities and the province of Thừa Thiên-Huế, who have made this possible. Today, as the statue of Trịnh Công Sơn stands in the park bearing his name, we believe it brings joy to millions across the country who remember him. And surely, our gifted musician and his dear friend, sculptor Trương Đình Quế, would be pleased. For in life, they shared many moments of artistic communion, exchanging ideas and toasting to the beauty of creation.”

See the original article at this link.

Evoking the tranquil undulations of the river a symphonic concerto of colors whispering the poetics of the natural world. The geometric shapes, with their curves and angles, juxtapose the organic with the mathematical, creating a visual sonnet that blurs the lines between the ephemeral and the eternal.

Ho Viet Vinh

Picture architecture in Vietnam and you might imagine ancient temples buried down countryside lanes or faded colonial buildings lining the city streets. But spurred by unprecedented economic growth, this Southeast Asian country of almost 100 million is revamping its traditional image – and architecture is part of the overhaul. After decades spent trying to keep Vietnam’s unrelenting jungles out of the cities, visionary architects now harness the wilderness to enhance their urban creations. And the countryside is no longer designated for relics of the past – but also innovations for the future. From contemporary art hubs hiding in the hills to city tower blocks blooming with foliage, here is the architecture that is making its mark on Vietnam.

Lebadang Memory Space, by Architect Ho Viet Vinh

Nestled in the countryside together with Hue’s centuries-old royal tombs, Lebadang Memory Space is a lively architectural update to the city’s monarchical heritage. This contemporary art museum is dedicated to late local artist Le Ba Dang, who sketched the drawing that the blueprints are based on. Local architect Ho Viet Vinh designed the structure, completed in April 2019, with a central skylight that allows beams of light to track through the exhibition hall throughout the day.

Sky House by MIA Design Studio

Vegetation bulges from the balconies and rooftops of Sky House, a home in Ho Chi Minh City completed in December 2019. The plot was spacious enough to accommodate a large townhouse, but instead of creating unrequired rooms, MIA Design Studio designated half the house to light, wind, water and trees. The result is a generous sky well that feeds light to the habitable rooms and chambers with no practical purpose but to house plants, trees, and indoor ponds.

Chicland, by Vo Trong Nghia

Award-winning architect Vo Trong Nghia is celebrated for his use of natural materials and foliage, such as bamboo and tropical plants. The 21-floor Chicland Hotel, completed in June 2019 in the modern seaside city of Danang, features both. The on-site café has earthy bamboo interiors while the balconies overflow with greenery. Similarly biophilic, Vo Trong Nghia’s Silver Cloud, slated for completion later this year, is a leafy long-stay hotel that blends with the lakes and mountains of Cuc Phuong National Park, 100km south of Hanoi.

Brick Cave, by Doan Thanh Ha

In Vietnam, bricks have been used for at least a millennium. Doan Thanh Ha, who recently won the Turgut Cansever International Award, constructed the Brick Cave in the suburbs of Hanoi with an additional exterior wall to form a narrow atrium around the house. This perforated exterior casing with large windows invites natural light into the family home while keeping it cool during Hanoi’s scorching summers. The rooftop features a vegetable garden.

Central Park, by LAVA and ASPECT Studio

LAVA and ASPECT Studio won the commission to revamp Ho Chi Minh City’s September 23 Park, one of the city centre’s largest green spaces. As well as outdoor art galleries, performance pavilions and sport zones, LAVA and ASPECT Studio are deploying smart city artificial trees. Water purification trees collect and recycle rainwater, ventilation trees provide fresh air and solar trees generate power. Construction is scheduled to begin later in 2020.

VAC Library, by Farming Architects

While large-scale ventures are making a bold impact, smaller innovations are surfacing more quietly. In Hanoi, VAC Library by Farming Architects (Pictured above) is both climbing frame and reading room set within a three-dimensional grid fashioned from wooden beams. Other small projects of great promise include the Chieng Yen Community House in Son La Province by 1+1>2 Architects, which has a semi-cylindrical thatch roof supported by a bamboo frame. In Danang, architecture studio Tropical Space used brick to construct Cuckoo House, a family home perched above a café.

Empire City, by Ole Scheeren

As Vietnam’s commercial capital, Ho Chi Minh City is entertaining many of the country’s most ambitious projects. With Empire City, Ole Scheeren explores how ‘nature can become an iconic element of architecture’ with a complex of three towers overlooking the Saigon River. At the building’s base, layered platforms evoke the swirling rice terraces of northern Vietnam. Over halfway up Empire Tower 88, the tallest of the three skyscrapers at 333 metres, sits the Sky Forest with verdant water gardens that echo the country’s jungles. Construction is expected to start in early 2021.

See the original article at the link.