Vertical Green Highrise
The high-class Condotel hotel complex seamlessly integrates with the scenic landscape of Cap Saint-Jacques beach, connecting the coast with surrounding urban public activities to create an alluring destination for tourists and residents alike.

This open space, offering a variety of services, will serve as a vibrant public hub where shopping, entertainment, relaxation, and leisure activities take place around. The complex, consisting of two towers—one 40 stories tall and the other 10 stories with service podiums—spans a total usable area of 130,000 square meters, adding energy and dynamism to Cap Saint-Jacques beach city.

The active spaces, featuring panoramic sea views, foster a harmonious connection between the buildings and the stunning surrounding landscape. All functional areas are designed to be open, filled with natural light, greenery, and a sense of unity with the blue sky and deep ocean. A system of plazas, flower gardens, cascading waterfalls, and vertical green walls enhances the project’s appeal, creating a unique and inviting environment.

Type
Highrise tower
Year
2016
Location
Cap Saint jaques
Team
Ho Viet Vinh
Pham Tu

Next project | Container Resort

Project
Container Resort
Location
Cu Lao Pho, Bien Hoa City, Dong Nai Province, Vietnam
Area
1.500 m²
Services
Masterplan, Architecture and Interior design
Status
Under construction
Team
HVV Architect & Partners

Intro
Standing in the garden feels like stepping into a separate realm, where time seems to pause, leaving only gentle sounds and serene imagery. Beneath the shade of an ancient Bodhi tree, the Buddha statue exudes a quiet majesty, offering a soft reminder to let go of burdens and listen to the tranquil rhythm within the depths of the soul.
This is not just a place of retreat but a sanctuary for rediscovering peace amidst life’s constant flow. Here, lush greenery embraces every contour of modern architecture, together composing a perfect harmony that guides individuals back to their true selves.

Buddha Hill
Master Bedroom

Next project | Huyền sử RÊU

Huyền sử rêu
a photo by Vinhho 2025

Trong lòng phố cổ Gia Hội, nơi mà thời gian như dừng lại, “Huyền sử Rêu” hiện lên như một bức tranh sống động của ký ức.
Rêu xanh mướt, mềm mại như dải lụa, phủ kín những bức tường cổ kính, kể lại câu chuyện của những ngày đã qua. Mỗi lớp rêu như một dòng thơ trầm mặc, mang hồn cốt của quá khứ và hiện tại hòa quyện. Dưới ánh hoàng hôn, rêu trở thành biểu tượng của sự trường tồn, của những giá trị không phai mờ. Như một bức tranh, “Huyền sử Rêu” gợi lên những cảm xúc sâu lắng, những suy tư về sự bất biến và vẻ đẹp ẩn giấu trong từng góc nhỏ của cuộc sống.
Trong không gian ấy, rêu không chỉ là thực vật, mà là một phần của linh hồn phố cổ, một lời thì thầm của thời gian.

Kiến trúc sư Hồ Viết Vinh, Huế 2025

Next project | SPARKLE

“Whispers of ephemeral beauty, a tranquil moment captured in the chaos of existence. Shades of yellow and brown morph together, cradling hints of white and red, embodying the fleeting glimmer of life. Amidst this tumultuous beauty, the painting proposes a reflection on the essence of “sparkle” – not as mere glitz, but as a profound glitter of existence, intricate dance of light and shadow, beauty and decay.”

Ho Viet Vinh
Sparkle
Acrylic on canvas, 130x97cm, Maison d’Art 2024

Next project | Architecture and Fine Arts during the reign of Khai Dinh, a historical perspective

Architecture of each nation evolves and develops along a historical trajectory. Particularly, royal architecture establishes solid foundations refined over time, becoming the formal language through which art thrives. Each dynasty selects its own stylistic language as a benchmark for evaluation and a marker of its era.
The selective inheritance across dynasties shapes the orthodox architectural tradition. This tradition adheres to strict principles of form-making, setting standards that serve as measures of artistic creativity. However, the end of each dynasty invariably signifies adaptations to external influences. Ultimately, the flow of architecture is once again reshaped and renewed, continuing its progression.

Khai Dinh tomb. Source: @molon.de

Emperor Khai Dinh utilized to infuse a sense of national identity into the architectural and artistic works of the royal court. These projects, executed during the late Nguyen dynasty, reflect a deliberate effort to adapt proactively to the changing circumstances.

Nearly a century later, the art of ceramic mosaic from the Khai Dinh era continues to flourish in temples, pagodas, shrines, and tombs.

To read the full research article below.

Next project | Shadowy

Shadowy
Vinhho, Acrylic on canvas, 130x97cm, Maison de Corail, 2024

“The interplay of dark and light hues conjures a spectral dance of shadows, evoking the elusive nature of the intangible, whispers of the hidden dimensions that lie beneath the surface, suggesting an eternal struggle between presence and absence.”

Ho Viet Vinh

Next project | The PIG House

Concept design

Ancient Greek legend has it that the pig was the favorite animal of Demeter – goddess of crops and farming on earth. This was the holiest god for the Greeks. Since ancient times, people have used pigs to sacrifice this goddess. The magical transformation that turns humans into pigs appears in many myths, such as in Homer’s epic Odysseus. In this story, the crew of the hero ship was turned into pigs by the goddess Circe. Pig is one of the 12 animals that represent the 12-year cycle of Dizhi of China, Vietnam, Japan, Korea, North Korea and many other countries in Asia. It is associated with the Zodiac Pig. Those who believe in Chinese astrology have always attached pig characteristics to people born in the year of the Pig. Those born in this year are often considered lucky and have a prosperous and leisurely life. PIG House is life within and beyond the form of this animist.

PIG House Model

Next project | Artist Ca Le Thang and the exhibition “Dong Chim Day Nuoc”

Artist Ca Le Thang

The exhibition “Dong Chim Day Nuoc”, taking place at Wiking Salon from December 14, 2024 to January 19, 2025, is an event marking the more than three-decade artistic journey of the famous painter Ca Le Thang. With more than 20 emotional works, the exhibition not only reflects childhood memories of the flood season in the West, but also tells the story of inner rebirth through abstract art. Curated by Le Thien Bao, this event promises to bring an in-depth look at the journey of searching for and affirming the unique artistic language of one of the pioneers of Vietnamese fine arts.

Artist Ca Le Thang’s studio
Beneath Deep Rivers, Field Submerged #3
2024, oil, acrylic and mixed media on canvas, 170 x 100 cm
Architect Ho Viet Vinh met Artist Kao Dung at the event.

“With childhood memories of the flood season in the Mekong Delta, Ca Le Thang breathed life into his paintings with intense, expressive brushstrokes. He created a natural abstraction, both dreamlike and realistic: where memories and emotions intersect.”

Architect Ho Viet Vinh

Next project | Forest rain

Forest rain.

Streams of water weave across the sky like a loom, tracing delicate horizontal lines. Thick fog veils the forest in the dark of night.
Vertical and horizontal water jets carve an intricate painting into the air.

Ho Viet Vinh 2020


Description
Exucuted in April 2020
Style
Lyrical Abstract
Technique
Acrylic on Canvas
Dimension
97W x 130H x 4D cm


The authenticity of this work has been confirmed by HVV Architect &Partners. A certificate of authenticity maybe delivered by the Company upon request to the buyer.

Vinhho Biography
Ho Viet Vinh is a Vietnamese architect who graduated with a Bachelor of Architecture degree in 1995 from the University of Architecture Ho Chi Minh City, Vietnam, where he received an award for creative design in his final year. He is a Registered Architect in Vietnam, a Registered Urban Planner in Ho Chi Minh City, and a member of the Association of Architects and Urban Planners of Vietnam.
Vinh’s career began in 1995 with participation in several design competitions in Ho Chi Minh City. That same year, he became a lecturer in the Urban Planning Department at the University of Architecture.
In 1998, he won second prize in the international competition organized by the Summer Workshop of Cergy-Pontoise, France, with the theme “Ho Chi Minh City and the Saigon River.”
In 2005, he was awarded a special prize in another international competition by the Summer Workshop of Cergy-Pontoise, France, for his project “Can Gio Emotional City.”
In 2010, he participated in the U.S. International Visitor Leadership Program (IVLP) focusing on Sustainable Urban Planning.
In 2015, Vinh was selected by the Lebadang Creative Foundation to design the Lebadang Memory Space Museum in Hue. During this time, he also became the Director of the Fund.

Next project | RED Temple

Ngôi đền không được xây bằng đá, mà bằng cảm nhận. Mỗi người bước vào ngôi đền mang theo một ý niệm vô hình.
Những vòm cửa là đường cong của hoài niệm, trụ cột là nỗi sợ được đúc kết, mái vòm là khoảng trống giữa hai dòng suy tư. Nhà kiến tạo gợi mở những bức tường đã sẵn có từ lâu trong tiềm thức.
Màu đỏ không phải là sắc tố, mà là nhiệt độ của một trường nhìn thẳm sâu.
Sự linh thiêng thực sự không nằm ở cái được thấy, mà ở cái phản chiếu phía sau đôi mắt: nơi ký ức và ước vọng vẽ nên sự vĩnh hằng của ngôi đền.

Red Temple
Vinhho
Acrylic on canvas
80x120c
Maison d’Art
2025

“The sacred wonder of space is an architecture built behind the eyes.”

Next project | IMMENSE

IMMENSE

Its simplicity and complexity, serves as a portal to the immeasurable – seducing the viewer into the depths of the infinitesimal and the expanse of the limitless. Such a piece transcends its medium, embodying the essence of “Immense” through the poetic interplay of light and shadow, color and form.

Ho Viet Vinh