CLOUD STREAM

Following the wind, the stream flows in all directions,

The foggy road is dotted with flying dew drops.

Love is drunk at night in dreams,

Filled with the call of the human realm.

SUỐI MÂY

Theo làn gió suối tuôn về muôn nẻo,

Đường mù sương lấm tấm hạt sương bay.

Tình men say gối đêm vào giấc mộng,

Cho ngập lời tiếng gọi cõi nhân sinh.

Ho Viet Vinh.Dallat 2019

Vietnam traditional Architecture and Art gallery is including buildings of 3 regions of Vietnam: Hanoi-Hue-Saigon. Select works based on typical artistic values ​​of Dai Viet culture (Northern region), Champa culture (Central region) and Oc Eo culture (Southern region). Types of architecture include: communal houses, temples, pagodas, palaces, tomb houses, houses, …. with wood, stone and terracotta materials. In addition to architectural works, the space also displays wood carvings, stone sculptures and unique decorative details.

PROJECT INFO

Type:	Art Gallery
Year:	2015
Location:	University of Architecture of Ho Chi Minh City
Team:	Ho Viet Vinh Mai Que Vu

CLOUD
 
“Following the wind, the stream flows in all directions,
 
The foggy road is dotted with flying dew drops.
 
Love is drunk at night in dreams,
 
Filled with the call of the human realm.”
  
Vinhho.2022

Established by Hui-Bon-Hoa company (the owner was a Chinese-Vietnamese called Uncle Hoa).Situated right on the corner of Catinat Street (now Dong Khoi Street) and Quai de Belgique Street (now Ton Duc Thang Street). Carrying the then favorite baroque architecture style, the hotel became one of the most elegant and impressive buildings in Saigon after it was finished in 1925. Majestic had three stories and 44 bedrooms, according to a French architect’s original design.In 1948, the Indochina Tourism & Exhibition Department directed by French man Franchini Mathieu bought the ground and first floors of the hotel and rented 44 rooms in 30 years. The hotel was ranked five stars in 2007. Work on two new towers of the hotel on Nguyen Hue Street started in July 2011 to add 353 new rooms. Through a long time of using the space and modern equipment have distorted the value of the building. The task of designing and renovating is to create luxury and recall the feelings of the famous Indochinese architecture once in ancien Saigon.

How to build Hue ancient capital city? The question has been raised since the day the Nguyen Dynasty relic in Hue was recognized as a world heritage site by Unesco, especially since the day Hue was decided by the Nation as a typical Festival City, many seminars also mentioned, but until now, no idea has been recognized. It is known that Architect Ho Viet Vinh is a Hue hometown, is teaching at the University of Architecture in Ho Chi Minh City, has done a Master’s thesis about Hue, has many construction works for Vietnam in the 21st century. He has the opportunity to study many ancient capital cities, many ancient cities of the continents of Europe, Asia, America, Australia, Africa, TTH newspaper asked him these questions.

1. TTH newspaper. New spring is coming, TTH newspaper is very happy to meet you. Knowing you are a Hue’s hometown, having studied planning and architecture of the Nguyen Dynasty, could you please tell me what you are thinking about Hue City today?

Arch.Ho Viet Vinh: Hue-The Heritage City is in the process of expanding its boundaries and transforming urban spatial structure. From a strictly ordered city on a large area stretching from the Royal Capital to the villages, gradually transitioning to an irregular and chaotic urban structure. Therefore, the disturbances in urban spatial organization are causing concerns for residents, tourists and even urban experts. An issue placed on the conference table that still has no satisfactory solution is whether this is a normal change of a Heritage City on the path of integration and development or a deviation in orientation. this particular urban development. For a valid argument, we need to go back nearly 700 years to see the treasure of Hue urban heritage values ​​accumulated through historical periods to orient the way for the future. Hue Heritage Urban has been formed through the following stages:

• The period before 1558: the first inhabitants came to Thuan Chau land

• The period from 1558-1775: the migrations to find the land of Phu Xuan capital

• The period from 1802-1885: the plan to build the Capital has the largest scale and the most complete function in urban history.

• The period from 1885-1945: the southern expansion of the Perfume River formed a two-structure urban model: the Vietnamese quarter and the Western quarter.

• The period from 1945-1986: nature-war-planning economy (subsidy period) changed urban spatial structure towards filling urban voids.

• The period from 1986-1993: the formation of subdivisions and the isolation of the heritage in the spatial distance.

• 1993-present period: historical transformation plan to turn medium-scale urban-heritage into large-scale urban area (Thua Thien Hue City under the sixth central government of Vietnam).

Indeed, over a journey of nearly 7 centuries, Hue with its architectural appearance and heritage formed and developed over a long period of time with many historical changes has created a Hue city full of unique characteristics. distinctiveness in the cultural space of Ngu mountain-Perfume river. Hue urban structure identifies the Perfume River as the main layout axis that creates the shape of the Citadel and nurtures the human spirit of Hue. Yet the urban expansion of the late 20th and early 21st centuries has turned its back on the river, creating a pervasive urban structure, stretching and filling in precious gaps in the existing urban structure. 2. You have surveyed and studied many ancient cities, many ancient capital cities, what do you think is different from Hue compared to those ancient cities?

Arch.Ho Viet Vinh: I also had the opportunity to survey and research some heritage cities such as Kyoto-Japan, Siem Reap-Cambodia, Bali-Indonesia, Luang Phrabang-Lao, CapeTown-South Africa, Lyon-France, Casablanca-Morocco must recognize that each city has its own appearance, in harmony with the natural setting. The difference between Hue and these cities is the behavior between people and nature and between people and people. In such a way, the people of Hue have created a slow and relaxed way of life to achieve the wonderful harmony between Man and Nature.

3. What can we learn experiences from these ancient cities?

Arch.Ho Viet Vinh: These heritage cities preserve the form and spirit of the place of history at the time it was born, any interference in the development process is carefully considered not to do damage to the monument whether it is open space or landscaped terrain. The first and most valuable lesson for Hue is that the developed urban structure must accept the Perfume River as the layout axis and respect the central role of the Hue Citadel in the development in harmony with nature. The second lesson is that the concept of heritage adaptation needs to be placed in the context of the new urban environment that is a continuation between the past and the future. New construction within the influence of the heritage must inherit and highlight this continuity based on the spirit of place. Each work, cluster of works must be created based on the unique spirit of the Heritage City. Building a place must match the times, away from the habit of copying and imposing architectural models without selection.

4. How was the construction in that old city?

Arch.Ho Viet Vinh: I would like to mention the conservation and development plans of some heritage cities that Hue can refer to and study.

• The heritage city of Lyon (France): located on an oasis at the confluence of the Le Rhône and Saône rivers, the world heritage space is located on a part of this oasis and another part owned by the Saône river in the area. central position of the urban spatial structure. The traffic axes of the northern belt (péripherique du nord) and the southern belt (péripherique du sud) are located at two ends to avoid affecting this area. The enhancement of connectivity through continuous traffic axes between the historic center and the new urban area. The development model that combines the old and new structures on both sides of this river also ensures the parallel development and conservation goals of this contrasting heritage city.

• The heritage city of Venice (Italy): was selected to develop in a way that completely preserves the spatial structure based on the unique water transportation system in the world. New and old spaces are connected on the same system of canals, creating a common rhythm of spatial continuity as well as increasing the overall harmony. The modern transport system is located far away and ensures that it does not affect the completeness of the urban structure. The model that strictly preserves the compositional character has created a magical heritage city full of romance.

• Kyoto Heritage City (Japan): Kyoto Heritage City is developed sequentially and interlaced between old and new on the existing urban structure, ensuring a balance between construction and urban gaps. The city still preserves Temples-Pagodas-Temples located in the intact mountainous landscape to the east and west of the citadel built in the past, attaching the shape of religious works to the spiritual landscape of the mountains and forests. . Heritage buildings such as the Kyoto Imperial Palace, the old town, pagodas and temples are preserved intact the authenticity of history and spirit of the place. The modern urban area is harmoniously interwoven into the existing urban structure, creating a bustling atmosphere without creating pressure on the historical space.

• Amterdam Heritage City (Netherlands): The heritage city of Amterdam-Netherlands maintains a new system of co-structured canals that create a transitional space between the old urban part and the new urban part to enhance diversity. morphological form of urban space structure and ensure uniformity. 5. What factors help these ancient cities to retain their traditional characteristics while still integrating into modern times and successfully developing their economy in a sustainable way

Arch.Ho Viet Vinh: As I mentioned above, these heritage cities always respect the historical value created by previous generations, even though there are differences in views and attitudes towards the historical role. its history. After all, Heritage is the crystallization of the values ​​and efforts of the community on the ideological foundation of the ruling class, so preserving the heritage is like preserving the nation’s treasure for future generations. thinking and shaping the way for the future. Therefore, there is no antagonism between Conservation and development, conservation is the foundation of development and vice versa, development creates conditions for better conservation. The city is a living entity that moves and develops over time, the architectural heritage that is a component of it also moves and develops. Although the heritage itself does not change, the changing environment leads to a different perception of the heritage and becomes more and more attractive and valuable. Therefore, to manage the Heritage City, it also needs good, enthusiastic and brave people to make appropriate development policies and exploit the treasure value to serve humanity in the spirit of UNESCO, because The reason is that the Heritage is “unique”, there must be a “unique” Person to govern.

6. In order to get rid of the current stagnant situation, what should Hue ancient capital city do to look forward to the future where it can stand side by side with ancient cities in the region and in the world?

Arch.Ho Viet Vinh: In my opinion, it’s time to carry out a plan to rebuild the Heritage City based on the new idea of ​​a Hue City – 21st Century (referred to as Hue 21) developed in parallel with the Citadel. The heritage street in the continuity relationship receives the Perfume River as the main layout axis. This idea will help the Heritage City to escape from the “oil slick” development model of most urban areas in Vietnam, the consequences of which are the encroachment and distortion of historical spaces. In my Master’s thesis on Hue in 2001, I also outlined the shape of the spatial structure of Hue City in the 21st century with a linear urban model (about 8km in length and 2km in average width) located in the center of the city. symmetrically with the Citadel through the lower part of the Perfume River with an area of ​​about 1600 ha. The driving force of urban development extends 8km towards Thuan An estuary, this is an ecological avenue with modern landscapes combined with a network of rivers and canals spreading to the lower Huong River to create a new balance. between modern architectural works surrounded by village ecological environment. The waterways perpendicular to this boulevard were dug up to raise the foundation for construction areas according to traditional feng shui principles.

The urban structure is built according to the 21st century ecological urban model, suitable for new lifestyles and modes of living in order to complete the function of the Heritage City in the future. The concept of Landscape Urban (Paysage urbaine) of heritage city goes hand in hand with the concept of Village Urban (Village urbaine) of the 21st century – An era aimed at protecting the environment and improving the quality of life, perhaps the right choice for the future Hue (see outline diagram).

7. In your opinion, what has kept Hue City from developing? How to overcome that?

• Kyoto-Japan Heritage City has a natural area of ​​827 square kilometers, a population of 1,473,746 people, and an annual number of tourists 30 million, of which about 1.2 million are international visitors.

• The Bali-Indonesia heritage city has a natural area of ​​5,780 km2, a population of 4,225,384 people, the number of international tourists 3.5 million.

• The heritage city of Siem Reap-Cambodia has a natural area of ​​10,299 km2, a population of 896,309 people, and the number of international visitors 1.6 million.

• The Hue-Vietnam Heritage City has a natural area of ​​5,062 km2, a population of 1,115,523, the number of visitors 2.4 million, of which about 0.9 million are international visitors.

8. In your opinion, to attract Hue people and Hue lovers outside Hue, what should Hue City do?

Arch.Ho Viet Vinh: The 21st century is the era of a knowledge-based economy in which the role of good and dedicated professionals is respected and created favorable conditions for dedication. Hue is the land of talented people, so many outstanding Vietnamese people have lived, studied, worked and fell in love with Hue. Having the opportunity to live and work in this Nervous land must be the dream of young intellectuals to fulfill their future ambitions. The important issue that Hue leaders must do is to seek advice and truly respect and trust to entrust important tasks to the next generation, rather than looking for people with many qualifications. In order to help Hue in the construction of the ancient capital city, one must have vision (knowledge of the ancient city), heart (love Hue), and even money. In order to attract that partner, in Hue, it is necessary to have an equal leadership team, have specific regulations, have appropriate policies, and have strong charismatic people (Hue people in Hue do not lack these people). ) Help.

9. Thank you Mr.Ho Viet Vinh

Inspired by Professor Thai Kim Lan’s collection of more than 7000 ceramic artifacts recovered from the Perfume River, an idea was born to revitalize the artifacts to match their value. All ceramic products are born from the earth and mature through fire. The heat of the fire has hardened the earth to the test of time. Dark red painted steel will represent this tempering property. The contrasting pairs of hot-cold, hard-soft are applied in the language of placement to highlight the value of time and place.

Type:	Art Gallery
Year:	2019
Location:	Thai Kim Lan Garden house
Team:	Ho Viet Vinh Tran Thu Ha

For generations, the wood carving skills of Hue carpenters have been recorded in history. Embossed strokes on the arms, upper, piercing, tickle have revealed the subtlety that lies in each wood grain. The touch is really delicate, when the chisel touches the wood grain to remove the excess, the shape of the phoenix flowers and leaves appears in the emptiness of space. The touch of the wooden panel is not simple, the dual frame system creates a “layer overlap”, creating space depth, turning the limit into infinity. Thanks to these decorations, Hue’s palaces, temples, palaces, mausoleums and houses have transcended material limitations to reach the heights of emotional art to become a UNESCO World Heritage. The proud lies in the delicately carved soul of the talented craftsman from all over the country, wanting to offer beauty to the Buddhas, the Kings and the Ancestors.

Type:	Garden House
Year:	2012
Location:	Thu Duc City
Team:	Ho Viet Vinh Duong Dinh Vinh

Description

Exucuted in April 2020.

Styles

Lyrical Abstract

Technique

Acrylic on Canvas

Dimensions

97 Wx 130  H x 4 D cm

The authenticity of this work has been confirmed by the HVV Architect &Partners. A certificate of authenticity maybe delivered by the Company upon request to the buyer.

Vinhho Biography

Ho Viet Vinh, a Vietnamese, graduated with a Bachelor of Architecture degree in 1995 from the University of Architecture of Ho Chi Minh city, Viet Nam; he received the award for the creative design in the Final Year. He is a Registered Architect in Viet Nam and also a Registered Urban Planner in Ho Chi Minh city, as well as a Member of Association of Architects and Urban planners of Viet Nam. Ho Viet Vinh career began in 1995 when he did some competitions in Ho Chi Minh city. He becomes lecturer of Urban planning Department of University of Architecture in 1995. In 1998 He received second prize of international competition held by Summer workshop of Cergy Pontoise-France with subject “Ho Chi Minh city and Saigon river”. In 2005 He awarded special prize of international competition held by Summer workshop of Cergy Pontoise-France with subject “Can Gio Emotional city”. In 2010 he participated the International Visistor Leadership Program of USA in subject Sustainable Urban Planning. In 2015 He is choosen by Lebadang Creative Foundation to design the Lebadang Memory Space Museum in Hue.  It was at this time that He becomes Director of that Fund.

The high-class Condotel hotel complex creates a connection with the tourist landscape of Cap Saint-Jaques beach, connecting with the coast and surrounding urban public activities, creating an attractive destination for tourists and users. An open space with a variety of services will become a public space where shopping-entertainment-rest and relaxation activities will take place day and night. The complex of 2 towers with 40-storey and 10-storey service podiums with a total usable area of ​​up to 130,000 sq.m will create vibrancy for Cap Saint-Jaques beach city. Active spaces with expansive views of the sea will create a connection between the building and the surrounding beautiful landscape. All functional spaces are open and filled with sunlight, green grass and harmonize with the surrounding sky and deep blue ocean. The system of squares, flower gardens, waterfalls, green walls will create attractiveness for the project.

Type:	Highrise Tower
Year:	2016
Location:	Cap Saint Jacques
Team:	Ho Viet Vinh Pham Tu

The interlocking rock columns are arranged naturally,

Shoulder and shoulders depict rapids,

Standing likes the shape of the mountain,

Look down at the waves of the sacred place.

Ho Viet Vinh