“This is a project to preserve and develop the Mang Thit traditional brick and masonry heritage area, combining production space and water landscape. This area is planned into a contemporary product with different functional layers: preserving ceramic tile craft villages, expanding living space along the river and recreating the unique river landscape of the South. The multi-level dike approach helps maintain riverside living space, supports ceramic production and also develops eco-tourism, turning the area into a cultural and experiential destination for visitors.”

HVV Architect & Partners

Client:
Board of Civil and Industrial Construction Project Management – Vinh Long province People’ s Committee
Location:
Mang Thit dictrist, Vinh Long province, Vietnam
Size:
3.060 hectares
Services:
Masterplan
Status:
Approved on 2024
Team:
HVV Architect & Partners –  Urban Planning Institute

Intro
Mang Thit District, Vinh Long Province, is one of the few remaining localities in Vietnam that preserves a unique and extensive architectural complex alongside a traditional craft. This architectural ensemble comprises nearly 1,000 domed kilns, spanning over 3,060 hectares along the banks of the Thay Cai, Hoa My, Cai Nhum canals, forming a southern arc that extends to the Nhon Phu and Hoa Tinh canals within the district. This is truly a valuable treasure, shaped by over a century of cultural and technological exchange between Khmer, Kinh, and Hoa people, resulting in a distinctive architectural heritage and traditional craft. However, this treasure has not been fully recognized or appreciated.
Over the past decade, more than 1,000 kilns have been demolished, and the remaining kilns are deteriorating and face the imminent threat of complete destruction. Given this alarming situation, it is imperative and urgent to conduct research and develop solutions to preserve and promote this architectural complex and traditional craft.

Learning from the Past and Looking to the Future

Over 100 years of formation and development, the structure of the craft village ecological system have established with 6 main space, including: surface water, brickyard system, yards, storage, fruite garden and house, fields.

The system of canals and land has formed a distinctive, easily recognizable landscape. Rivers and canals flowing from Co Chien River along Thay Cai canal, going deep into agricultural areas, have determined the main landscape axes; Residents live along the canals, inside are fruit and vegetable gardens, and deeper are fields and aquaculture areas. The ecosystem associated with the brick kiln area has created a closed process in the production of Mang Thit red ceramic. This is a characteristic and value that needs to be preserved and promoted.

Adaptive conservation in continued development

Adaptive conservation in continued development – preserving the existence of production space heritage, symbiotic ecological space, and Southern garden development cultural heritage; These valuable materials and spiritual values ​​have been perfected during the development process, providing a contemporary breath and improving the quality of each space, gradually improving the quality of life of local people, so that their politics will gradually transform, reviving the soul of the place.
The heritage of Mang Thit – known as The Red Kingdom will be an interesting destination in Mekong Delta and should not be missed in your lifetime.

Zonning plan

No.1. Mixed-Use Development (Services – Tourism – Rural Residential): Approximately 347.91 hectares, with primary functions including residential development, mixed-use development (tourism services – rural residential), mixed-use development (services – urban residential), public services, public utility green spaces, specialized green spaces, other technical infrastructure, transportation, agricultural areas, and other functions.

No.2. Mixed-Use Development (Services – Urban Residential) along Co Chien River: Approximately 250.05 hectares, with primary functions including residential development, mixed-use development (services – urban residential), public services, public utility green spaces, specialized green spaces, heritage and religious sites, other technical infrastructure, transportation, agricultural areas, and other functions.

No.3.  My An – Hoa My Residential Area: Approximately 415.50 hectares, with primary functions including residential development, mixed-use development (services – urban residential), public services, public utility green spaces, specialized green spaces, heritage and religious sites, other technical infrastructure, transportation, agricultural areas, and other functions.

No.4. Cai Nhum Eco-Residential Area: Approximately 150.31 hectares, with primary functions including residential development, public services, public utility green spaces, other technical infrastructure, transportation, agricultural areas, and other functions.

No.5. My Phuoc Eco-Resort: Approximately 106.43 hectares, with primary functions including residential development, public services, public utility green spaces, tourism development, other technical infrastructure, transportation, agricultural areas, and other functions.

No.6.  My Phuoc Eco-Residential Area: Approximately 253.76 hectares, with primary functions including residential development, public services, public utility green spaces, specialized green spaces, heritage and religious sites, offices, other technical infrastructure, transportation, agricultural areas, and other functions.

No.7. Nhon Phu Eco-Residential Area: Approximately 309.78 hectares, with primary functions including residential development, public services, public utility green spaces, heritage and religious sites, offices, other technical infrastructure, transportation, agricultural areas, and other functions.

No.8. Hoa Tinh Eco-Resort: Approximately 198.23 hectares, with primary functions including residential development, mixed-use development (services – urban residential), public services, public utility green spaces, heritage and religious sites, offices, transportation, agricultural areas, and other functions.

No.9. High-Tech Agriculture Area: Approximately 1,028.03 hectares, with primary functions including residential development, public utility green spaces, tourism development, other technical infrastructure, transportation, agricultural areas, and other functions.

Master plan

The plan identifies 3 main development axes including:

• Mang Thit brick and ceramic kiln space at the center combined with service corridor along Co Chien river, agricultural experience corridor – traditional garden village along Cai Nhum river, high-end resort tourism corridor in the South;
• Mixed service axis – contemporary residential area in the Southern region of the West;
• The Eastern resort tourism axis will create motivation for development of the entire region.

The resort spaces around heritage area (My Phuoc eco resort, My Phuoc Eco-Residential area, Nhon Phu Eco-Residential Area, Hoa Tinh Eco-Resort) offer a variety of ecological, cultural and agricultural production experiences, taking the ceramic brick kiln area as inspiration for creativity.

With 5 gateways – 5 landscape architectural spaces typical of the Southern rivers and the ceramic brick kiln area, it will be an unforgettable, impressive identification point when visitors approach the ceramic brick kiln area by both Water transport and road transport.

Conclusion

This is a project to preserve and develop the Mang Thit traditional brick and masonry heritage area, combining production space and water landscape. This area is planned into a contemporary product with different functional layers: preserving ceramic tile craft villages, expanding living space along the river and recreating the unique river landscape of the South. The multi-level dike and heritage landscape approach helps maintain riverside living space, supports ceramic production and also develops eco-tourism, turning the area into a cultural and experiential destination for visitors.

Maison des Marais embodies the ethereal dance between the tangible and the intangible. The structure, elevated on stilts, mirrors itself in the serene waters, creating a dialogue with the reflections that blur the boundary between reality and illusion. The thatched roof and wooden textures harmonize with the surrounding marshland, evoking a sense of timelessness and serenity. This architectural poetry captures the essence of nature’s abstraction, where each element, seen and unseen, contributes to a symphony of spatial resonance, reflecting the invisible threads that weave through the fabric of existence.

The landscape architecture of the museum, spanning 16,000 square meters, is itself a full-scale “Lebadang Space” artwork. Paintings, sculptures, installations, and “Space” artworks by the world-renowned artist Lebadang are periodically rotated, with exhibition content and display methods meeting international standards.
The museum brings to life artist Lebadang’s dream of “an immense artwork, a cosmic landscape, a life in harmony with nature, and an eternal vision.” Its location in Hue, Vietnam’s ancient capital, embodies his aspiration for Hue to become the center of Vietnamese contemporary art and culture in the 21st century.

“Đường mòn lối nhỏ  lượn vòng quanh
Trăm hoa đua nở khoe hình sắc 
Thấp thoáng hương quê gió nội đồng
Toàn chân đón cảnh mây trời hiện
Một chốn tiên bồng giữa thế gian.”

“Small paths that revolve around
Hundreds of flowers in bloom
Village hidden behind rice fields
Flying clouds in the sky
What a great place. ”
Architect Ho Viet Vinh

Le Ba Dang Memory Space reimagines the image of Co Loa as a unique creation of the Vietnamese spirit. Emotions are etched into the landscape like a giant painting. The winding pathways lead us into a vivid tapestry of reality, where people and nature merge as one. The soul finds peace, and emotions flow freely.
Brilliant flowers bloom, birds chirp joyously, the breeze carries drifting clouds, and every element resonates with authentic sounds, drawing our minds back to the dreams of childhood.

Type
Museum
Year
2019
Location
Huong Thuy, Hue
Team
Ho Viet Vinh, Tran Thanh Hai, Le Van Thoi, Ngo Dang Linh
Civil Engineer
Nam Viet
Contractor
Rickenbach Development and Construction
Interior Designer
Eric Mignagd
Lighting Designer
Elek Co, Ltd
Photographer
Dalo lab
Structural Engineer
Nam Viet

Press
ART REPUBLIK 1, Elitism for all, Spring-Summer 2020

Youtube
LeBaDang Memory Space – Contemporary Art in Hue – An article by Dalo Studio on Youtube via the link.

Nestled gracefully above tranquil waters, Maison de l’Eau embodies the harmonious blend of modern architecture and nature. Its unique curved design, crafted from warm wood, invites sunlight to dance through expansive windows, offering breathtaking views of the surrounding forest. This serene retreat not only provides a peaceful sanctuary but also celebrates sustainable living, encouraging a deep connection with the environment. Maison de l’Eau stands as a testament to the beauty of simplicity, where every curve and corner reflects the gentle flow of nature, creating a perfect balance between comfort and elegance.

The marina lifestyle has its own allure, and life at Marina Saigon Villa elevates it to a unique experience, allowing you to savor life your way. Even if you’ve never owned a yacht before, you’ll seamlessly join the circle of enthusiasts reminiscent of 19th-century European aristocrats.
From the marina, where every villa boasts its own sparkling turquoise sails, you can personally navigate your yacht to capture moments of emotional conquest and freedom.
Each time you step aboard, you’ll realize that time ceases to be an obstacle. Whether heading to the trading center or the stock exchange in the heart of Saigon Trade Center, the journey is effortless.
In just a few minutes, you’ll arrive at your favorite golf course. Within 30 minutes, you can sail across the Saigon River to breathe the fresh air of Can Gio, a UNESCO Biosphere Reserve, or head upstream to explore the historic Cu Chi tunnels—or venture anywhere your heart desires.
Experience the unparalleled beauty of the vast riverscape and open skies, where every journey is an adventure waiting to unfold.

Type
Residential
Year
2015
Area
20 hectares
Location
District 2, Ho Chi Minh City
Team
Ho Viet Vinh
Tran Thanh Hai
Nguyen Dinh Nhat Thu
Truong Anh Thu

Phu Doan Plaza, located at the Thua Thien Hue Provincial People’s Committee (also known as City Hall), is a vibrant and modern interpretation of Hue’s identity as an ancient capital. Today, the plaza serves as an inclusive outdoor hub of Hue’s cultural and social life, but this was not always the case.
Before its renovation, the plaza was an uninviting and inaccessible space, characterized by uneven terraces, hidden passageways, and neglected trees. The transformation elevated the park—both literally and symbolically—to match its prominent location at the foot of Hue City Hall.
The plaza now offers universal accessibility by leveling the entire site to meet the street, encouraging activity throughout the day. It features a spacious lawn, an interactive fountain, a café, and ample seating amid green groves of native plants such as Bombax ceiba (cây gạo), Borassus flabellifer (cây thốt nốt), Laurus nobilis (cây nguyệt quế), Cinnamomum camphora (cây long não). Built atop Hue City Center’s multi-modal transit hub, it acts as a gateway connecting all neighborhoods.
Covering 8,190 square meters, the plaza provides a welcoming, all-season destination for relaxation and public recreation.

Type
Landscape design
Year
2020
Location
Hue city, Vietnam
Team
Ho Viet Vinh
Ngo Hai Tan
Duong Thi Thanh Thanh
Nguyen Dinh Nhat Thu

Hồ Viết Vinh 29.12.2024 (Commemorating the announcement of the resolution establishing Huế as a centrally governed city)

Legend, memory, and romance breathe life into the Ancient Capital of Huế.
Huế stands as one of the rare ancient capitals in urban history, crafted with emotion; it embodies unique human values and serves as a perfect bridge between humanity and the cosmos. As one wanders through its Imperial City, a poetic soul seems to linger, inviting reflection. Time flows slowly here, awakening seeds of love that draw us back to childhood memories. Every street corner, every road, and every structure is steeped in nostalgia and gently dusted by time. Each architectural masterpiece tells its own historical tale, weaving the legend of this Sacred Land. The poetic city of Huế manifests not only in its physical form but also in the mythical tales surrounding its river’s origins. Whether these stories bring joy or sorrow, they remain an integral part of us. The endless inspiration for love that creates this poetic city originates from the Perfume River and Ngự Bình Mountain. Cao Bá Quát once likened the Perfume River to: “A long river standing like a sword in the blue sky.”

Huế: A land of Legends, with its tangible and intangible cultural heritage of the Chăm community. From the Phú Diên Tower and Hòn Chén Temple to the Thành Lồi Citadel, these are remnants of the Champa Kingdom in Huế. The influence of Chăm aesthetics in music, architecture, sculpture, and cuisine is distinctly evident in Huế’s cultural treasures.

Huế: A land of Memory, continuing the legacy of the Tây Sơn and Nguyễn dynasties, both glorious and tragic. With nine Lords and thirteen Nguyễn emperors, it formed the land of Thuận Hoá over 720 years, contributing eight cultural heritages to the world.

Huế: A land of Romantic Wisdom. The great intellectuals of Vietnam in modern history were directly or indirectly influenced by the magnificent and splendid culture of Thuận Hoá-Phú Xuân.

Today, Huế has reclaimed its position as a unique cultural center of Vietnam and Asia, embodying the nation’s spirit of integration to enrich its treasury of wisdom and romance for enduring values. The journey is carried by the love for the homeland and the wisdom of the era, crafting a new visage worthy of history and the times. A message both affirming and reminding us not to forget, as playwright Đào Tấn expressed: “Together we drink the waters of the Perfume River, yet none comprehend its fragrant essence.”

On the evening of December 29, a ceremony was held at Ngo Mon Square in Hue City to announce the National Assembly’s resolution establishing Hue as a centrally governed city. Hue is now the sixth centrally governed city in Vietnam.

Spiritual Sustainability as the Core Essence

For Architect Hồ Viết Vinh, a sustainable structure must encompass multiple dimensions: structural sustainability, environmental sustainability, aesthetic sustainability, and cultural sustainability. Yet, there is one essential, foundational element that underpins them all: spiritual sustainability. One of his upcoming and most cherished projects currently in development is the Trịnh Công Sơn Park in the ancient capital of Huế.

Guided by a philosophy of holistic sustainability, Hồ Viết Vinh has crafted unique architectural works such as Lebadang Memory Space and more recently, the Coral House in Hồ Tràm.

Could you share more about the milestones that have shaped your 25-year career?
I can summarize my more than 25 years of navigating this profession—full of challenges—into four stages: searching, understanding, contemplation, and practice.
The first stage took me around five years. I was seeking a way to survive in this field, with much effort but little clarity beyond earning a living.
The second stage arrived when I realized that architecture demands not only physical effort but also profound intellectual engagement.
The third stage was contemplation—reflecting on the distinct values that drive creativity. This was perhaps the most challenging period. It required me to relinquish things I had painstakingly gathered over time, clearing my mind to make space for the new.
Finally, the fourth stage is practice—not merely following thought processes, but letting intuition and wisdom guide my actions.

Your design philosophy seems inspired by Buddhist thought, correct?
Yes, indeed! The teacher who profoundly influenced my design philosophy is Thích Nhất Hạnh from Làng Mai (Plum Village), with his wisdom of interbeing (tương tức). According to Thích Nhất Hạnh, interbeing means: “If we understand that humans and nature are inseparable, we will know how to treat nature as we would treat ourselves—with care, gentleness, and love, free from violence. If we don’t want to harm ourselves, we should not harm nature, for harming nature is ultimately harming ourselves, and vice versa.”

How do you incorporate the concept of emptiness in your architectural works?
In essence, space is defined by emptiness. Without emptiness, there is no space. We must distinguish between the concepts of empty/full and open/closed. The former refers to spatial density, while the latter concerns the degree of openness to the external environment.
Emptiness is where dialogues unfold—between humans and nature, between individuals, and between oneself and the spiritual realm. It is a void that leads to infinite transformation and change.

What is your perspective on sustainable architecture? What, in your view, is the primary factor that defines sustainability?
When discussing sustainability, we must ask: sustainable in what sense? Is it structural, environmental, aesthetic, or cultural sustainability? Today, most conversations focus on environmental sustainability, as we face the brink of ecological destruction.
In my perspective, a truly sustainable structure must integrate all four aspects, with an additional core foundation: spiritual sustainability. This form of sustainability is rooted in an intuitive understanding of the fundamental truth of life on Earth—harmony, where all beings support one another to coexist.

“Architecture is a part of nature, and thus, it must harmonize with its surroundings. Light, wind, rain, storms, and even insects are all guests of the space.”

Is there a project that best embodies your design philosophy?
That would be the Lebadang Memory Space in Huế. This space is a harmonious blend of three elements: nature, form, and poetry. Nature includes the creations of the Earth—trees, flowers, rivers, skies, stones, humans, and animals. Form is defined by lines, shapes, colors, and materials that shape the space. Poetry is the soul that breathes life into it, creating a space that resonates with both the physical and the spiritual.

The thread that connects natural elements with the crafted form is poetry—a melody that flows from the primordial, carrying with it layers of cultural sediment, merging with the rhythm of life to shape the memory of time.

An Architect who has influenced you?
That would be Peter Zumthor, the renowned Swiss architect known for his famous quote:
“To design buildings that captivate the senses, architects must transcend the limits of form and structure.”

What experience do you consider most important for an architect like yourself?
Architecture came to me as destiny. Therefore, every experience carries its own value—there is no good or bad experience.
However, one pivotal experience stands out as a turning point in my creative journey. In 2005, I had the opportunity to participate in the 8th International Creative Competition organized by Les Ateliers Internationaux de Maitrise d’Oeuvre Urbaine Cergy Pontoise in France.
The competition brought together nearly 40 architects, urban planners, economists, managers, and environmental specialists from 17 countries. The theme was Ecological Tourism Urbanism in Cần Giờ (Can Gio entre ville ecologique et destination touristique).
Our project, titled “The City of Distinct Emotions” made a powerful impression on the jury and won the Special Award.

What is your perspective on materials in architecture? Are you experimenting with any specific materials?
Materials play a vital role in evoking aesthetic emotions within architectural spaces, alongside form and design language. Under the influence of light, these three elements harmonize to create the texture of space.
In my architectural designs, I place particular emphasis on exploring and incorporating local materials. These materials infuse spaces with the spirit of the place, giving them a unique identity and soul.

Could you share more about an upcoming project you are excited about?
A project I hold dear and that is currently being developed in Huế is the Trịnh Công Sơn Park.
Located at the confluence of three rivers, it rests against the Gia Hội Ancient Quarter, gazes upon the Hương River, and looks towards Ngự Bình Mountain as its front shield, with the Kim Phụng Range stretching across the landscape. This harmonious geographical setting provides the perfect foundation for the park in the heart of the ancient capital.
The park spans approximately 6.2 hectares and stretches nearly 1 kilometer along the lower reaches of Hương River, surrounded by water landscapes. Its structure is divided into two main sections: (1) The Space of “The Great Circle of Unity“ (20,000 m²); (2) The Musical Garden Space (42,000 m²).
The Great Circle of Unity is designed around the symbol of the Vietnamese Embrace, forming a double-layered circle representing the Fields of Vietnam. This concept draws inspiration from Trịnh Công Sơn’s musical longing for peace.
At its heart stands the statue of Trịnh Công Sơn, with a poised and serene posture, emerging from the landscape like a mountain standing tall. He becomes a symbol of the nation’s desire for unity, love for humanity, and a reflection on the human condition.
Every step into this space echoes with the uplifting and refreshing melodies of his music. It invites us to connect, hand in hand, forming a unified entity called Vietnam.
The Musical Garden Space, on the other hand, captures the lingering melodies of nature. Here, one can sense the gentle whispers of grass, flowers, birds, and the vibrant life that surrounds us—a symphony of nature’s tender serenade.

See the original article at the link.

Triumph

The interplay of deep reds and blues evokes a cosmic dance, where the intangible whispers its presence across the surface of being. This visual symphony captures the essence of triumph, a celebration of the invisible forces shaping reality. The textures and hues blend seamlessly, creating a sense of depth that invites contemplation. It is a portrayal of the silent dialogue between the visible and the invisible, a testament to the power of abstract art to reveal the profound mysteries of the universe.