GLINT - Ho Viet Vinh Architect & Partners

GLINT

The interplay of these hues, it conjures images of a visual symphony, each segment of the painting whispering a different melancholic melody or vibrant cheer. This piece truly captures the ineffable ‘glint’ of emotions.

Ho Viet Vinh

Next project | Majestic Hotel Renovation

Established by the Hui-Bon-Hoa Company (owned by a Chinese-Vietnamese businessman known as Uncle Hoa), the hotel is located at the corner of Catinat Street (now Dong Khoi Street) and Quai de Belgique Street (now Ton Duc Thang Street). Designed in the popular baroque architectural style of the time, the hotel became one of Saigon’s most elegant and impressive buildings upon its completion in 1925.
The Majestic initially had three stories and 44 bedrooms, as per the original design by a French architect. In 1948, the Indochina Tourism and Exhibition Department, led by the Frenchman Franchini Mathieu, purchased the ground and first floors of the hotel and leased 44 rooms for 30 years.
The hotel was officially rated as a five-star establishment in 2007. In July 2011, construction began on two new towers along Nguyen Hue Street, adding 353 rooms to the hotel.
However, over time, the usage of the space and the integration of modern equipment have diminished the building’s original value. The goal of the redesign and renovation is to restore its luxury and evoke the essence of the famous Indochinese architectural style, reminiscent of old Saigon.

Next project | A Dialogue Between Humanity and Nature Through the Duo Exhibition “Biophilia and Naturalis”

Installation view of “Biophilia and Naturalis”
Source: saigoneer.com

Amid the chaos of modern life and urban development, where humans are in constant, fast motion, nature is an important element to remind ourselves of and return to. In this duo exhibition by Patricia vd Moreen and Devon Nguyen, we find ourselves stepping into another world filled with harmony between humanity and nature.
“Biophilia and Naturalis” features the most recent works by two unique artists. Works of oil paintings and ceramics call to mind living entities glowing in the darkened space and reveal the connection between humanity and nature. While Patricia’s works highlight the concept of Naturalism, Devon’s works speak for the concept of Bipholia, which emphasises the harmony between humans and nature.

Installation view of “Biophilia and Naturalis
Source: saigoneer.com
Works by Devon Nguyen (left) and Patricia vd Moreen (right)
Source: saigoneer.com
Architect Ho Viet Vinh and the artist at the exhibition.

To read the full article by Saigoneer, please click on this link.

Next project | RETREAT HOME, Ben Tre city, Vietnam

Retreat home, nestled quietly under the canopy of the coconut forest.

Nestled quietly under the canopy of the coconut forest swaying in the gentle breeze, the simple house comes into existence thanks to the reflections of the dawn sunlight. The house has a simple modern look, inheriting the shape of a traditional house with 3 compartments and 2 wings, with a large veranda surrounding it. The veranda is a transitional space and acts as a climate regulator for the whole house. Not only that, but it is also a place where countless activities connect people with the surrounding open space. The rooms all open to the garden and the doorways pull the garden into its deepest recesses. The nuanced transitions of time and space also take place in the cut of this patio.

The house has a simple modern look, inheriting the shape of a traditional house with 3 compartments and 2 wings, with a large veranda surrounding it.
The nuanced transitions of time and space also take place in the cut of this patio.

Next project | Zen Garden

Listenning to the rain patio

The Zen garden embodies the essence of nature, situated within a coniferous forest, where it bathes in the morning sunlight and is immersed in the cool breeze of the nearby beach. Visitors move freely within its open space, unbound by fixed positions or traditional frames of reference.
Movement transcends notions of interior and exterior, high and low. Heaven and earth, plants, flowers, and humans merge into one harmonious whole, where every step resonates with the breath of the pure land.

Shadow of Light
Breath of Stone
Reincarnation

Next project | VOICES of NATURE

Bathing in the mist of the mountains and forests, we are like super crooked footsteps. Overconfidence has given way to humble trembling. Following the breath we look back at the decaying frame of the mythical years. I falter, bowing my head not to beg, but to apologize for the unruly bare-headed man.

Voices of nature

The melodious reverberation of the mountains and forests,
Clouds cover the rising sun,
I silently curled up in the wind,
Absorb the mist of the dawn light.

Âm vang núi rừng

Du dương vọng tiếng hoà ca rừng núi,
Mây ngập tràn che khuất mặt trời lên,
Ta lặng im cuộn mình trong làn gió,
Men hơi sương ngút ngọn ánh bình minh.

Ho Viet Vinh, Dalat 2021

Next project | Hue ancient capital looks to the future

Tam Giang Lagoon panorama-Photo: Vinhho

How to build Hue ancient capital city? The question has been raised since the day the Nguyen Dynasty relic in Hue was recognized as a world heritage site by Unesco, especially since the day Hue was decided by the Nation as a typical Festival City, many seminars also mentioned, but until now, no idea has been recognized. It is known that Architect Ho Viet Vinh is a Hue hometown, is teaching at the University of Architecture in Ho Chi Minh City, has done a Master’s thesis about Hue, has many construction works for Vietnam in the 21st century. He has the opportunity to study many ancient capital cities, many ancient cities of the continents of Europe, Asia, America, Australia, Africa, TTH newspaper asked him these questions.

1. TTH newspaper. New spring is coming, TTH newspaper is very happy to meet you. Knowing you are a Hue’s hometown, having studied planning and architecture of the Nguyen Dynasty, could you please tell me what you are thinking about Hue City today?

Arch.Ho Viet Vinh: Hue-The Heritage City is in the process of expanding its boundaries and transforming urban spatial structure. From a strictly ordered city on a large area stretching from the Royal Capital to the villages, gradually transitioning to an irregular and chaotic urban structure. Therefore, the disturbances in urban spatial organization are causing concerns for residents, tourists and even urban experts. An issue placed on the conference table that still has no satisfactory solution is whether this is a normal change of a Heritage City on the path of integration and development or a deviation in orientation. this particular urban development. For a valid argument, we need to go back nearly 700 years to see the treasure of Hue urban heritage values ​​accumulated through historical periods to orient the way for the future. Hue Heritage Urban has been formed through the following stages:

• The period before 1558: the first inhabitants came to Thuan Chau land

• The period from 1558-1775: the migrations to find the land of Phu Xuan capital

• The period from 1802-1885: the plan to build the Capital has the largest scale and the most complete function in urban history.

• The period from 1885-1945: the southern expansion of the Perfume River formed a two-structure urban model: the Vietnamese quarter and the Western quarter.

• The period from 1945-1986: nature-war-planning economy (subsidy period) changed urban spatial structure towards filling urban voids.

• The period from 1986-1993: the formation of subdivisions and the isolation of the heritage in the spatial distance.

• 1993-present period: historical transformation plan to turn medium-scale urban-heritage into large-scale urban area (Thua Thien Hue City under the sixth central government of Vietnam).

Indeed, over a journey of nearly 7 centuries, Hue with its architectural appearance and heritage formed and developed over a long period of time with many historical changes has created a Hue city full of unique characteristics. distinctiveness in the cultural space of Ngu mountain-Perfume river. Hue urban structure identifies the Perfume River as the main layout axis that creates the shape of the Citadel and nurtures the human spirit of Hue. Yet the urban expansion of the late 20th and early 21st centuries has turned its back on the river, creating a pervasive urban structure, stretching and filling in precious gaps in the existing urban structure. 2. You have surveyed and studied many ancient cities, many ancient capital cities, what do you think is different from Hue compared to those ancient cities?

Arch.Ho Viet Vinh: I also had the opportunity to survey and research some heritage cities such as Kyoto-Japan, Siem Reap-Cambodia, Bali-Indonesia, Luang Phrabang-Lao, CapeTown-South Africa, Lyon-France, Casablanca-Morocco must recognize that each city has its own appearance, in harmony with the natural setting. The difference between Hue and these cities is the behavior between people and nature and between people and people. In such a way, the people of Hue have created a slow and relaxed way of life to achieve the wonderful harmony between Man and Nature.

3. What can we learn experiences from these ancient cities?

Arch.Ho Viet Vinh: These heritage cities preserve the form and spirit of the place of history at the time it was born, any interference in the development process is carefully considered not to do damage to the monument whether it is open space or landscaped terrain. The first and most valuable lesson for Hue is that the developed urban structure must accept the Perfume River as the layout axis and respect the central role of the Hue Citadel in the development in harmony with nature. The second lesson is that the concept of heritage adaptation needs to be placed in the context of the new urban environment that is a continuation between the past and the future. New construction within the influence of the heritage must inherit and highlight this continuity based on the spirit of place. Each work, cluster of works must be created based on the unique spirit of the Heritage City. Building a place must match the times, away from the habit of copying and imposing architectural models without selection.

4. How was the construction in that old city?

Arch.Ho Viet Vinh: I would like to mention the conservation and development plans of some heritage cities that Hue can refer to and study.

• The heritage city of Lyon (France): located on an oasis at the confluence of the Le Rhône and Saône rivers, the world heritage space is located on a part of this oasis and another part owned by the Saône river in the area. central position of the urban spatial structure. The traffic axes of the northern belt (péripherique du nord) and the southern belt (péripherique du sud) are located at two ends to avoid affecting this area. The enhancement of connectivity through continuous traffic axes between the historic center and the new urban area. The development model that combines the old and new structures on both sides of this river also ensures the parallel development and conservation goals of this contrasting heritage city.

• The heritage city of Venice (Italy): was selected to develop in a way that completely preserves the spatial structure based on the unique water transportation system in the world. New and old spaces are connected on the same system of canals, creating a common rhythm of spatial continuity as well as increasing the overall harmony. The modern transport system is located far away and ensures that it does not affect the completeness of the urban structure. The model that strictly preserves the compositional character has created a magical heritage city full of romance.

• Kyoto Heritage City (Japan): Kyoto Heritage City is developed sequentially and interlaced between old and new on the existing urban structure, ensuring a balance between construction and urban gaps. The city still preserves Temples-Pagodas-Temples located in the intact mountainous landscape to the east and west of the citadel built in the past, attaching the shape of religious works to the spiritual landscape of the mountains and forests. . Heritage buildings such as the Kyoto Imperial Palace, the old town, pagodas and temples are preserved intact the authenticity of history and spirit of the place. The modern urban area is harmoniously interwoven into the existing urban structure, creating a bustling atmosphere without creating pressure on the historical space.

• Amterdam Heritage City (Netherlands): The heritage city of Amterdam-Netherlands maintains a new system of co-structured canals that create a transitional space between the old urban part and the new urban part to enhance diversity. morphological form of urban space structure and ensure uniformity. 5. What factors help these ancient cities to retain their traditional characteristics while still integrating into modern times and successfully developing their economy in a sustainable way

Arch.Ho Viet Vinh: As I mentioned above, these heritage cities always respect the historical value created by previous generations, even though there are differences in views and attitudes towards the historical role. its history. After all, Heritage is the crystallization of the values ​​and efforts of the community on the ideological foundation of the ruling class, so preserving the heritage is like preserving the nation’s treasure for future generations. thinking and shaping the way for the future. Therefore, there is no antagonism between Conservation and development, conservation is the foundation of development and vice versa, development creates conditions for better conservation. The city is a living entity that moves and develops over time, the architectural heritage that is a component of it also moves and develops. Although the heritage itself does not change, the changing environment leads to a different perception of the heritage and becomes more and more attractive and valuable. Therefore, to manage the Heritage City, it also needs good, enthusiastic and brave people to make appropriate development policies and exploit the treasure value to serve humanity in the spirit of UNESCO, because The reason is that the Heritage is “unique”, there must be a “unique” Person to govern.

6. In order to get rid of the current stagnant situation, what should Hue ancient capital city do to look forward to the future where it can stand side by side with ancient cities in the region and in the world?

Arch.Ho Viet Vinh: In my opinion, it’s time to carry out a plan to rebuild the Heritage City based on the new idea of ​​a Hue City – 21st Century (referred to as Hue 21) developed in parallel with the Citadel. The heritage street in the continuity relationship receives the Perfume River as the main layout axis. This idea will help the Heritage City to escape from the “oil slick” development model of most urban areas in Vietnam, the consequences of which are the encroachment and distortion of historical spaces. In my Master’s thesis on Hue in 2001, I also outlined the shape of the spatial structure of Hue City in the 21st century with a linear urban model (about 8km in length and 2km in average width) located in the center of the city. symmetrically with the Citadel through the lower part of the Perfume River with an area of ​​about 1600 ha. The driving force of urban development extends 8km towards Thuan An estuary, this is an ecological avenue with modern landscapes combined with a network of rivers and canals spreading to the lower Huong River to create a new balance. between modern architectural works surrounded by village ecological environment. The waterways perpendicular to this boulevard were dug up to raise the foundation for construction areas according to traditional feng shui principles.

The urban structure is built according to the 21st century ecological urban model, suitable for new lifestyles and modes of living in order to complete the function of the Heritage City in the future. The concept of Landscape Urban (Paysage urbaine) of heritage city goes hand in hand with the concept of Village Urban (Village urbaine) of the 21st century – An era aimed at protecting the environment and improving the quality of life, perhaps the right choice for the future Hue (see outline diagram).

Hue Urban morphology

7. In your opinion, what has kept Hue City from developing? How to overcome that?

Arch.Ho Viet Vinh: Hue urban architectural heritage is the diversity of spatial forms formed through historical periods, including: the system of Palace and Palace of the Nguyen Chua, Thanh Ha commercial port area, and neighborhoods. Bao Vinh town, Imperial City area, Nguyen King’s Tomb area, east commercial area of ​​the Citadel, Kim Long-Vi Da garden house, Western quarter, multi-functional commercial street formed on the background of the locality. Spatial morphology of the Nui Ngu-Perfume River region. However, due to many reasons, the urban heritage fund is being degraded due to the invasion of time and the lack of human intervention. Even the efforts to restore and recreate the heritage in the region are expensive but do not bring vitality to the monument, in addition, the new construction without a strategic vision is turning Hue into a “popular city”. . According to a survey of tourists who come to Hue for the first time, they do not want to return because the attractiveness of the Heritage City is dwindling. Therefore, Hue Heritage City is currently losing its attractiveness in the competition between domestic and international heritage cities, statistics show this correlation:

• Kyoto-Japan Heritage City has a natural area of ​​827 square kilometers, a population of 1,473,746 people, and an annual number of tourists 30 million, of which about 1.2 million are international visitors.

• The Bali-Indonesia heritage city has a natural area of ​​5,780 km2, a population of 4,225,384 people, the number of international tourists 3.5 million.

• The heritage city of Siem Reap-Cambodia has a natural area of ​​10,299 km2, a population of 896,309 people, and the number of international visitors 1.6 million.

• The Hue-Vietnam Heritage City has a natural area of ​​5,062 km2, a population of 1,115,523, the number of visitors 2.4 million, of which about 0.9 million are international visitors.

The most common point is that the main economic activities of these Heritage Cities are tourism and activities related to exploiting tourism services to serve and satisfy visitors. In the competition for attractive destinations, the Cities will attract tourists and ensure an annual growth of over 10%. Many conferences and seminars have mentioned the weakness of Hue tourism industry and pointed out many reasons leading to this situation, but two important factors can be clearly seen: in planning The economic development strategy of Thua Thien Province has not yet considered tourism as a spearhead economic sector and has not had suitable measures to enhance the attractiveness of tourism products to serve the needs of domestic and foreign tourists. countries in competition with destinations in the region and the world. Although Hue is a national festival city, cultural activities are held every 2 years in the form of theatrical organization which is difficult to attract people and tourists. In addition, people still stay out of these festival activities because the organization is still heavily directed by the government and lacks the encouragement of participation from the local community – an important factor. keep the soul of cultural festivals in Heritage Cities.

8. In your opinion, to attract Hue people and Hue lovers outside Hue, what should Hue City do?

Arch.Ho Viet Vinh: The 21st century is the era of a knowledge-based economy in which the role of good and dedicated professionals is respected and created favorable conditions for dedication. Hue is the land of talented people, so many outstanding Vietnamese people have lived, studied, worked and fell in love with Hue. Having the opportunity to live and work in this Nervous land must be the dream of young intellectuals to fulfill their future ambitions. The important issue that Hue leaders must do is to seek advice and truly respect and trust to entrust important tasks to the next generation, rather than looking for people with many qualifications. In order to help Hue in the construction of the ancient capital city, one must have vision (knowledge of the ancient city), heart (love Hue), and even money. In order to attract that partner, in Hue, it is necessary to have an equal leadership team, have specific regulations, have appropriate policies, and have strong charismatic people (Hue people in Hue do not lack these people). ) Help.

9. Thank you Mr.Ho Viet Vinh

Architect Ho Viet Vinh

Next project | Ruộng thức

Bước đi trên thửa ruộng, một bên đang chín vàng và một bên tuổi mười sáu, lòng như bước vào một ngã rẽ thời gian. Vựa lúa đồng bằng không ngủ để mang thóc gạo đến các hải cảng, để chuyển đến nơi cần đến. Vậy mà nó không một khoảng lặng nghỉ ngơi giữa các mùa vụ để hồi sinh. Ngày xưa, người dân cho đất nghỉ sau các mùa vụ canh tác; thế mà giờ đây nó phải đầu tắt mặt tối, phải gồng gánh sức nặng của mưu sinh. Một khi không được nghỉ ngơi vào mùa nước tràn đồng thì đất sẽ suy kiệt do không ngậm được phù sa, cái thưở mùa nước nổi cả đồng bằng như vào một ngày hội lớn: sự tất bật tạm lắng lại để tiếng cười và tiếng thở của đất được rền vang và hồi phục. Giờ đây, đến mùa nước nổi, cánh đồng vẫn vậy, nước không tràn qua đê bao bảo vệ mùa vụ. Dòng phù sa được ví như dòng sữa mẹ nuôi dưỡng vùng Châu thổ thì giờ đây đã cuộn cuộn chảy ra biển tạo thành các cù lao, ụ nổi ngăn đường ra biển lớn.

Ruộng thức là trăn trở và tâm sự của một vùng châu thổ trù phú đất ngậm phù sa một thời.

KTS. Hồ Viết Vinh
Photo by Vinhho @thalatravinh 2024

Next project | Garden of Eden

Garden of Eden

The Garden of Eden is an embodiment of the invisible woven into the fabric of existence. Its design reflects a poetic dialogue where nature’s abstraction meets architectural form. The undulating lines and textured surfaces echo the silent whispers of the earth, creating a harmonious interplay between light and shadow. This spatial composition blurs the boundaries of the tangible, inviting contemplation of the unseen. Through the use of natural materials and organic forms, the garden becomes a sanctuary of tranquility, mirroring the serene and introspective essence of the divine landscape.

Garden of Eden
HVV Architect & Partners with AI supported

Next project | MIỀN TUỆ UYỂN – TUE GIAC MONASTERY

“The beauty of the four seasons helped him heal his mind and heart from the wounds of war. The peaceful and wholesome atmosphere of the campus helped him have many deep insights, flowers, and fruits of the practice. Perhaps that is why Thay always remind us that nature can help us heal ourselves.”

Zen master Thich Nhat Hanh – [At home in the World]

Location:
Tan Binh commune, Nhu Xuan District, Thanh Hoa Province, Vietnam
Size:
1,53 hectares
Services:
Master plan, Architecture and Interior design
Status:
Approved Master plan at scale 1/500, 2024
Under construction.
Team:
HVV Architect & Partners

Intro

As our society advances and technology continues to evolve, our quality of life has seen remarkable improvements. Yet, the desire for relaxation, tranquility, and a deeper connection with oneself has become a fundamental part of our daily existence. This need is increasingly pressing, given the rising prevalence of mental health challenges like stress and anxiety.
The relentless pace of modern life, combined with the pressures of work, often leads to heightened stress, anxiety, and various mental health concerns. Taking a moment to pause and breathe can offer us a valuable chance to reconnect with nature and reflect on ourselves. Nature holds a profound healing power: when our minds are no longer disrupted by the constant noise of traffic, when our emotions are no longer constrained by concrete jungles, and when we can breathe clean, unpolluted air, we experience true inner peace. Immersed in nature, we rediscover the serenity that lies within our souls.
Thus, creating a meditation retreat that harmonizes with nature is essential. This sanctuary will offer a tranquil haven where individuals can find solace, cultivate mindfulness, practice meditation, heal their souls, and share positive values with the world.

Site location

Tue Giac Zen Monastery is located northwest of Song Muc Lake – in Ben En National Park, Tan Binh Commune, Nhu Xuan District, Thanh Hoa Province; The distance from this area to Tho Xuan airport is about 143374ft along National route 15.

Song Muc Lake | Source: internet
Ben En | Source: HVV, supported by AI

The planned research area features a convergence of hillside topographical elements, with valleys and lakes nestled below. It is a location that boasts pristine natural landscapes. Furthermore, the terrain’s structure and geomorphology provide many sites with expansive, diverse, and breathtaking views.

Design principles

Master plan

To create a space for returning, studying, and practicing the teachings of Buddhism, cultivating virtue, and enhancing moral awareness. A place that offers a harmonious environment with nature, where individuals can engage in meditation, seek enlightenment, and liberate themselves from the afflictions and suffering of life.

The architectural layout harmonizes seamlessly with the natural terrain, incorporating a variety of structures within distinct spaces to create visual appeal. The pagoda, meditation hall, main hall, guest house, and dining hall are arranged in a descending terraced formation. The design employs overlapping and rhythmic elements, offering dynamic perspectives from different viewpoints and highlighting the surrounding natural beauty of the mountains, lakes, and cliffs. The architecture, landscape, and on-site activities are interwoven in a cohesive and fluid manner.

“Light from Above| Source: HVV, supported by Ai

Next project | Artist Ca Le Thang and the exhibition “Dong Chim Day Nuoc”

Artist Ca Le Thang

The exhibition “Dong Chim Day Nuoc”, taking place at Wiking Salon from December 14, 2024 to January 19, 2025, is an event marking the more than three-decade artistic journey of the famous painter Ca Le Thang. With more than 20 emotional works, the exhibition not only reflects childhood memories of the flood season in the West, but also tells the story of inner rebirth through abstract art. Curated by Le Thien Bao, this event promises to bring an in-depth look at the journey of searching for and affirming the unique artistic language of one of the pioneers of Vietnamese fine arts.

Artist Ca Le Thang’s studio
Beneath Deep Rivers, Field Submerged #3
2024, oil, acrylic and mixed media on canvas, 170 x 100 cm
Architect Ho Viet Vinh met Artist Kao Dung at the event.

“With childhood memories of the flood season in the Mekong Delta, Ca Le Thang breathed life into his paintings with intense, expressive brushstrokes. He created a natural abstraction, both dreamlike and realistic: where memories and emotions intersect.”

Architect Ho Viet Vinh